{"id":2086,"date":"2023-03-31T13:46:59","date_gmt":"2023-03-31T11:46:59","guid":{"rendered":"https:\/\/unarchivefest.it\/classroom-reuse\/"},"modified":"2023-04-28T12:02:47","modified_gmt":"2023-04-28T10:02:47","slug":"classroom-reuse","status":"publish","type":"page","link":"https:\/\/unarchivefest.it\/en\/classroom-reuse\/","title":{"rendered":"Class(room) reuse"},"content":{"rendered":"

[vc_row row_height_percent=”0″ overlay_alpha=”50″ gutter_size=”3″ column_width_percent=”100″ shift_y=”0″ z_index=”0″ uncode_shortcode_id=”115430″][vc_column column_width_percent=”100″ gutter_size=”1″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”1\/1″ uncode_shortcode_id=”144124″][vc_single_image media=”1738″ media_width_percent=”100″ uncode_shortcode_id=”154241″][\/vc_column][\/vc_row][vc_row row_height_percent=”0″ overlay_alpha=”50″ gutter_size=”3″ column_width_percent=”100″ shift_y=”0″ z_index=”0″ uncode_shortcode_id=”115430″][vc_column column_width_percent=”100″ gutter_size=”0″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”1\/2″ uncode_shortcode_id=”180167″][vc_column_text uncode_shortcode_id=”489877″]<\/p>\n

Class(room) reuse<\/h1>\n

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Selection of films from art residencies and training courses.<\/strong><\/h5>\n

<\/strong><\/p>\n

<\/h3>\n

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may 3 – 8<\/span>
\nrandom loop<\/span>
\nOn. Wed., Thur., Frid., Mond. 3:00 pm. – 10:00 pm.<\/span>
\nOn. Sat., Sund., 11:00 am. – 10 pm.<\/span>
\nCinema Intrastevere<\/span>
\nmovie theatre 3<\/span><\/h4>\n

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Related events<\/strong><\/h4>\n

Panel, Talk and Masterclass<\/strong> – Class(room) reuse
\n<\/strong>may 5
\n15:00
\nReal Academia de Espa\u00f1a en Roma
\nConference Hall[\/vc_column_text][\/vc_column][\/vc_row][vc_row row_height_percent=”0″ override_padding=”yes” h_padding=”2″ top_padding=”2″ bottom_padding=”2″ overlay_alpha=”50″ gutter_size=”3″ column_width_percent=”100″ shift_y=”0″ z_index=”0″ uncode_shortcode_id=”660839″][vc_column column_width_percent=”100″ gutter_size=”3″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”1\/2″ uncode_shortcode_id=”128388″][vc_separator sep_color=”color-wvjs” uncode_shortcode_id=”939575″ sep_color_type=”uncode-palette” el_height=”1″][vc_column_text uncode_shortcode_id=”369896″]<\/p>\n

CENTRO SPERIMENTALE DI CINEMATOGRAFIA – NATIONAL FILM SCHOOL<\/b><\/h3>\n

[\/vc_column_text][vc_row_inner limit_content=””][vc_column_inner width=”1\/2″][vc_single_image media=”1371″ media_width_percent=”100″ uncode_shortcode_id=”137274″][\/vc_column_inner][vc_column_inner column_width_percent=”100″ gutter_size=”2″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”1\/2″ uncode_shortcode_id=”192678″][vc_column_text uncode_shortcode_id=”544703″]Ai bambini piace nascondersi<\/span><\/strong>
\nAngela Norelli<\/strong> \/ Italy \/ 2021 \/ 15′ 15” \/ Italian[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner limit_content=””][vc_column_inner width=”1\/2″][vc_single_image media=”1372″ media_width_percent=”100″ uncode_shortcode_id=”609794″][\/vc_column_inner][vc_column_inner column_width_percent=”100″ gutter_size=”2″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”1\/2″ uncode_shortcode_id=”192678″][vc_column_text uncode_shortcode_id=”115771″]L’estraneo<\/span>
\n Matteo Di Fiore<\/strong> \/ Italy \/ 2021 \/ 8′ \/ Italian[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner limit_content=””][vc_column_inner width=”1\/2″][vc_single_image media=”1373″ media_width_percent=”100″ uncode_shortcode_id=”175032″][\/vc_column_inner][vc_column_inner column_width_percent=”100″ gutter_size=”2″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”1\/2″ uncode_shortcode_id=”192678″][vc_column_text uncode_shortcode_id=”197306″]Terra dei padri<\/span>
\n Francesco Di Gioia<\/strong> \/ Italy \/ 2021 \/ 11′ \/ Italian[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][vc_column width=”1\/2″][vc_separator sep_color=”color-wvjs” uncode_shortcode_id=”939575″ sep_color_type=”uncode-palette” el_height=”1″][vc_column_text uncode_shortcode_id=”172685″]<\/p>\n

