{"id":3342,"date":"2024-02-19T16:54:44","date_gmt":"2024-02-19T15:54:44","guid":{"rendered":"https:\/\/unarchivefest.it\/?page_id=3342"},"modified":"2024-05-23T22:44:00","modified_gmt":"2024-05-23T20:44:00","slug":"carte-blanche-philippe-alain-michaud-centre-pompidou-2024","status":"publish","type":"page","link":"https:\/\/unarchivefest.it\/en\/carte-blanche-philippe-alain-michaud-centre-pompidou-2024\/","title":{"rendered":"Carte blanche Philippe-Alain Michaud &#8211; Centre Pompidou 2024"},"content":{"rendered":"<div class=\"wpb-content-wrapper\"><p>[vc_row row_height_percent=&#8221;0&#8243; overlay_alpha=&#8221;50&#8243; gutter_size=&#8221;3&#8243; column_width_percent=&#8221;100&#8243; shift_y=&#8221;0&#8243; z_index=&#8221;0&#8243; uncode_shortcode_id=&#8221;115430&#8243;][vc_column column_width_percent=&#8221;100&#8243; gutter_size=&#8221;0&#8243; overlay_alpha=&#8221;50&#8243; shift_x=&#8221;0&#8243; shift_y=&#8221;0&#8243; shift_y_down=&#8221;0&#8243; z_index=&#8221;0&#8243; medium_width=&#8221;0&#8243; mobile_width=&#8221;0&#8243; width=&#8221;1\/2&#8243; uncode_shortcode_id=&#8221;180167&#8243;][vc_column_text uncode_shortcode_id=&#8221;537644&#8243;]<\/p>\n<h1><em>Carte blanche<\/em><\/h1>\n<p>[\/vc_column_text][vc_column_text uncode_shortcode_id=&#8221;120540&#8243;]<\/p>\n<h3>Philippe-Alain Michaud &#8211; Centre Pompidou<\/h3>\n<p>[\/vc_column_text][vc_column_text uncode_shortcode_id=&#8221;127434&#8243;]<\/p>\n<h5>A selection of rare archival films chosen by the director of the department of Experimental Cinema of the Paris museum.<br \/>\nDigital screenings.<\/h5>\n<p><strong> <\/strong><\/p>\n<h3><\/h3>\n<p>[\/vc_column_text][\/vc_column][vc_column width=&#8221;1\/2&#8243;][vc_column_text uncode_shortcode_id=&#8221;133667&#8243;]<\/p>\n<h4><span style=\"color: #000000;\">Carte blanche #1<\/span><em><span style=\"color: #000000;\"> &#8211; History<\/span><br \/>\n<\/em><span style=\"color: #666699;\">June 1 6:00 p.m.<\/span><br \/>\n<span style=\"color: #666699;\">Cinema Intrastevere <\/span> <span style=\"color: #666699;\">Hall 2<\/span><\/h4>\n<h4><span style=\"color: #000000;\">Carte blanche #2<\/span><em><span style=\"color: #000000;\"> &#8211; Stories<\/span><br \/>\n<\/em><span style=\"color: #666699;\">June 2 6:30 p.m.<\/span><br \/>\n<span style=\"color: #666699;\">Cinema Intrastevere <\/span> <span style=\"color: #666699;\">Hall 2<\/span><\/h4>\n<h4><span style=\"color: #ff0000;\"><strong>Introduced by the curator <\/strong><\/span><\/h4>\n<p>[\/vc_column_text][\/vc_column][\/vc_row][vc_row row_height_percent=&#8221;0&#8243; override_padding=&#8221;yes&#8221; h_padding=&#8221;2&#8243; top_padding=&#8221;2&#8243; bottom_padding=&#8221;0&#8243; overlay_alpha=&#8221;50&#8243; gutter_size=&#8221;3&#8243; column_width_percent=&#8221;100&#8243; shift_y=&#8221;0&#8243; z_index=&#8221;0&#8243; uncode_shortcode_id=&#8221;187932&#8243;][vc_column column_width_percent=&#8221;100&#8243; gutter_size=&#8221;2&#8243; overlay_alpha=&#8221;50&#8243; shift_x=&#8221;0&#8243; shift_y=&#8221;0&#8243; shift_y_down=&#8221;0&#8243; z_index=&#8221;0&#8243; medium_width=&#8221;0&#8243; mobile_width=&#8221;0&#8243; width=&#8221;1\/1&#8243; uncode_shortcode_id=&#8221;269404&#8243;][vc_separator sep_color=&#8221;color-wvjs&#8221; type=&#8221;dotted&#8221; uncode_shortcode_id=&#8221;202264&#8243; sep_color_type=&#8221;uncode-palette&#8221; el_height=&#8221;10&#8243;][vc_column_text uncode_shortcode_id=&#8221;132032&#8243;]<\/p>\n<h2><span style=\"color: #ff0000;\">L&#8217;Histoire et Les histoires<\/span><\/h2>\n<p>[\/vc_column_text][vc_separator