{"id":1893,"date":"2023-03-16T17:00:36","date_gmt":"2023-03-16T16:00:36","guid":{"rendered":"https:\/\/unarchivefest.it\/jury-and-prize\/"},"modified":"2024-05-23T12:24:07","modified_gmt":"2024-05-23T10:24:07","slug":"jury-and-prize","status":"publish","type":"page","link":"https:\/\/unarchivefest.it\/en\/jury-and-prize\/","title":{"rendered":"Juries and Prizes"},"content":{"rendered":"<div class=\"wpb-content-wrapper\"><p>[vc_row][vc_column width=&#8221;1\/1&#8243;][vc_column_text uncode_shortcode_id=&#8221;102533&#8243;]<\/p>\n<h2>International Jury<\/h2>\n<p>[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column width=&#8221;1\/6&#8243;][vc_single_image media=&#8221;3846&#8243; media_width_percent=&#8221;100&#8243; uncode_shortcode_id=&#8221;455235&#8243;][vc_single_image media=&#8221;3989&#8243; media_width_percent=&#8221;100&#8243; uncode_shortcode_id=&#8221;906823&#8243;][vc_single_image media=&#8221;3924&#8243; media_width_percent=&#8221;100&#8243; uncode_shortcode_id=&#8221;562359&#8243;][\/vc_column][vc_column width=&#8221;1\/2&#8243;][vc_column_text uncode_shortcode_id=&#8221;108471&#8243;]<span style=\"font-weight: 400;\"><strong><span style=\"color: #ff0000;\">Bill Morrison<\/span><\/strong><br \/>\nBill Morrison has been called \u201cthe poet laureate of lost films\u201d (New York Times, 9\/22\/21). He makes films that reframe long-forgotten moving images. He has premiered feature-length documentary films at the New York, Sundance, Telluride and Venice film festivals. Morrison had a mid-career retrospective at MoMA in 2014. His found footage film <i>Decasia <\/i>(2002) was the first film of the 21st century to be selected for the National Film Registry of the Library of Congress. <i>Dawson City: Frozen Time <\/i>(2016) was named among the best films of the decade (2010) by Associated Press, Los Angeles Times, Vanity Fair and others. In 2021 Morrison became a member of the documentary branch of the Academy of Motion Pictures Arts and Sciences. His most recent feature film, <em>The Village Detective: a song cycle<\/em> (2021) was screened at Telluride Film Festival and distributed by Kino Lorber. <em>Incident<\/em> (2023) presented at Visions du R\u00e9el film festival, won the award for best short film in the first edition of UnArchive Found Footage Fest.<br \/>\n<\/span>[\/vc_column_text][vc_column_text uncode_shortcode_id=&#8221;143785&#8243;]<strong><span style=\"color: #ff0000;\">Sara Fgaier<br \/>\n<\/span><\/strong><span style=\"font-weight: 400;\">Sara Fgaier is an Italian-Tunisian filmmaker. She studied Film History and Criticism at the University of Bologna. She received the Rolex Award for the Arts <\/span><span style=\"font-weight: 400;\">(2012-2013) <\/span><span style=\"font-weight: 400;\">which allowed her to work for a year and a half under the tutelage of Walter Murch. <\/span><span style=\"font-weight: 400;\">She has directed a number of short films, including <\/span><i><span style=\"font-weight: 400;\">L\u2019umile Italia<\/span><\/i><span style=\"font-weight: 400;\"> (2014, Authors&#8217; Days) and <\/span><i><span style=\"font-weight: 400;\">Gli anni<\/span><\/i><span style=\"font-weight: 400;\"> (2018, Orizzonti), loosely based on the novel of the same name by Annie Ernaux. <\/span><i><span style=\"font-weight: 400;\">Gli anni<\/span><\/i><span style=\"font-weight: 400;\"> was chosen by the Horizons jury as a candidate for the European Film Awards, and the European Film