{"id":5928,"date":"2025-03-27T01:32:19","date_gmt":"2025-03-27T00:32:19","guid":{"rendered":"https:\/\/unarchivefest.it\/?page_id=5928"},"modified":"2025-09-29T12:25:08","modified_gmt":"2025-09-29T10:25:08","slug":"juries-and-prizes","status":"publish","type":"page","link":"https:\/\/unarchivefest.it\/en\/juries-and-prizes\/","title":{"rendered":"Juries and Prizes"},"content":{"rendered":"<div class=\"wpb-content-wrapper\"><p>[vc_row][vc_column width=&#8221;1\/1&#8243;][vc_column_text uncode_shortcode_id=&#8221;102533&#8243;]<\/p>\n<h2>International Jury<\/h2>\n<p>[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column width=&#8221;1\/4&#8243;][vc_single_image media=&#8221;6070&#8243; media_width_percent=&#8221;100&#8243; uncode_shortcode_id=&#8221;970623&#8243;][vc_empty_space empty_h=&#8221;2&#8243;][vc_empty_space empty_h=&#8221;2&#8243;][vc_empty_space empty_h=&#8221;2&#8243;][vc_empty_space empty_h=&#8221;2&#8243;][vc_empty_space empty_h=&#8221;2&#8243;][vc_single_image media=&#8221;6071&#8243; media_width_percent=&#8221;100&#8243; uncode_shortcode_id=&#8221;194367&#8243;][vc_empty_space empty_h=&#8221;2&#8243;][vc_empty_space empty_h=&#8221;2&#8243;][vc_single_image media=&#8221;6074&#8243; media_width_percent=&#8221;100&#8243; uncode_shortcode_id=&#8221;165714&#8243;][\/vc_column][vc_column width=&#8221;3\/4&#8243;][vc_column_text uncode_shortcode_id=&#8221;820895&#8243;]<span style=\"font-weight: 400;\"><strong><span style=\"color: #ff0000;\">Federica Foglia<\/span><\/strong><br \/>\n<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Federica Foglia is a visual artist and PhD researcher in Cinema &amp; Media Studies at York University &#8211; Toronto. Her practice revolves around tactile, recycled, amateur cinema, archives, ecofeminism, and materialist cinema. She works within the domestic space to rework found footage and orphan films, intervening directly on the celluloid body through a sculptural approach.<br \/>\n<\/span><span style=\"font-weight: 400;\">Her work engages with the physical qualities of the cinematic medium and the political significance of fragmented aesthetics. She is currently working on a project that involves ecological <\/span><i><span style=\"font-weight: 400;\">Emulsion Lifting<\/span><\/i><span style=\"font-weight: 400;\"> techniques to rework 16mm archival films and the development of eco-sustainable photographic processes using algae-based materials.<br \/>\n<\/span><span style=\"font-weight: 400;\">Her works have been exhibited and received recognition in numerous international art galleries and festivals, including Macau Art Garden, Images Festival, Anthology Film Archives, Ann Arbor Film Festival, International Kurzfilmtage Oberhausen, Museo de Arte Contempor\u00e1neo de Alicante, Bilbao Arte Foundation, Toronto International Film Festival, Antimatter [Media Art], Crossroads San Francisco, Festival du Nouveau Cinema Montreal, NYU Orphan Film Symposium, Centro de Cultura Digital Mexico City, Camerimage, Mostra del Cinema di Pesaro, and Torino Film Festival.