sep_color=&#8221;color-wvjs&#8221; type=&#8221;dotted&#8221; uncode_shortcode_id=&#8221;202264&#8243; sep_color_type=&#8221;uncode-palette&#8221; el_height=&#8221;10&#8243;][vc_column_text uncode_shortcode_id=&#8221;166538&#8243;]History is one and collective; stories are singular and multiple. If the former is made of documents, the latter is made of fairy tales. In the field of found footage, the line between the symbolic and the imaginary is thus drawn: both work from a residue deposited in impressional images-the real-from which substitution occurs; that is, the division, not without interference, between nonfiction and fiction.<\/p>\n<p>Philippe Alain-Michaud, 2024[\/vc_column_text][vc_separator sep_color=&#8221;color-wvjs&#8221; type=&#8221;dotted&#8221; uncode_shortcode_id=&#8221;202264&#8243; sep_color_type=&#8221;uncode-palette&#8221; el_height=&#8221;10&#8243;][vc_empty_space empty_h=&#8221;2&#8243;][vc_column_text uncode_shortcode_id=&#8221;158488&#8243;]<\/p>\n<h4>History<\/h4>\n<p>[\/vc_column_text][vc_column_text uncode_shortcode_id=&#8221;136034&#8243;]<\/p>\n<h5>L&#8217;Histoire<\/h5>\n<p>[\/vc_column_text][vc_single_image media=&#8221;4342&#8243; media_width_percent=&#8221;100&#8243; uncode_shortcode_id=&#8221;960478&#8243;][\/vc_column][\/vc_row][vc_row row_height_percent=&#8221;0&#8243; override_padding=&#8221;yes&#8221; h_padding=&#8221;2&#8243; top_padding=&#8221;2&#8243; bottom_padding=&#8221;2&#8243; overlay_alpha=&#8221;50&#8243; gutter_size=&#8221;3&#8243; column_width_percent=&#8221;100&#8243; shift_y=&#8221;0&#8243; z_index=&#8221;0&#8243; uncode_shortcode_id=&#8221;375283&#8243;][vc_column column_width_percent=&#8221;100&#8243; gutter_size=&#8221;3&#8243; overlay_alpha=&#8221;50&#8243; shift_x=&#8221;0&#8243; shift_y=&#8221;0&#8243; shift_y_down=&#8221;0&#8243; z_index=&#8221;0&#8243; medium_width=&#8221;0&#8243; mobile_width=&#8221;0&#8243; width=&#8221;1\/2&#8243; uncode_shortcode_id=&#8221;128388&#8243;][vc_separator sep_color=&#8221;color-wvjs&#8221; uncode_shortcode_id=&#8221;939575&#8243; sep_color_type=&#8221;uncode-palette&#8221; el_height=&#8221;1&#8243;][vc_row_inner limit_content=&#8221;&#8221;][vc_column_inner column_width_percent=&#8221;100&#8243; gutter_size=&#8221;2&#8243; overlay_alpha=&#8221;50&#8243; shift_x=&#8221;0&#8243; shift_y=&#8221;0&#8243; shift_y_down=&#8221;0&#8243; z_index=&#8221;0&#8243; medium_width=&#8221;0&#8243; mobile_width=&#8221;0&#8243; width=&#8221;1\/2&#8243; uncode_shortcode_id=&#8221;192678&#8243;][vc_column_text uncode_shortcode_id=&#8221;764229&#8243;]<strong>Whistle Stop<\/strong> <strong><br \/>\n<\/strong>Martin Arnold \/ 2014 \/ 3\u2019 20\u2019\u2019 \/ 16mm[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][vc_column width=&#8221;1\/2&#8243;][vc_separator sep_color=&#8221;color-wvjs&#8221; uncode_shortcode_id=&#8221;939575&#8243; sep_color_type=&#8221;uncode-palette&#8221; el_height=&#8221;1&#8243;][vc_row_inner limit_content=&#8221;&#8221;][vc_column_inner column_width_percent=&#8221;100&#8243; gutter_size=&#8221;2&#8243; overlay_alpha=&#8221;50&#8243; shift_x=&#8221;0&#8243; shift_y=&#8221;0&#8243; shift_y_down=&#8221;0&#8243; z_index=&#8221;0&#8243; medium_width=&#8221;0&#8243; mobile_width=&#8221;0&#8243; width=&#8221;1\/2&#8243; uncode_shortcode_id=&#8221;105649&#8243;][vc_column_text uncode_shortcode_id=&#8221;112340&#8243;]<strong>Histoire du Soldat Inconnu<\/strong><br \/>\nHenri Storck \/ 1931 \/ 10\u2019 \/ 16mm[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row