Academy decided to award it the Best European Short Film 2018 Award. The film also won the Silver Ribbon for Best Documentary Short Film. <\/span><span style=\"font-weight: 400;\">She is co-founder with Pietro Marcello of the production company <\/span><span style=\"font-weight: 400;\">Avventurosa<\/span><span style=\"font-weight: 400;\">. As an editor and producer, she has made several films including. <\/span><i><span style=\"font-weight: 400;\">La bocca del lupo<\/span><\/i><span style=\"font-weight: 400;\"> (2009) and <\/span><i><span style=\"font-weight: 400;\">Bella e perduta<\/span><\/i><span style=\"font-weight: 400;\"> (2015).<\/span><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;[\/vc_column_text][vc_empty_space empty_h=&#8221;4&#8243;][vc_column_text uncode_shortcode_id=&#8221;206479&#8243;]<strong><span style=\"color: #ff0000;\">Firouzeh Khosrovani<br \/>\n<\/span><\/strong>Born in Tehran, Firouzeh Khosrovani settled in Italy to pursue art studies at the Brera Academy of Fine Arts in Milan. She made her debut in 2004 with <em>Life Train<\/em>; in 2007 she directed Rough <em>cut<\/em>, a film about mutilated plastic mannequins in Tehran shop windows, followed in 2008 by <em>Cutting<\/em> Off, an installation for the Milan Triennale museum. Her <em>1001<\/em> <em>Iran<\/em> (2010) is a documentary about the image of Iran, outside Iran. She has worked on the collective films <em>Espelho Meu <\/em>(2011), <em>Iran<\/em>, <em>Unveiled<\/em> <em>and<\/em> <em>Veiled<\/em> <em>Again<\/em>, (2012) and <em>Documentarist<\/em>, (2014) a seven-episode film made by seven Iranian women directors. With <em>Fest of Duty <\/em>(2014), she tells of a religious ceremony in Iran aimed at teaching girls Islamic beliefs and values when they reach the age of nine. <em>Radiograph of a Family<\/em> (2020) is the pre- and post-revolutionary story of the daughter of a secular father and a devout Muslim mother coexisting under the same roof. Winner of the &#8220;Creative Use of the Archive&#8221; and &#8220;Best Film&#8221; awards at Idfa 2020.[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column width=&#8221;1\/1&#8243;][vc_column_text uncode_shortcode_id=&#8221;462572&#8243;]<\/p>\n<h3>PRIZES<\/h3>\n<p><strong><span style=\"color: #ff0000;\">UNARCHIVE AWARD<\/span> \u20ac 3000 open to all selected projects.<\/strong><br \/>\n<strong><span style=\"color: #ff0000;\">AWARD FOR BEST FEATURE FILM<\/span> \u20ac1500 chosen among projects lasting more than 60 minutes.<\/strong><br \/>\n<strong><span style=\"color: #ff0000;\">AWARD FOR BEST SHORT FILM<\/span> \u20ac1500 chosen among projects lasting less than 60 minutes.<\/strong>[\/vc_column_text][vc_separator sep_color=&#8221;color-wvjs&#8221; uncode_shortcode_id=&#8221;204094&#8243; sep_color_type=&#8221;uncode-palette&#8221; el_height=&#8221;1&#8243;][vc_column_text uncode_shortcode_id=&#8221;170914&#8243;]<\/p>\n<h2>Students Jury<\/h2>\n<p>[\/vc_column_text][vc_column_text uncode_shortcode_id=&#8221;102394&#8243;]<\/p>\n<h3>President<\/h3>\n<p>[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column width=&#8221;1\/6&#8243;][vc_single_image media=&#8221;3847&#8243; media_width_percent=&#8221;100&#8243; uncode_shortcode_id=&#8221;188679&#8243;][\/vc_column][vc_column width=&#8221;1\/6&#8243;][vc_column_text uncode_shortcode_id=&#8221;121475&#8243;]<strong><span style=\"color: #ff0000;\">Giovanni Piperno<br \/>\n<span style=\"color: #000000;\"><span style=\"font-weight: 