RE-FRAMING HOME MOVIES<\/b><\/h3>\n

[\/vc_column_text][vc_row_inner][vc_column_inner width=”1\/2″][vc_single_image media=”1374″ media_width_percent=”100″ uncode_shortcode_id=”200114″][\/vc_column_inner][vc_column_inner column_width_percent=”100″ gutter_size=”2″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”1\/2″ uncode_shortcode_id=”105649″][vc_column_text uncode_shortcode_id=”689314″]I fiori blu<\/span><\/strong>
\nGuglielmo Trupia<\/strong> \/ Italy \/ 2019 \/ 25′ \/ Italian[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner width=”1\/2″][vc_single_image media=”1375″ media_width_percent=”100″ uncode_shortcode_id=”178383″][\/vc_column_inner][vc_column_inner column_width_percent=”100″ gutter_size=”2″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”1\/2″ uncode_shortcode_id=”105649″][vc_column_text uncode_shortcode_id=”145735″]Ciudad Lineal<\/span>
\n<\/b>Riccardo Bertoia<\/strong> \/ Italy \/ 2021 \/ 31′ \/ Italian[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner width=”1\/2″][vc_single_image media=”1376″ media_width_percent=”100″ uncode_shortcode_id=”158513″][\/vc_column_inner][vc_column_inner column_width_percent=”100″ gutter_size=”2″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”1\/2″ uncode_shortcode_id=”105649″][vc_column_text uncode_shortcode_id=”179120″]Sulle arie, sulle acque, sui luoghi<\/span>
\n<\/b>Vittoria Soddu<\/strong> \/ Italy \/ 2021 \/ 24′ \/ Italian[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner width=”1\/2″][vc_single_image media=”1377″ media_width_percent=”100″ uncode_shortcode_id=”192790″][\/vc_column_inner][vc_column_inner column_width_percent=”100″ gutter_size=”2″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”1\/2″ uncode_shortcode_id=”105649″][vc_column_text uncode_shortcode_id=”179370″]Manuale di cinematografia per dilettanti \u2013 Vol. I<\/span><\/strong>
\n<\/b>Federico Di Corato<\/strong> \/ Italy \/ 2022 \/ 20′ \/ Italian[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row row_height_percent=”0″ override_padding=”yes” h_padding=”2″ top_padding=”2″ bottom_padding=”2″ overlay_alpha=”50″ gutter_size=”3″ column_width_percent=”100″ shift_y=”0″ z_index=”0″ uncode_shortcode_id=”375283″][vc_column column_width_percent=”100″ gutter_size=”3″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”1\/2″ uncode_shortcode_id=”128388″][vc_separator sep_color=”color-wvjs” uncode_shortcode_id=”939575″ sep_color_type=”uncode-palette” el_height=”1″][vc_column_text uncode_shortcode_id=”147216″]<\/p>\n

UNIVERSIT\u00c0 IUAV DI VENEZIA<\/b><\/h3>\n

[\/vc_column_text][vc_row_inner limit_content=””][vc_column_inner width=”1\/2″][vc_single_image media=”1378″ media_width_percent=”100″ uncode_shortcode_id=”185853″][\/vc_column_inner][vc_column_inner column_width_percent=”100″ gutter_size=”2″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”1\/2″ uncode_shortcode_id=”192678″][vc_column_text uncode_shortcode_id=”134082″]Acas\u0103<\/span>
\n<\/b>Rebecca Grigore<\/strong> \/ Italy, Romania \/ 2022 \/ 22′ 6” \/ Italian, Romanian
\n<\/b>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner limit_content=””][vc_column_inner width=”1\/2″][vc_single_image media=”1379″ media_width_percent=”100″ uncode_shortcode_id=”749053″][\/vc_column_inner][vc_column_inner column_width_percent=”100″ gutter_size=”2″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”1\/2″ uncode_shortcode_id=”192678″][vc_column_text uncode_shortcode_id=”181718″]Telememoria<\/span>
\n<\/b>Luka Bagnoli, Elisa La Boria, Silvia Francis Berry<\/strong> \/ Italy \/ 2022 \/ 6′ 35” \/ Silent
\n
\n<\/b>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner limit_content=””][vc_column_inner width=”1\/2″][vc_single_image media=”1607″ media_width_percent=”100″ uncode_shortcode_id=”323207″][\/vc_column_inner][vc_column_inner column_width_percent=”100″ gutter_size=”2″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”1\/2″ uncode_shortcode_id=”192678″][vc_column_text uncode_shortcode_id=”931384″]Se mi fermo forse sono io<\/span>
\n<\/b>Giulia Fegez, Niccol\u00f2 Pagni, Elena Roccaro <\/b>\/ Italy \/ 2022 \/ 6\u2019 \/ Silent<\/p>\n