row_height_percent=&#8221;0&#8243; override_padding=&#8221;yes&#8221; h_padding=&#8221;2&#8243; top_padding=&#8221;2&#8243; bottom_padding=&#8221;2&#8243; overlay_alpha=&#8221;50&#8243; gutter_size=&#8221;3&#8243; column_width_percent=&#8221;100&#8243; shift_y=&#8221;0&#8243; z_index=&#8221;0&#8243; uncode_shortcode_id=&#8221;375283&#8243;][vc_column column_width_percent=&#8221;100&#8243; gutter_size=&#8221;3&#8243; overlay_alpha=&#8221;50&#8243; shift_x=&#8221;0&#8243; shift_y=&#8221;0&#8243; shift_y_down=&#8221;0&#8243; z_index=&#8221;0&#8243; medium_width=&#8221;0&#8243; mobile_width=&#8221;0&#8243; width=&#8221;1\/2&#8243; uncode_shortcode_id=&#8221;128388&#8243;][vc_separator sep_color=&#8221;color-wvjs&#8221; uncode_shortcode_id=&#8221;939575&#8243; sep_color_type=&#8221;uncode-palette&#8221; el_height=&#8221;1&#8243;][vc_row_inner limit_content=&#8221;&#8221;][vc_column_inner column_width_percent=&#8221;100&#8243; gutter_size=&#8221;2&#8243; overlay_alpha=&#8221;50&#8243; shift_x=&#8221;0&#8243; shift_y=&#8221;0&#8243; shift_y_down=&#8221;0&#8243; z_index=&#8221;0&#8243; medium_width=&#8221;0&#8243; mobile_width=&#8221;0&#8243; width=&#8221;1\/2&#8243; uncode_shortcode_id=&#8221;192678&#8243;][vc_column_text uncode_shortcode_id=&#8221;156874&#8243;]<strong>News Reel <\/strong><br \/>\nRafael Montanez-Ortiz \/ 1958 \/ 1\u2019 43\u2019\u2019 \/ 16mm[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][vc_column width=&#8221;1\/2&#8243;][vc_separator sep_color=&#8221;color-wvjs&#8221; uncode_shortcode_id=&#8221;939575&#8243; sep_color_type=&#8221;uncode-palette&#8221; el_height=&#8221;1&#8243;][vc_row_inner limit_content=&#8221;&#8221;][vc_column_inner column_width_percent=&#8221;100&#8243; gutter_size=&#8221;2&#8243; overlay_alpha=&#8221;50&#8243; shift_x=&#8221;0&#8243; shift_y=&#8221;0&#8243; shift_y_down=&#8221;0&#8243; z_index=&#8221;0&#8243; medium_width=&#8221;0&#8243; mobile_width=&#8221;0&#8243; width=&#8221;1\/2&#8243; uncode_shortcode_id=&#8221;105649&#8243;][vc_column_text uncode_shortcode_id=&#8221;155510&#8243;]<strong>Watching for the Queen <\/strong><br \/>\nDavid Rimmer \/ paese \/ 1992 \/ 11\u2019 2\u2019\u2019 \/ 16mm[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row row_height_percent=&#8221;0&#8243; override_padding=&#8221;yes&#8221; h_padding=&#8221;2&#8243; top_padding=&#8221;2&#8243; bottom_padding=&#8221;2&#8243; overlay_alpha=&#8221;50&#8243; gutter_size=&#8221;3&#8243; column_width_percent=&#8221;100&#8243; shift_y=&#8221;0&#8243; z_index=&#8221;0&#8243; uncode_shortcode_id=&#8221;375283&#8243;][vc_column column_width_percent=&#8221;100&#8243; gutter_size=&#8221;3&#8243; overlay_alpha=&#8221;50&#8243; shift_x=&#8221;0&#8243; shift_y=&#8221;0&#8243; shift_y_down=&#8221;0&#8243; z_index=&#8221;0&#8243; medium_width=&#8221;0&#8243; mobile_width=&#8221;0&#8243; width=&#8221;1\/2&#8243; uncode_shortcode_id=&#8221;128388&#8243;][vc_separator sep_color=&#8221;color-wvjs&#8221; uncode_shortcode_id=&#8221;939575&#8243; sep_color_type=&#8221;uncode-palette&#8221; el_height=&#8221;1&#8243;][vc_row_inner limit_content=&#8221;&#8221;][vc_column_inner column_width_percent=&#8221;100&#8243; gutter_size=&#8221;2&#8243; overlay_alpha=&#8221;50&#8243; shift_x=&#8221;0&#8243; shift_y=&#8221;0&#8243; shift_y_down=&#8221;0&#8243; z_index=&#8221;0&#8243; medium_width=&#8221;0&#8243; mobile_width=&#8221;0&#8243; width=&#8221;1\/2&#8243; uncode_shortcode_id=&#8221;192678&#8243;][vc_column_text uncode_shortcode_id=&#8221;228821&#8243;]<strong>Looting for Rodney <\/strong><br \/>\nKen Jacobs \/ 1994-1995 \/ 3\u2019\/ 16mm[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][vc_column width=&#8221;1\/2&#8243;][vc_separator