<\/span>[\/vc_column_text][vc_column_text uncode_shortcode_id=&#8221;346890&#8243;]<strong><span style=\"color: #ff0000;\">Costanza Quatriglio<\/span><\/strong><\/p>\n<p>Costanza Quatriglio is director and artistic director of the Palermo branch of the Centro Sperimentale di Cinematografia. She makes hybrid films that straddle reality and fiction and documentaries whose language proposes reflections on the very gesture of filmmaking. He has presented his films at the Cannes, Venice, Berlin and Locarno festivals. He made his debut with the multi-award-winning L&#8217;isola (Quinzaine des R\u00e9alisateurs, Cannes 2003). He has won prestigious awards including the Nastro d&#8217;Argento for best documentary three times. His films include Terramatta; (2012), Con il fiato sospeso (2013); Triangle (2014), 87 ore (2015); Sembra mio figlio (2018, winner &#8211; among others &#8211; of a Ciak d&#8217;oro); La bambina che non vuole cantare (TV movie 2021); Trafficante di virus (2021) and Il cassetto segreto (2024).[\/vc_column_text][vc_column_text uncode_shortcode_id=&#8221;195105&#8243;]<strong><span style=\"color: #ff0000;\">Eyal Sivan<\/span><\/strong><\/p>\n<p><span style=\"font-weight: 400;\">Filmmaker, essayist and mentor born in Palestine-Israel, Eyal Sivan is the founder and artistic director of the Marseille-based film production and distribution company, Momento!<br \/>\n<\/span><span style=\"font-weight: 400;\">Known for his controversial films, over his more then 35-year career, Sivan directed more than a dozen worldwide awarded feature-length political documentaries and produced many others. <\/span><span style=\"font-weight: 400;\">His cinematic body of work was shown and awarded in various prestigious festivals. Beside theatrical releases and TV broadcasts, Sivan&#8217;s work is regularly exhibit in major art shows around the world and continuously inspire scholars and researchers from various disciplines.<br \/>\n<\/span><span style=\"font-weight: 400;\">In parallel to his filmmaking practices, he publishes and lectures on the Israeli-Palestinian conflict, documentary ethics, political crimes and representation, use of memory, archives and archival footage, artistic research etc.<br \/>\n<\/span><span style=\"font-weight: 400;\">Former associate professor in media production at the University of East London (UEL) Sivan co-led the MA program in Film, Video and New Media. Following several years as visiting professor and program adviser of the Master in Film at the Netherlands Film Academy, Sivan became the program&#8217;s principal professor and head of research in cinema and artistic research at the Amsterdam University of the Arts (AhK).<br \/>\n<\/span><span style=\"font-weight: 400;\">Based in Marseille since 2019 Sivan conducts an extensive activity of worldwide masterclasses, teaching, lecturing, mentoring and supervisions of academic theses.<\/span>[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column width=&#8221;1\/1&#8243;][vc_column_text uncode_shortcode_id=&#8221;462572&#8243;]<\/p>\n<h3>PRIZES<\/h3>\n<p><strong><span style=\"color: #ff0000;\">UNARCHIVE AWARD<\/span> \u20ac 3000 open to all selected projects.<\/strong><br \/>\n<strong><span style=\"color: #ff0000;\">AWARD FOR BEST FEATURE FILM<\/span> \u20ac1500 chosen among projects lasting more than 60 minutes.<\/strong><br \/>\n<strong><span style=\"color: #ff0000;\">AWARD FOR BEST SHORT FILM<\/span> \u20ac1500 chosen among projects lasting less than 60 minutes.