\n<\/b>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][vc_column width=”1\/2″][vc_separator sep_color=”color-wvjs” uncode_shortcode_id=”939575″ sep_color_type=”uncode-palette” el_height=”1″][vc_column_text uncode_shortcode_id=”121473″]<\/p>\n

ART RESIDENCE SUONI & VISIONI<\/strong><\/h3>\n

[\/vc_column_text][vc_row_inner][vc_column_inner width=”1\/2″][vc_single_image media=”1380″ media_width_percent=”100″ uncode_shortcode_id=”160511″][\/vc_column_inner][vc_column_inner column_width_percent=”100″ gutter_size=”2″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”1\/2″ uncode_shortcode_id=”105649″][vc_column_text uncode_shortcode_id=”982132″]Battlefield<\/span><\/strong>
\nSilvia Biagioni, Andrea Laudante<\/strong> \/ ItalY \/ 2021 \/ 10\u2019 19\u2019\u2019 \/ Italian[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner width=”1\/2″][vc_single_image media=”1381″ media_width_percent=”100″ uncode_shortcode_id=”179844″][\/vc_column_inner][vc_column_inner column_width_percent=”100″ gutter_size=”2″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”1\/2″ uncode_shortcode_id=”105649″][vc_column_text uncode_shortcode_id=”923939″]Dal giorno finch\u00e9 sera<\/span><\/strong>
\nAlessandro Gattuso, Luca Maria Baldini<\/strong> \/ Italy \/ 2021 \/ 15\u2019 02\u2019\u2019 \/ Italian[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner width=”1\/2″][vc_single_image media=”1386″ media_width_percent=”100″ uncode_shortcode_id=”375074″][\/vc_column_inner][vc_column_inner column_width_percent=”100″ gutter_size=”2″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”1\/2″ uncode_shortcode_id=”105649″][vc_column_text uncode_shortcode_id=”129923″]Io Ho Fissato Il Fuoco Per Sempre<\/span><\/strong>
\nSalvatore Insana, Silvia Cignoli<\/strong> \/ Italy \/ 2021 \/ 23\u2019 50\u2019\u2019) \/ Italian[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row row_height_percent=”0″ override_padding=”yes” h_padding=”2″ top_padding=”2″ bottom_padding=”2″ overlay_alpha=”50″ gutter_size=”3″ column_width_percent=”100″ shift_y=”0″ z_index=”0″ uncode_shortcode_id=”375283″][vc_column column_width_percent=”100″ gutter_size=”3″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”1\/1″ uncode_shortcode_id=”128388″][vc_separator sep_color=”color-wvjs” uncode_shortcode_id=”939575″ sep_color_type=”uncode-palette” el_height=”1″][vc_column_text uncode_shortcode_id=”622600″]<\/p>\n