sep_color=&#8221;color-wvjs&#8221; uncode_shortcode_id=&#8221;939575&#8243; sep_color_type=&#8221;uncode-palette&#8221; el_height=&#8221;1&#8243;][vc_row_inner limit_content=&#8221;&#8221;][vc_column_inner column_width_percent=&#8221;100&#8243; gutter_size=&#8221;2&#8243; overlay_alpha=&#8221;50&#8243; shift_x=&#8221;0&#8243; shift_y=&#8221;0&#8243; shift_y_down=&#8221;0&#8243; z_index=&#8221;0&#8243; medium_width=&#8221;0&#8243; mobile_width=&#8221;0&#8243; width=&#8221;1\/2&#8243; uncode_shortcode_id=&#8221;105649&#8243;][vc_column_text uncode_shortcode_id=&#8221;207562&#8243;]<strong>Displaced Person <\/strong><br \/>\nDaniel Eisenberg \/ 1994 \/ 10\u2019 \/ 16mm[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row row_height_percent=&#8221;0&#8243; override_padding=&#8221;yes&#8221; h_padding=&#8221;2&#8243; top_padding=&#8221;2&#8243; bottom_padding=&#8221;2&#8243; overlay_alpha=&#8221;50&#8243; gutter_size=&#8221;3&#8243; column_width_percent=&#8221;100&#8243; shift_y=&#8221;0&#8243; z_index=&#8221;0&#8243; uncode_shortcode_id=&#8221;375283&#8243;][vc_column column_width_percent=&#8221;100&#8243; gutter_size=&#8221;3&#8243; overlay_alpha=&#8221;50&#8243; shift_x=&#8221;0&#8243; shift_y=&#8221;0&#8243; shift_y_down=&#8221;0&#8243; z_index=&#8221;0&#8243; medium_width=&#8221;0&#8243; mobile_width=&#8221;0&#8243; width=&#8221;1\/2&#8243; uncode_shortcode_id=&#8221;128388&#8243;][vc_separator sep_color=&#8221;color-wvjs&#8221; uncode_shortcode_id=&#8221;939575&#8243; sep_color_type=&#8221;uncode-palette&#8221; el_height=&#8221;1&#8243;][vc_row_inner limit_content=&#8221;&#8221;][vc_column_inner column_width_percent=&#8221;100&#8243; gutter_size=&#8221;2&#8243; overlay_alpha=&#8221;50&#8243; shift_x=&#8221;0&#8243; shift_y=&#8221;0&#8243; shift_y_down=&#8221;0&#8243; z_index=&#8221;0&#8243; medium_width=&#8221;0&#8243; mobile_width=&#8221;0&#8243; width=&#8221;1\/2&#8243; uncode_shortcode_id=&#8221;192678&#8243;][vc_column_text uncode_shortcode_id=&#8221;159055&#8243;]<strong>Studies in images (de) Generation <\/strong><br \/>\nCorinne Cantrill, Arthur Cantrill \/ 1975 \/ 10\u2019 \/ 16mm[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][vc_column width=&#8221;1\/2&#8243;][vc_separator sep_color=&#8221;color-wvjs&#8221; uncode_shortcode_id=&#8221;939575&#8243; sep_color_type=&#8221;uncode-palette&#8221; el_height=&#8221;1&#8243;][vc_row_inner limit_content=&#8221;&#8221;][vc_column_inner column_width_percent=&#8221;100&#8243; gutter_size=&#8221;2&#8243; overlay_alpha=&#8221;50&#8243; shift_x=&#8221;0&#8243; shift_y=&#8221;0&#8243; shift_y_down=&#8221;0&#8243; z_index=&#8221;0&#8243; medium_width=&#8221;0&#8243; mobile_width=&#8221;0&#8243; width=&#8221;1\/2&#8243; uncode_shortcode_id=&#8221;105649&#8243;][vc_column_text uncode_shortcode_id=&#8221;123798&#8243;]<strong>Reanimation<\/strong><br \/>\nOliver Beer \/ 2014 \/ 3\u2019\/ 16mm, VideoHD[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row row_height_percent=&#8221;0&#8243; override_padding=&#8221;yes&#8221; h_padding=&#8221;2&#8243; top_padding=&#8221;2&#8243; bottom_padding=&#8221;2&#8243; overlay_alpha=&#8221;50&#8243; gutter_size=&#8221;3&#8243; column_width_percent=&#8221;100&#8243; shift_y=&#8221;0&#8243; z_index=&#8221;0&#8243; uncode_shortcode_id=&#8221;375283&#8243;][vc_column column_width_percent=&#8221;100&#8243; gutter_size=&#8221;3&#8243; overlay_alpha=&#8221;50&#8243; shift_x=&#8221;0&#8243; shift_y=&#8221;0&#8243; shift_y_down=&#8221;0&#8243; z_index=&#8221;0&#8243; medium_width=&#8221;0&#8243; mobile_width=&#8221;0&#8243; width=&#8221;1\/2&#8243; uncode_shortcode_id=&#8221;128388&#8243;][vc_separator