<\/strong>[\/vc_column_text][vc_separator sep_color=&#8221;color-wvjs&#8221; uncode_shortcode_id=&#8221;204094&#8243; sep_color_type=&#8221;uncode-palette&#8221; el_height=&#8221;1&#8243;][vc_column_text uncode_shortcode_id=&#8221;170914&#8243;]<\/p>\n<h2>Students Jury<\/h2>\n<p>[\/vc_column_text][vc_column_text uncode_shortcode_id=&#8221;102394&#8243;]<\/p>\n<h3>President<\/h3>\n<p>[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column width=&#8221;1\/4&#8243;][vc_single_image media=&#8221;6130&#8243; media_width_percent=&#8221;100&#8243; uncode_shortcode_id=&#8221;128217&#8243;][\/vc_column][vc_column width=&#8221;3\/4&#8243;][vc_column_text uncode_shortcode_id=&#8221;205861&#8243;]<strong><span style=\"color: #ff0000;\">Agostino Ferrente<\/span><\/strong><\/p>\n<p>Born in Apulia to a Lucanian father and Calabrian mother, after studying at the DAMS in Bologna and attending Ermanno Olmi&#8217;s Ipotesi Cinema, he founded the Pirata Manifatture Cinematografiche production company, with which he produced and directed the short films <em>Poco pi\u00f9 della met\u00e0 di zero<\/em> (1993) and <em>Opinioni di un pirla<\/em> (1994), which won awards at international festivals.<br \/>\nAfter working as assistant director for Silvano Agosti and co-writer for Nico Cirasola, he made <em>Intervista a mia madre<\/em> (1999) and<em> Il film di Mario<\/em> (1999-2001) with Giovanni Piperno, both of which won awards in festival circuits and became small television cases.<br \/>\nIn 2001, together with a dozen or so accomplices, he founded the Apollo 11 group in Rome, the first to offer continuous programming dedicated to Reality Cinema. As part of Apollo 11, Ferrente established a close collaboration with Alberto Grifi and Vittorio De Seta and, together with Mario Tronco of Avion Travel, created the Orchestra di Piazza Vittorio, one of the first multi-ethnic bands in the world. In 2006, he presented the film <em>L&#8217;Orchestra di Piazza Vittorio<\/em> at the Locarno Festival. Together with Annamaria Granatello, he created the Premio Solinas &#8211; Documentary for Cinema. He has made two video clips, both awarded at the P.I.V.I.: <em>Ena Andi<\/em> by the Orchestra di Piazza Vittorio and<em> Alfonsina e la bici<\/em> by T\u00eates de Bois, with the participation of Margherita Hack and Militant A of the Assalti frontali. In 2012 he presented <em>Le cose belle<\/em>, co-directed with Giovanni Piperno, at Venice Days. The film became the most awarded Italian documentary of 2014. In 2019, he presents <em>Selfie<\/em> at the Berlin Film Festival, an award-winning documentary designated Film of the Critics 2019 by the SNCCI, nominated in the five-round of the EFA &#8211; European Film Awards as Best European Documentary. In 2024 he made<em> Il coupon della Felicit\u00e0<\/em>, a musical short inspired by the song Coupon by Andrea Satta (T\u00eates de Bois), with Milena Vukotic, Pier Luigi Bersani, Maria Grazia Calandrone and Paolo Lombardi.<br \/>\nHe is working discontinuously on a documentary entirely based on the unused footage from <em>Selfie<\/em>, with the working title <em>Lato B<\/em>.[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column width=&#8221;1\/4&#8243;][vc_column_text uncode_shortcode_id=&#8221;826724&#8243;]<\/p>\n<h3>Jurors<\/h3>\n<p>[\/vc_column_text][vc_empty_space empty_h=&#8221;4&#8243;][\/vc_column][vc_column width=&#8221;3\/4&#8243;][vc_column_text uncode_shortcode_id=&#8221;213046&#8243;]Abballe Jacopo\u00a0 Aghajani Bamdad Antonov Ivan Audino Alessia\u00a0 Babini Axel Bracoloni Andrea\u00a0 Bucciantini Niccol\u00f2 Cacciarini Sara Calcara Chiara Capodicasa Sofia\u00a0 Caruso Aurora\u00a0 Castelli Beatrice Censi Alessandro Chambon Aurora Colacito Camilla Cominelli Fabio\u00a0 Conflitti Francesca Costa Eleonora Di Bruni Kevin\u00a0 Di Sano Serena Feltrin Giovanni Fernandez Anaisha\u00a0 Ferraiuolo Andrea\u00a0 Formichella Pierluigi\u00a0 Foti Mattia Giuliani Arianna\u00a0 Governanti