PREMIO CESARE ZAVATTINI <\/strong><\/h3>\n

[\/vc_column_text][vc_row_inner limit_content=””][vc_column_inner width=”1\/4″][vc_single_image media=”1691″ media_width_percent=”100″ uncode_shortcode_id=”822821″][\/vc_column_inner][vc_column_inner column_width_percent=”100″ gutter_size=”2″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”1\/4″ uncode_shortcode_id=”192678″][vc_column_text uncode_shortcode_id=”130601″]Blue Screen<\/span><\/strong>
\nAlessandro Arfuso, Riccardo Bolo<\/strong> \/ Italy \/ 2016 \/ 16′ 49” \/ Italian[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/4″][vc_single_image media=”1692″ media_width_percent=”100″ uncode_shortcode_id=”198692″][\/vc_column_inner][vc_column_inner width=”1\/4″][vc_column_text uncode_shortcode_id=”115528″]Dimenticata Militanza<\/span><\/strong>
\nPatrizio Partino<\/strong> \/ Italy \/ 2016 \/ 15′ 27” \/ Italian[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner limit_content=””][vc_column_inner width=”1\/4″][vc_single_image media=”1723″ media_width_percent=”100″ uncode_shortcode_id=”132524″][\/vc_column_inner][vc_column_inner column_width_percent=”100″ gutter_size=”2″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”1\/4″ uncode_shortcode_id=”192678″][vc_column_text uncode_shortcode_id=”191633″]Fuori Programma<\/span><\/strong>
\nCarla Oppo<\/strong> \/ Italy \/ 2016 \/ 16′ 06” \/ Italian[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/4″][vc_single_image media=”1724″ media_width_percent=”100″ uncode_shortcode_id=”805927″][\/vc_column_inner][vc_column_inner width=”1\/4″][vc_column_text uncode_shortcode_id=”176960″]Massimino<\/span><\/strong>
\nPietro Li Donni<\/strong> \/ Italy \/ 2016 \/ 16′ 45” \/ Italian[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner limit_content=””][vc_column_inner width=”1\/4″][vc_single_image media=”1726″ media_width_percent=”100″ uncode_shortcode_id=”152255″][\/vc_column_inner][vc_column_inner column_width_percent=”100″ gutter_size=”2″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”1\/4″ uncode_shortcode_id=”192678″][vc_column_text uncode_shortcode_id=”214012″]In her shoes<\/span><\/strong>
\nMaria Iovine<\/strong> \/ Italy \/ 2017 \/ 19′ 16” \/ Italian[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/4″][vc_single_image media=”1727″ media_width_percent=”100″ uncode_shortcode_id=”167757″][\/vc_column_inner][vc_column_inner width=”1\/4″][vc_column_text uncode_shortcode_id=”961098″]Mirabilia urbis<\/span><\/strong>
\nMilo Adami<\/strong> \/ Italy \/ 2017 \/ 18′ 05” \/ Italian[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner limit_content=””][vc_column_inner width=”1\/4″][vc_single_image media=”1728″ media_width_percent=”100″ uncode_shortcode_id=”111034″][\/vc_column_inner][vc_column_inner column_width_percent=”100″ gutter_size=”2″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”1\/4″ uncode_shortcode_id=”192678″][vc_column_text uncode_shortcode_id=”109667″]Then and now<\/span><\/strong>
\nGiulia Tata, Antonio Torrisi<\/strong> \/ Italy \/ 2017 \/ 19′ 36” \/ Italian[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/4″][vc_single_image media=”1729″ media_width_percent=”100″ uncode_shortcode_id=”210330″][\/vc_column_inner][vc_column_inner width=”1\/4″][vc_column_text uncode_shortcode_id=”646967″]Anche gli uomini hanno fame<\/span><\/strong>
\nGabriele Licchelli, Francesco Lorusso, Andrea Settembrini<\/strong> \/ Italy \/ 2018 \/ 19′ 53” \/ Italian[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner limit_content=””][vc_column_inner width=”1\/4″][vc_single_image media=”1731″ media_width_percent=”100″ uncode_shortcode_id=”137188″][\/vc_column_inner][vc_column_inner column_width_percent=”100″ gutter_size=”2″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”1\/4″ uncode_shortcode_id=”192678″][vc_column_text uncode_shortcode_id=”214351″]Domani chiss\u00e0 forse<\/span><\/strong>
\nChiara Rigione<\/strong> \/ Italy \/ 2018 \/ 15′ 46” \/ Italian[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/4″][vc_single_image media=”1733″ media_width_percent=”100″ uncode_shortcode_id=”169125″][\/vc_column_inner][vc_column_inner width=”1\/4″][vc_column_text uncode_shortcode_id=”200890″]Supereroi senza super poteri<\/span><\/strong>
\nBeatrice Baldacci<\/strong> \/ Italy \/ 2018 \/ 12′ 40” \/ Italian[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner limit_content=””][vc_column_inner width=”1\/4″][vc_single_image media=”1735″ media_width_percent=”100″ uncode_shortcode_id=”178951″][\/vc_column_inner][vc_column_inner column_width_percent=”100″ gutter_size=”2″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”1\/4″ uncode_shortcode_id=”192678″][vc_column_text uncode_shortcode_id=”356316″]Il mare che non muore<\/span><\/strong>
\nCaterina Biasucci<\/strong> \/ Italy \/ 2019 \/ 13′ 03” \/ Italian[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/4″][vc_single_image media=”1737″ media_width_percent=”100″ uncode_shortcode_id=”122983″][\/vc_column_inner][vc_column_inner width=”1\/4″][vc_column_text uncode_shortcode_id=”209885″]L’Angelo della storia<\/span><\/strong>
\nLorenzo Conte<\/strong> \/ Italy \/ 2019 \/ 17′ 19” \/ Italian[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner limit_content=””][vc_column_inner width=”1\/4″][vc_single_image media=”1738″ media_width_percent=”100″ uncode_shortcode_id=”914954″][\/vc_column_inner][vc_column_inner column_width_percent=”100″ gutter_size=”2″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”1\/4″ uncode_shortcode_id=”192678″][vc_column_text uncode_shortcode_id=”107737″]Lo chiamavano Cargo<\/span><\/strong>
\nMarco Signoretti<\/strong> \/ Italy \/ 2019 \/ 17′ 34” \/ Italian[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/4″][vc_single_image media=”1739″ media_width_percent=”100″ uncode_shortcode_id=”116717″][\/vc_column_inner][vc_column_inner width=”1\/4″][vc_column_text uncode_shortcode_id=”851028″]Comunisti<\/span><\/strong>
\nDavide Crudetti<\/strong> \/ Italt \/ 2020 \/ 19′ 27” \/ Italian[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner limit_content=””][vc_column_inner width=”1\/4″][vc_single_image media=”1740″ media_width_percent=”100″ uncode_shortcode_id=”174370″][\/vc_column_inner][vc_column_inner width=”1\/4″][vc_column_text uncode_shortcode_id=”178512″]Heimat<\/span><\/strong>
\nGiovanni Montagnana<\/strong> \/ Italy \/ 2020 \/ 19′ 59” \/ Italian[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/4″][vc_single_image media=”1741″ media_width_percent=”100″ uncode_shortcode_id=”864752″][\/vc_column_inner][vc_column_inner column_width_percent=”100″ gutter_size=”2″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”1\/4″ uncode_shortcode_id=”192678″][vc_column_text uncode_shortcode_id=”167273″]Sbagliando s’inventa<\/span><\/strong>
\nAlice Sagrati<\/strong> \/ Italy \/ 2020 \/ 11′ 24” \/ Italian[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner limit_content=””][vc_column_inner width=”1\/4″][vc_single_image media=”1693″ media_width_percent=”100″ uncode_shortcode_id=”889419″][\/vc_column_inner][vc_column_inner column_width_percent=”100″ gutter_size=”2″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”1\/4″ uncode_shortcode_id=”192678″][vc_column_text uncode_shortcode_id=”340887″]Il piccolo Golem<\/span><\/strong>
\nFederina Quaini, Giulia Viola Milocco<\/strong> \/ Italy \/ 2021 \/ 21′ 50” \/ Italian[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/4″][\/vc_column_inner][vc_column_inner width=”1\/4″][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/1″][vc_separator sep_color=”” uncode_shortcode_id=”227526″][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/2″][vc_column_text uncode_shortcode_id=”127566″]<\/p>\n