sep_color=&#8221;color-wvjs&#8221; uncode_shortcode_id=&#8221;939575&#8243; sep_color_type=&#8221;uncode-palette&#8221; el_height=&#8221;1&#8243;][vc_row_inner limit_content=&#8221;&#8221;][vc_column_inner column_width_percent=&#8221;100&#8243; gutter_size=&#8221;2&#8243; overlay_alpha=&#8221;50&#8243; shift_x=&#8221;0&#8243; shift_y=&#8221;0&#8243; shift_y_down=&#8221;0&#8243; z_index=&#8221;0&#8243; medium_width=&#8221;0&#8243; mobile_width=&#8221;0&#8243; width=&#8221;1\/2&#8243; uncode_shortcode_id=&#8221;192678&#8243;][vc_column_text uncode_shortcode_id=&#8221;699417&#8243;]<strong>La danse de Saint Guy<\/strong><br \/>\nEmilie Pitoiset \/ 2008 \/ 5\u2019\/ digital beta[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][vc_column width=&#8221;1\/2&#8243;][vc_separator sep_color=&#8221;color-wvjs&#8221; uncode_shortcode_id=&#8221;939575&#8243; sep_color_type=&#8221;uncode-palette&#8221; el_height=&#8221;1&#8243;][vc_row_inner limit_content=&#8221;&#8221;][vc_column_inner column_width_percent=&#8221;100&#8243; gutter_size=&#8221;2&#8243; overlay_alpha=&#8221;50&#8243; shift_x=&#8221;0&#8243; shift_y=&#8221;0&#8243; shift_y_down=&#8221;0&#8243; z_index=&#8221;0&#8243; medium_width=&#8221;0&#8243; mobile_width=&#8221;0&#8243; width=&#8221;1\/2&#8243; uncode_shortcode_id=&#8221;105649&#8243;][vc_column_text uncode_shortcode_id=&#8221;458350&#8243;]<strong>Soft Palate<\/strong><br \/>\nMartin Arnold \/ 2010 \/ 3\u201910\u2019\u2019 \/ digital[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row][vc_column width=&#8221;1\/1&#8243;][vc_separator sep_color=&#8221;&#8221; uncode_shortcode_id=&#8221;517819&#8243;][vc_column_text uncode_shortcode_id=&#8221;120984&#8243;]<\/p>\n<h4><b>Stories<\/b><\/h4>\n<p>[\/vc_column_text][vc_column_text uncode_shortcode_id=&#8221;594787&#8243;]<\/p>\n<h5><b>Les histoires<\/b><\/h5>\n<p>[\/vc_column_text][vc_single_image media=&#8221;4340&#8243; media_width_percent=&#8221;100&#8243; uncode_shortcode_id=&#8221;182915&#8243;][\/vc_column][\/vc_row][vc_row row_height_percent=&#8221;0&#8243; override_padding=&#8221;yes&#8221; h_padding=&#8221;2&#8243; top_padding=&#8221;2&#8243; bottom_padding=&#8221;2&#8243; overlay_alpha=&#8221;50&#8243; gutter_size=&#8221;3&#8243; column_width_percent=&#8221;100&#8243; shift_y=&#8221;0&#8243; z_index=&#8221;0&#8243; uncode_shortcode_id=&#8221;375283&#8243;][vc_column column_width_percent=&#8221;100&#8243; gutter_size=&#8221;3&#8243; overlay_alpha=&#8221;50&#8243; shift_x=&#8221;0&#8243; shift_y=&#8221;0&#8243; shift_y_down=&#8221;0&#8243; z_index=&#8221;0&#8243; medium_width=&#8221;0&#8243; mobile_width=&#8221;0&#8243; width=&#8221;1\/2&#8243; uncode_shortcode_id=&#8221;128388&#8243;][vc_separator sep_color=&#8221;color-wvjs&#8221; uncode_shortcode_id=&#8221;939575&#8243; sep_color_type=&#8221;uncode-palette&#8221; el_height=&#8221;1&#8243;][vc_row_inner limit_content=&#8221;&#8221;][vc_column_inner column_width_percent=&#8221;100&#8243; gutter_size=&#8221;2&#8243; overlay_alpha=&#8221;50&#8243; shift_x=&#8221;0&#8243; shift_y=&#8221;0&#8243; shift_y_down=&#8221;0&#8243; z_index=&#8221;0&#8243; medium_width=&#8221;0&#8243; mobile_width=&#8221;0&#8243; width=&#8221;1\/2&#8243; uncode_shortcode_id=&#8221;192678&#8243;][vc_column_text uncode_shortcode_id=&#8221;175086&#8243;]<strong>Sur les bords de la cam\u00e9ra<\/strong><br \/>\nHenri Storck \/ 1931 \/ 11\u2019 \/ 35mm[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][vc_column width=&#8221;1\/2&#8243;][vc_separator sep_color=&#8221;color-wvjs&#8221; uncode_shortcode_id=&#8221;939575&#8243; sep_color_type=&#8221;uncode-palette&#8221; el_height=&#8221;1&#8243;][vc_row_inner