400;\">Giovanni Piperno has directed numerous documentaries including, <\/span><i><span style=\"font-weight: 400;\">Un th\u00e8 sul set<\/span><\/i><span style=\"font-weight: 400;\"> (co-directed with Laura Muscardin) at the Venice Film Festival in 1995, <\/span><i><span style=\"font-weight: 400;\">Interview to my mother <\/span><\/i><span style=\"font-weight: 400;\">on air at Rai 3, <\/span><i><span style=\"font-weight: 400;\">Mario&#8217;s film<\/span><\/i><span style=\"font-weight: 400;\"> also broadcast by ARTE (both together with Agostino Ferrente) and <\/span><i><span style=\"font-weight: 400;\">L\u2019esplosione <\/span><\/i><span style=\"font-weight: 400;\">winner of the Turin Film Festival 2003 and candidate for the David di Donatello 2004. <\/span><i><span style=\"font-weight: 400;\">CIMAP! centoitalianimattiapechino<\/span><\/i><span style=\"font-weight: 400;\">, participated in the 2008 Locarno Film Festival and won the 2009 Libero Bizzarri Prize. The film about the Agnelli family, <\/span><i><span style=\"font-weight: 400;\">The missing piece<\/span><\/i><span style=\"font-weight: 400;\">, after participation at the 2010 Torino Film Festival, was released in theaters in 2011 and aired on Rai 1.<\/span><i><span style=\"font-weight: 400;\">Le cose<\/span><\/i> <i><span style=\"font-weight: 400;\">belle<\/span><\/i><span style=\"font-weight: 400;\">, co-directed with Agostino Ferrente, participated in the 2012 Venice Film Festival, won twenty-five awards and was released in Italian theaters in 2014. With the collective film <\/span><i><span style=\"font-weight: 400;\">9&#215;10 novanta <\/span><\/i><span style=\"font-weight: 400;\">he participated in the 2014 Venice Film Festival. At the 2015 Rome Film Festival, in the &#8220;Alice in the City&#8221; section, he presented the short film <\/span><i><span style=\"font-weight: 400;\">Quasi Eroi <\/span><\/i><span style=\"font-weight: 400;\">which won the Silver Ribbon as the best short film of 2016. Since 2017 he has been director of the Perugia Social Film Festival, and since 2020 he has taught documentary direction at the Gian Maria Volont\u00e9 School. His latest work <em>Cipria<\/em> was presented at the XL Torino Film Festival and was successfully released in Italian theaters in March 2023.<\/span><\/span><br \/>\n<\/span><\/strong>[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column width=&#8221;1\/4&#8243;][vc_column_text uncode_shortcode_id=&#8221;826724&#8243;]<\/p>\n<h3>Jurors<\/h3>\n<p>[\/vc_column_text][vc_empty_space empty_h=&#8221;4&#8243;][vc_column_text uncode_shortcode_id=&#8221;197049&#8243;]<strong>Thanks to the professors<\/strong>[\/vc_column_text][\/vc_column][vc_column width=&#8221;3\/4&#8243;][vc_column_text uncode_shortcode_id=&#8221;179931&#8243;]Marta Perrotta, Agnese Grassetti, Alessandro De Carli, Anastasia Lazareva, Andrea Landolfi, Benedetta Lucidi, Chiara Laurin, Civita Mariafrancesca, Costanza Cassano, Delio Di Giovanni, Domenico Rocchi, Elisa Parello, Gabriele Guerrieri, Gabriele Traietti, Giacomo Tazzini, Giulia Palazzo, Iris Russo, Jacopo Abballe, Lorenzo Nuzzo, Lucille de Rochefort, Lucrezia Lauteri, Lucrezia Munari, Matteo Delle Chiaie, Michela Porcu, Michele Isoldi, Nicol\u00f2 Pioli, Raffaele Lafiandra, Roberto Lamendola, Runkai Wu, Sara Cacciarini, Valeria Di Brisco, Yvonne Mascioli[\/vc_column_text][vc_column_text uncode_shortcode_id=&#8221;190438&#8243;]Andrea Minuz, Professor of Film History and