Presentacion of found footage film directed by the students of NABA – Nuova Accademia di Belle Arti in collaboration with AAMOD, edited from the audiovisual archive.<\/span><\/h3>\n

[\/vc_column_text][vc_separator sep_color=”” uncode_shortcode_id=”227526″][\/vc_column][vc_column width=”1\/2″][vc_column_text uncode_shortcode_id=”622492″]<\/p>\n

may 7<\/span>
\n10:30<\/span>
\nCinema Intrastevere<\/span>
\nmovie theatre 2
\nPresented by Fabio Capalbo, Course Advisor Leader, Cinema and Animation NABA Roma<\/span><\/span><\/h4>\n

[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/1″][vc_column_text uncode_shortcode_id=”211194″]Baunty e la minaccia in viola: il dirottamento del dirigibile
\n<\/span>Flavio Stano<\/strong>
\nThe golden age of American comics and popular 1960\u2019s cartoons are the inspiration for this eccentric found footage short film, which draws material from the most diverse thematic areas, and gives it new life in an episode of a fictional live-action series on the adventures of Baunty e la minaccia in viola<\/em>. The voice of the steadfast presenter of RadioTV News Boo Dj accompanies us in the episode The Hijacking of the Zeppelin<\/em>, leading us into a movie theatre where the adventures of Baunty, Steven and Anastacia against their notorious opponent Gaspacio – always ready to put their quiet town in danger \u2013 are being shown to young moviegoers. The kids in the theatre represent the beauty of childish illusion that is inside each one of us, just like when we were young and were fascinated and involved in watching the same stories for hundreds of episodes, watching the same hero over and over, waiting for the predictable but deserved victory.<\/p>\n