limit_content=&#8221;&#8221;][vc_column_inner column_width_percent=&#8221;100&#8243; gutter_size=&#8221;2&#8243; overlay_alpha=&#8221;50&#8243; shift_x=&#8221;0&#8243; shift_y=&#8221;0&#8243; shift_y_down=&#8221;0&#8243; z_index=&#8221;0&#8243; medium_width=&#8221;0&#8243; mobile_width=&#8221;0&#8243; width=&#8221;1\/2&#8243; uncode_shortcode_id=&#8221;105649&#8243;][vc_column_text uncode_shortcode_id=&#8221;195822&#8243;]<strong>Crossing the great Sagrada<br \/>\n<\/strong>Adrian Brunel <span style=\"font-weight: 400;\">\/ 1924 \/ 15&#8242; \/ 16mm<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row row_height_percent=&#8221;0&#8243; override_padding=&#8221;yes&#8221; h_padding=&#8221;2&#8243; top_padding=&#8221;2&#8243; bottom_padding=&#8221;2&#8243; overlay_alpha=&#8221;50&#8243; gutter_size=&#8221;3&#8243; column_width_percent=&#8221;100&#8243; shift_y=&#8221;0&#8243; z_index=&#8221;0&#8243; uncode_shortcode_id=&#8221;375283&#8243;][vc_column column_width_percent=&#8221;100&#8243; gutter_size=&#8221;3&#8243; overlay_alpha=&#8221;50&#8243; shift_x=&#8221;0&#8243; shift_y=&#8221;0&#8243; shift_y_down=&#8221;0&#8243; z_index=&#8221;0&#8243; medium_width=&#8221;0&#8243; mobile_width=&#8221;0&#8243; width=&#8221;1\/2&#8243; uncode_shortcode_id=&#8221;128388&#8243;][vc_separator sep_color=&#8221;color-wvjs&#8221; uncode_shortcode_id=&#8221;939575&#8243; sep_color_type=&#8221;uncode-palette&#8221; el_height=&#8221;1&#8243;][vc_row_inner limit_content=&#8221;&#8221;][vc_column_inner column_width_percent=&#8221;100&#8243; gutter_size=&#8221;2&#8243; overlay_alpha=&#8221;50&#8243; shift_x=&#8221;0&#8243; shift_y=&#8221;0&#8243; shift_y_down=&#8221;0&#8243; z_index=&#8221;0&#8243; medium_width=&#8221;0&#8243; mobile_width=&#8221;0&#8243; width=&#8221;1\/2&#8243; uncode_shortcode_id=&#8221;192678&#8243;][vc_column_text uncode_shortcode_id=&#8221;187378&#8243;]<strong>The Georgetown loop<\/strong><br \/>\nKen Jacobs \/ 1997 \/ 11\u2019 \/ 16mm[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][vc_column width=&#8221;1\/2&#8243;][vc_separator sep_color=&#8221;color-wvjs&#8221; uncode_shortcode_id=&#8221;939575&#8243; sep_color_type=&#8221;uncode-palette&#8221; el_height=&#8221;1&#8243;][vc_row_inner limit_content=&#8221;&#8221;][vc_column_inner column_width_percent=&#8221;100&#8243; gutter_size=&#8221;2&#8243; overlay_alpha=&#8221;50&#8243; shift_x=&#8221;0&#8243; shift_y=&#8221;0&#8243; shift_y_down=&#8221;0&#8243; z_index=&#8221;0&#8243; medium_width=&#8221;0&#8243; mobile_width=&#8221;0&#8243; width=&#8221;1\/2&#8243; uncode_shortcode_id=&#8221;105649&#8243;][vc_column_text uncode_shortcode_id=&#8221;175086&#8243;]<strong>Sur les bords de la cam\u00e9ra<\/strong><br \/>\nHenri Storck \/ 1931 \/ 11\u2019 \/ 35mm[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row row_height_percent=&#8221;0&#8243; override_padding=&#8221;yes&#8221; h_padding=&#8221;2&#8243; top_padding=&#8221;2&#8243; bottom_padding=&#8221;2&#8243; overlay_alpha=&#8221;50&#8243; gutter_size=&#8221;3&#8243; column_width_percent=&#8221;100&#8243; shift_y=&#8221;0&#8243; z_index=&#8221;0&#8243; uncode_shortcode_id=&#8221;375283&#8243;][vc_column width=&#8221;1\/2&#8243;][vc_separator sep_color=&#8221;color-wvjs&#8221; uncode_shortcode_id=&#8221;939575&#8243; sep_color_type=&#8221;uncode-palette&#8221; el_height=&#8221;1&#8243;][vc_row_inner limit_content=&#8221;&#8221;][vc_column_inner column_width_percent=&#8221;100&#8243; gutter_size=&#8221;2&#8243; overlay_alpha=&#8221;50&#8243; shift_x=&#8221;0&#8243; shift_y=&#8221;0&#8243; shift_y_down=&#8221;0&#8243; z_index=&#8221;0&#8243; medium_width=&#8221;0&#8243; mobile_width=&#8221;0&#8243; width=&#8221;1\/2&#8243; uncode_shortcode_id=&#8221;105649&#8243;][vc_column_text