Screenwriting, Department of History Anthropology Religions Arts and Entertainment, Faculty of Humanities, La Sapienza University of Rome<br \/>\nAntonio Falduto, Professor of Film History, UNINT TEA Master Coordinator<br \/>\nDaniele Guastini, Professor of Aesthetics, Department of Philosophy, Faculty of Humanities, La Sapienza University of Rome<br \/>\nDario Cecchi, Professor of Aesthetics, Department of Philosophy, Faculty of Humanities, La Sapienza University of Rome<br \/>\nFabio Capalbo, Course Advisor Leader, Three-year Film and Animation Program, NABA Rome<br \/>\nGiacomo Ravesi, Department of Philosophy, Communication, Entertainment, University of Roma Tre<br \/>\nLuca Mazzei, Professor of Film History, Department of History, Cultural Heritage, Education and Society, University of Rome &#8220;Tor Vergata&#8221;<br \/>\nRoberto De Gaetano, Professor of Film History and Criticism, Department of History Anthropology Religions Arts and Entertainment, Faculty of Humanities, La Sapienza University of Rome[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column width=&#8221;1\/1&#8243;][vc_column_text uncode_shortcode_id=&#8221;165607&#8243;]<\/p>\n<h3>AWARDS<\/h3>\n<p><strong><span style=\"color: #ff0000;\">UNARCHIVE AWARD<\/span> open to all selected projects.<\/strong><br \/>\n<strong><span style=\"color: #ff0000;\">BEST FEATURE FILM<\/span> chosen among projects lasting more than 60 minutes.<\/strong><br \/>\n<strong><span style=\"color: #ff0000;\">BEST SHORT FILM<\/span> chosen among projects lasting less than 60 minutes.<\/strong>[\/vc_column_text][vc_separator sep_color=&#8221;color-wvjs&#8221; uncode_shortcode_id=&#8221;204094&#8243; sep_color_type=&#8221;uncode-palette&#8221; el_height=&#8221;1&#8243;][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>[vc_row][vc_column width=&#8221;1\/1&#8243;][vc_column_text uncode_shortcode_id=&#8221;102533&#8243;] International Jury [\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column width=&#8221;1\/6&#8243;][vc_single_image media=&#8221;3846&#8243; media_width_percent=&#8221;100&#8243; uncode_shortcode_id=&#8221;455235&#8243;][vc_single_image media=&#8221;3989&#8243; media_width_percent=&#8221;100&#8243; uncode_shortcode_id=&#8221;906823&#8243;][vc_single_image media=&#8221;3924&#8243; media_width_percent=&#8221;100&#8243; uncode_shortcode_id=&#8221;562359&#8243;][\/vc_column][vc_column width=&#8221;1\/2&#8243;][vc_column_text uncode_shortcode_id=&#8221;108471&#8243;]Bill Morrison Bill [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"rs_blank_template":"","rs_page_bg_color":"","slide_template_v7":"","footnotes":""},"class_list":["post-1893","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/unarchivefest.it\/en\/wp-json\/wp\/v2\/pages\/1893","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/unarchivefest.it\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/unarchivefest.it\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/unarchivefest.it\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/unarchivefest.it\/en\/wp-json\/wp\/v2\/comments?post=1893"}],"version-history":[{"count":15,"href":"https:\/\/unarchivefest.it\/en\/wp-json\/wp\/v2\/pages\/1893\/revisions"}],"predecessor-version":[{"id":5255,"href":"https:\/\/unarchivefest.it\/en\/wp-json\/wp\/v2\/pages\/1893\/revisions\/5255"}],"wp:attachment":[{"href":"https:\/\/unarchivefest.it\/en\/wp-json\/wp\/v2\/media?parent=1893"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}