Con-Fondersi
\nElena Cucci, Valerio Federico
\n<\/span><\/span><\/strong> The video focuses on the dynamics of a love relationship, capturing a specific moment using two sensory experiences: visual and auditory. Using images from the Audiovisual Archive of the Democratic and Labour Movement (AAMOD), in which individuals are indistinguishable within a demonstration that winds through the city streets, an emotional flow is created and becomes the river of an intimate relationship between two people. The intimate narrative is told through the sound of whispered words, suspended thoughts, smiles that dissolve the embarrassment, hands that seek, find and touch, kisses that confuse, in the attempt to merge completely. The title of the project, readable in both directions Con-Fondersi<\/em><\/strong> or Fondersi-Con<\/em><\/strong> (in Italian confuse and fuse-with), represents precisely the dual meaning, on the border between the desire to merge physically and emotionally and the risk of becoming confused, of losing one’s identity within the relationship. In short, the video explores the complexity and beauty of a love relationship, capturing the tension between individuality and the desire to share one’s life with another person.<\/p>\n

Io e tristezza<\/span><\/strong>
\nSara Crescini, Morena Santo Giulia Minella, Claudia Sirignano <\/strong>
\nIf we could represent sadness with a colour it would be blue. Sadness is a fine line that enters our lives and our memories, like a friend who is always beside us but also who, when she leaves us alone for a few moments, makes us discover joy and lightness. Our short film, accompanied by a poem written by Giulia Minella, enhances this feeling, using archive videos that remind us of a passage in history. We do not know the identity of those people, but emotions are what we share with them.<\/p>\n

Realt\u00e0 Celata<\/span><\/strong>
\nDaniele Senesi<\/strong>
\nRealt\u00e0 Celata <\/em><\/strong> tells the story of certain moments of life, a painful life made of war, demonstrations and neglect. But how does we deal with these situations? Often swinging between joy, sadness, fear and anger, but also between faith and peace, a whirlwind of emotions, sometimes conflicting ones. Because in situations like these, we tend to hide reality<\/em>, to convince ourselves that everything is fine even if we know that it is not. How can one live a life of only suffering? Why not find moments of everyday life and lightheartedness even in degraded situations? This is what this audiovisual product intends to show us, a journey into the feelings of man in his contradiction, his living with confidence and lightheartedness the moments of despair and loneliness, living through the war with another feeling, not resignation but hope. So here, next to military planes and bombs, we are shown acts of daily life such as children playing, family dinners, trips with friends. Because in the end when everything seems lost and when everything seems to be crumbling around you, there is only one thing left: hope and the wish to continue living.<\/p>\n

Tutti guardano tutti
\nCecilia Carmine, Maia Evangelisti
\n<\/span><\/span><\/strong> The video art project by Cecilia Carmine and Maia Evangelisti Tutti guardano tutti<\/em><\/strong> is a 2\u201930\u2019\u2019 video entirely made with video material from AAMOD (Audiovisual Archive of the Democratic and Labour Movement) and audio material from the collaboration with Sound designer Lorenzo Tomio. These are two videos to be seen side by side at the same time.
\nThey present the same archive material edited in a different order. On one side the characters are looking into the camera, while the other collects videos of people who ignore the camera; then there is an intermission phase that is the same for both videos, with camera movements and videos of walking feet, and then a final part where on one side there are videos of people ignoring you while on the other they are looking at you (in inverted position from the first part). The project wants us to reflect on the perception of ourselves in the world, especially when immersed in a crowd, by showing us both the emotions we might feel: am I at the centre of the world, or am I nobody? The video will be accompanied by a sound design composed of constant and rather invasive white noise, footstep sounds and indistinct crowd buzz.[\/vc_column_text][vc_empty_space empty_h=”2″][\/vc_column][\/vc_row][vc_row row_height_percent=”0″ override_padding=”yes” h_padding=”2″ top_padding=”2″ bottom_padding=”2″ overlay_alpha=”50″ gutter_size=”3″ column_width_percent=”100″ shift_y=”0″ z_index=”0″ uncode_shortcode_id=”577654″][vc_column width=”1\/1″][uncode_share layout=”multiple” bigger=”yes” separator=”yes” css_animation=”bottom-t-top” title=”share”][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

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