uncode_shortcode_id=&#8221;841231&#8243;]<strong>Bricolage<\/strong><br \/>\nDavid Rimmer \/ 1985 \/ 10\u2019 \/ 16mm[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][vc_column width=&#8221;1\/2&#8243;][vc_separator sep_color=&#8221;color-wvjs&#8221; uncode_shortcode_id=&#8221;939575&#8243; sep_color_type=&#8221;uncode-palette&#8221; el_height=&#8221;1&#8243;][vc_column_text uncode_shortcode_id=&#8221;110235&#8243;]<strong>Golf<\/strong><br \/>\nRafael Montanez-Ortiz \/ 1957 \/ 1\u2019 9\u2019\u2019 \/ 16mm[\/vc_column_text][\/vc_column][\/vc_row][vc_row row_height_percent=&#8221;0&#8243; override_padding=&#8221;yes&#8221; h_padding=&#8221;2&#8243; top_padding=&#8221;2&#8243; bottom_padding=&#8221;2&#8243; overlay_alpha=&#8221;50&#8243; gutter_size=&#8221;3&#8243; column_width_percent=&#8221;100&#8243; shift_y=&#8221;0&#8243; z_index=&#8221;0&#8243; uncode_shortcode_id=&#8221;375283&#8243;][vc_column width=&#8221;1\/2&#8243;][vc_separator sep_color=&#8221;color-wvjs&#8221; uncode_shortcode_id=&#8221;939575&#8243; sep_color_type=&#8221;uncode-palette&#8221; el_height=&#8221;1&#8243;][vc_row_inner limit_content=&#8221;&#8221;][vc_column_inner column_width_percent=&#8221;100&#8243; gutter_size=&#8221;2&#8243; overlay_alpha=&#8221;50&#8243; shift_x=&#8221;0&#8243; shift_y=&#8221;0&#8243; shift_y_down=&#8221;0&#8243; z_index=&#8221;0&#8243; medium_width=&#8221;0&#8243; mobile_width=&#8221;0&#8243; width=&#8221;1\/2&#8243; uncode_shortcode_id=&#8221;105649&#8243;][vc_column_text uncode_shortcode_id=&#8221;896241&#8243;]<strong>Cruises<\/strong><br \/>\nCecile Fontaine \/ 1990 \/ 7\u2019 30\u2019\u2019 \/ 16mm[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][vc_column width=&#8221;1\/2&#8243;][vc_separator sep_color=&#8221;color-wvjs&#8221; uncode_shortcode_id=&#8221;939575&#8243; sep_color_type=&#8221;uncode-palette&#8221; el_height=&#8221;1&#8243;][vc_column_text uncode_shortcode_id=&#8221;165146&#8243;]<strong>Passage \u00e0 l\u2019acte<\/strong><br \/>\nMartin Arnold \/ 1993 \/ 12\u2019 \/ 16mm[\/vc_column_text][\/vc_column][\/vc_row][vc_row row_height_percent=&#8221;0&#8243; override_padding=&#8221;yes&#8221; h_padding=&#8221;2&#8243; top_padding=&#8221;2&#8243; bottom_padding=&#8221;2&#8243; overlay_alpha=&#8221;50&#8243; gutter_size=&#8221;3&#8243; column_width_percent=&#8221;100&#8243; shift_y=&#8221;0&#8243; z_index=&#8221;0&#8243; uncode_shortcode_id=&#8221;375283&#8243;][vc_column column_width_percent=&#8221;100&#8243; gutter_size=&#8221;3&#8243; overlay_alpha=&#8221;50&#8243; shift_x=&#8221;0&#8243; shift_y=&#8221;0&#8243; shift_y_down=&#8221;0&#8243; z_index=&#8221;0&#8243; medium_width=&#8221;0&#8243; mobile_width=&#8221;0&#8243; width=&#8221;1\/2&#8243; uncode_shortcode_id=&#8221;128388&#8243;][vc_separator sep_color=&#8221;color-wvjs&#8221; uncode_shortcode_id=&#8221;939575&#8243; sep_color_type=&#8221;uncode-palette&#8221; el_height=&#8221;1&#8243;][vc_row_inner limit_content=&#8221;&#8221;][vc_column_inner column_width_percent=&#8221;100&#8243; gutter_size=&#8221;2&#8243; overlay_alpha=&#8221;50&#8243; shift_x=&#8221;0&#8243; shift_y=&#8221;0&#8243; shift_y_down=&#8221;0&#8243; z_index=&#8221;0&#8243; medium_width=&#8221;0&#8243; mobile_width=&#8221;0&#8243; width=&#8221;1\/2&#8243; uncode_shortcode_id=&#8221;192678&#8243;][vc_column_text uncode_shortcode_id=&#8221;151592&#8243;]<strong>Home Stories<\/strong><br \/>\nMathias M\u00fcller \/ 1991 \/ 6\u2019 \/ 16mm[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row][vc_column