Alice Grilli Christian\u00a0 Isgr\u00f2 Carmen\u00a0 Jordan Shaw La Rosa Federico Lancellotti Sofia Lerro Claudia Longarini Gioia Maric Dunja\u00a0 Marziale Giacomo Matteini Martina Mengucci Margherita\u00a0 Mennella Tonino\u00a0 Merenda Maria Claudia Morace Domenico Alessandro N&#8217;kombo Joaldo Nicotra Emanuela\u00a0 Ortiz Miguel Presencio\u00a0 Ostanska Patrizia Parmar Vishwa Pediconi Delphine Porzia Emanuele Rinaldi Miranda Sabatini Michele\u00a0 Sacchi Emily\u00a0 Salvatelli Giacomo Scrofani Noemi Taddei Edoardo Teaca Raluca Maria<\/p>\n<p><strong>From<\/strong><\/p>\n<p>Accademia di Belle Arti di Roma John Cabot University NABA, Nuova Accademia di Belle Arti Roma La Sapienza Dipartimento Storia Antropologia Religioni Arte Spettacolo Roma La Sapienza Facolt\u00e0 Lettere e Filosofia \u00a0Roma Tor Vergata Dipartimento di Storia, Patrimonio culturale, Formazione e Societ\u00e0 Roma Tre Dipartimento di Filosofia, Comunicazione e Spettacolo RUFA \u2013 Rome University of Fine Arts[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column width=&#8221;1\/1&#8243;][vc_column_text uncode_shortcode_id=&#8221;165607&#8243;]<\/p>\n<h3>AWARDS<\/h3>\n<p><strong><span style=\"color: #ff0000;\">UNARCHIVE AWARD<\/span> open to all selected projects.<\/strong><br \/>\n<strong><span style=\"color: #ff0000;\">BEST FEATURE FILM<\/span> chosen among projects lasting more than 60 minutes.<\/strong><br \/>\n<strong><span style=\"color: #ff0000;\">BEST SHORT FILM<\/span> chosen among projects lasting less than 60 minutes.<\/strong>[\/vc_column_text][vc_separator sep_color=&#8221;color-wvjs&#8221; uncode_shortcode_id=&#8221;204094&#8243; sep_color_type=&#8221;uncode-palette&#8221; el_height=&#8221;1&#8243;][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>[vc_row][vc_column width=&#8221;1\/1&#8243;][vc_column_text uncode_shortcode_id=&#8221;102533&#8243;] International Jury [\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column width=&#8221;1\/4&#8243;][vc_single_image media=&#8221;6070&#8243; media_width_percent=&#8221;100&#8243; uncode_shortcode_id=&#8221;970623&#8243;][vc_empty_space empty_h=&#8221;2&#8243;][vc_empty_space empty_h=&#8221;2&#8243;][vc_empty_space empty_h=&#8221;2&#8243;][vc_empty_space empty_h=&#8221;2&#8243;][vc_empty_space empty_h=&#8221;2&#8243;][vc_single_image media=&#8221;6071&#8243; media_width_percent=&#8221;100&#8243; uncode_shortcode_id=&#8221;194367&#8243;][vc_empty_space empty_h=&#8221;2&#8243;][vc_empty_space empty_h=&#8221;2&#8243;][vc_single_image [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"rs_blank_template":"","rs_page_bg_color":"","slide_template_v7":"","footnotes":""},"class_list":["post-5928","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/unarchivefest.it\/en\/wp-json\/wp\/v2\/pages\/5928","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/unarchivefest.it\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/unarchivefest.it\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/unarchivefest.it\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/unarchivefest.it\/en\/wp-json\/wp\/v2\/comments?post=5928"}],"version-history":[{"count":8,"href":"https:\/\/unarchivefest.it\/en\/wp-json\/wp\/v2\/pages\/5928\/revisions"}],"predecessor-version":[{"id":8882,"href":"https:\/\/unarchivefest.it\/en\/wp-json\/wp\/v2\/pages\/5928\/revisions\/8882"}],"wp:attachment":[{"href":"https:\/\/unarchivefest.it\/en\/wp-json\/wp\/v2\/media?parent=5928"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}