width=&#8221;1\/1&#8243;][vc_separator sep_color=&#8221;&#8221; uncode_shortcode_id=&#8221;517819&#8243;][vc_column_text uncode_shortcode_id=&#8221;158774&#8243;]<strong>Philippe-Alain Michaud <\/strong><\/p>\n<p>Curator at Mus\u00e9e National d\u2019Art Moderne \u2013 Centre Pompidou, Area Menager of film archive. Techer of Story and theory of cinema at Universit\u00e9 de Gen\u00e8ve. Aurthor of <em>Aby Warburg et l\u2019image en mouvement<\/em> (Macula, 1998), <em>Le peuple des images<\/em> (Descl\u00e9e de Brouwer, 2004), <em>Sur le Film<\/em> (Macula, 2016), <em>Anime primitive. Figure di celluloide, di peluche e di carta <\/em> (Quodlibet, 2023). He wrote various articles on the relationship between cinema and visual arts. He has been the curator of several exhibitions, including <em>Comme le r\u00eave le dessin<\/em> (Mus\u00e9e du Louvre\/Centre Pompidou, 2004), <em>Le mouvement des images<\/em> (Centre Pompidou, 2006), <em>Nuits \u00e9lectriques<\/em> (Mus\u00e9e, de la photographie, Moscou et Laboral (Gijon, Spain) 2007, <em>Tapis volants<\/em> (Villa Medici, Rome et Les Abattoirs, Toulouse) 2010, <em>Beat Generation<\/em> (Centre Pompidou, 2016), <em>L\u2019\u0153il extatique : Sergue\u00ef Eisenstein \u00e0 la crois\u00e9e des arts<\/em> (Centre Pompidou-Metz, 2019), <em>Le reste est ombre <\/em>(Centre Pompidou, 2022).[\/vc_column_text][\/vc_column][\/vc_row][vc_row row_height_percent=&#8221;0&#8243; override_padding=&#8221;yes&#8221; h_padding=&#8221;2&#8243; top_padding=&#8221;2&#8243; bottom_padding=&#8221;2&#8243; overlay_alpha=&#8221;50&#8243; gutter_size=&#8221;3&#8243; column_width_percent=&#8221;100&#8243; shift_y=&#8221;0&#8243; z_index=&#8221;0&#8243; uncode_shortcode_id=&#8221;577654&#8243;][vc_column width=&#8221;1\/1&#8243;][uncode_share layout=&#8221;multiple&#8221; bigger=&#8221;yes&#8221; separator=&#8221;yes&#8221; css_animation=&#8221;bottom-t-top&#8221; title=&#8221;share&#8221;][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>[vc_row row_height_percent=&#8221;0&#8243; overlay_alpha=&#8221;50&#8243; gutter_size=&#8221;3&#8243; column_width_percent=&#8221;100&#8243; shift_y=&#8221;0&#8243; z_index=&#8221;0&#8243; uncode_shortcode_id=&#8221;115430&#8243;][vc_column column_width_percent=&#8221;100&#8243; gutter_size=&#8221;0&#8243; overlay_alpha=&#8221;50&#8243; shift_x=&#8221;0&#8243; shift_y=&#8221;0&#8243; shift_y_down=&#8221;0&#8243; z_index=&#8221;0&#8243; medium_width=&#8221;0&#8243; mobile_width=&#8221;0&#8243; width=&#8221;1\/2&#8243; uncode_shortcode_id=&#8221;180167&#8243;][vc_column_text uncode_shortcode_id=&#8221;537644&#8243;] [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"rs_blank_template":"","rs_page_bg_color":"","slide_template_v7":"","footnotes":""},"class_list":["post-3342","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/unarchivefest.it\/en\/wp-json\/wp\/v2\/pages\/3342","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/unarchivefest.it\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/unarchivefest.it\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/unarchivefest.it\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/unarchivefest.it\/en\/wp-json\/wp\/v2\/comments?post=3342"}],"version-history":[{"count":18,"href":"https:\/\/unarchivefest.it\/en\/wp-json\/wp\/v2\/pages\/3342\/revisions"}],"predecessor-version":[{"id":5293,"href":"https:\/\/unarchivefest.it\/en\/wp-json\/wp\/v2\/pages\/3342\/revisions\/5293"}],"wp:attachment":[{"href":"https:\/\/unarchivefest.it\/en\/wp-json\/wp\/v2\/media?parent=3342"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}