{"id":8909,"date":"2025-10-01T10:55:25","date_gmt":"2025-10-01T08:55:25","guid":{"rendered":"https:\/\/unarchivefest.it\/?page_id=8909"},"modified":"2026-02-10T13:38:22","modified_gmt":"2026-02-10T12:38:22","slug":"edu","status":"publish","type":"page","link":"https:\/\/unarchivefest.it\/en\/edu\/","title":{"rendered":"Edu"},"content":{"rendered":"<div class=\"wpb-content-wrapper\"><p>[vc_row][vc_column column_width_percent=&#8221;100&#8243; gutter_size=&#8221;2&#8243; overlay_alpha=&#8221;50&#8243; shift_x=&#8221;0&#8243; shift_y=&#8221;0&#8243; shift_y_down=&#8221;0&#8243; z_index=&#8221;0&#8243; medium_width=&#8221;0&#8243; mobile_width=&#8221;0&#8243; width=&#8221;1\/1&#8243; uncode_shortcode_id=&#8221;755203&#8243;][vc_column_text uncode_shortcode_id=&#8221;205994&#8243;]<\/p>\n<h1><span style=\"color: #ff0000;\"><strong>Edu &#8211; Tools<\/strong><\/span><\/h1>\n<p>[\/vc_column_text][vc_separator sep_color=&#8221;color-wvjs&#8221; uncode_shortcode_id=&#8221;100202&#8243; sep_color_type=&#8221;uncode-palette&#8221; el_height=&#8221;1px&#8221;][\/vc_column][\/vc_row][vc_row][vc_column column_width_percent=&#8221;100&#8243; gutter_size=&#8221;2&#8243; overlay_alpha=&#8221;50&#8243; shift_x=&#8221;0&#8243; shift_y=&#8221;0&#8243; shift_y_down=&#8221;0&#8243; z_index=&#8221;0&#8243; medium_width=&#8221;0&#8243; mobile_width=&#8221;0&#8243; width=&#8221;1\/1&#8243; uncode_shortcode_id=&#8221;755203&#8243;][vc_separator sep_color=&#8221;color-wvjs&#8221; uncode_shortcode_id=&#8221;100202&#8243; sep_color_type=&#8221;uncode-palette&#8221; el_height=&#8221;1px&#8221;][vc_column_text uncode_shortcode_id=&#8221;177813&#8243;]<\/p>\n<h3><span style=\"color: #000000;\">III Editon &#8211; 2025<\/span><\/h3>\n<p>[\/vc_column_text][vc_separator sep_color=&#8221;color-wvjs&#8221; uncode_shortcode_id=&#8221;100202&#8243; sep_color_type=&#8221;uncode-palette&#8221; el_height=&#8221;1px&#8221;][\/vc_column][\/vc_row][vc_row][vc_column column_width_percent=&#8221;100&#8243; gutter_size=&#8221;2&#8243; overlay_alpha=&#8221;50&#8243; shift_x=&#8221;0&#8243; shift_y=&#8221;0&#8243; shift_y_down=&#8221;0&#8243; z_index=&#8221;0&#8243; medium_width=&#8221;0&#8243; mobile_width=&#8221;0&#8243; width=&#8221;1\/2&#8243; uncode_shortcode_id=&#8221;755203&#8243;][vc_single_image media=&#8221;8789&#8243; media_width_percent=&#8221;100&#8243; advanced=&#8221;yes&#8221; media_overlay_opacity=&#8221;1&#8243; media_padding=&#8221;2&#8243; uncode_shortcode_id=&#8221;151577&#8243; media_link=&#8221;url:https%3A%2F%2Fwww.youtube.com%2Fwatch%3Fv%3DlTn5qrjM30g%26t%3D1s|title:you%20tube|target:_blank&#8221;][vc_custom_heading heading_semantic=&#8221;p&#8221; text_size=&#8221;h5&#8243; text_weight=&#8221;600&#8243; uncode_shortcode_id=&#8221;105313&#8243;]Tactiles interventions &#8211;\u00a0 Federica Foglia Masterclass[\/vc_custom_heading][vc_column_text uncode_shortcode_id=&#8221;173684&#8243;]<em>Found Footage, Orphan films, Archives and rewriting of self in the body of the film<\/em>[\/vc_column_text][vc_column_text uncode_shortcode_id=&#8221;653112&#8243;]Moderated by Giacomo Ravesi.[\/vc_column_text][\/vc_column][vc_column column_width_percent=&#8221;100&#8243; gutter_size=&#8221;2&#8243; overlay_alpha=&#8221;50&#8243; shift_x=&#8221;0&#8243; shift_y=&#8221;0&#8243; shift_y_down=&#8221;0&#8243; z_index=&#8221;0&#8243; medium_width=&#8221;0&#8243; mobile_width=&#8221;0&#8243; width=&#8221;1\/2&#8243; uncode_shortcode_id=&#8221;171205&#8243;][vc_single_image media=&#8221;8790&#8243; media_width_percent=&#8221;100&#8243; advanced=&#8221;yes&#8221; media_overlay_opacity=&#8221;1&#8243; media_padding=&#8221;2&#8243; uncode_shortcode_id=&#8221;206595&#8243; media_link=&#8221;url:https%3A%2F%2Fwww.youtube.com%2Fwatch%3Fv%3Dww9xTmEvyTk%26t%3D1s|title:you%20tube|target:_blank&#8221;][vc_custom_heading heading_semantic=&#8221;p&#8221; text_size=&#8221;h5&#8243; text_weight=&#8221;600&#8243; uncode_shortcode_id=&#8221;160340&#8243;]The Aesthetic Imperative &#8211; Andrei Ujic\u0103 Masterclass[\/vc_custom_heading][vc_empty_space][vc_empty_space][vc_column_text uncode_shortcode_id=&#8221;187625&#8243;]Moderated by Emiliano Morreale.[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column column_width_percent=&#8221;100&#8243; gutter_size=&#8221;2&#8243; overlay_alpha=&#8221;50&#8243; shift_x=&#8221;0&#8243; shift_y=&#8221;0&#8243; shift_y_down=&#8221;0&#8243; z_index=&#8221;0&#8243; medium_width=&#8221;0&#8243; mobile_width=&#8221;0&#8243; width=&#8221;1\/2&#8243; uncode_shortcode_id=&#8221;755203&#8243;][vc_single_image media=&#8221;8767&#8243; media_width_percent=&#8221;100&#8243; advanced=&#8221;yes&#8221; media_overlay_opacity=&#8221;1&#8243; media_padding=&#8221;2&#8243; uncode_shortcode_id=&#8221;805412&#8243; media_link=&#8221;url:https%3A%2F%2Fyoutu.be%2F3XTa9eIsqNg|title:you%20tube|target:_blank&#8221;][vc_custom_heading heading_semantic=&#8221;p&#8221; text_size=&#8221;h5&#8243; text_weight=&#8221;600&#8243; uncode_shortcode_id=&#8221;147025&#8243;]Animated archives &#8211; Panel[\/vc_custom_heading][vc_column_text uncode_shortcode_id=&#8221;138252&#8243;]<em>Stories, theories, practices<\/em>[\/vc_column_text][vc_column_text uncode_shortcode_id=&#8221;126956&#8243;]Chair: Giacomo Ravesi (Universit\u00e0 degli Studi Roma Tre)<br \/>\nSpeakers: Daniele Dottorini (University of Calabria) <em>The surviving image. Cut-Up and Anachronism; <\/em>Cristina Formenti (University of Groningen) <em>Reanimating the archive. Practices of reuse in nonfiction animated cinema; <\/em>Alma Mileto (Sapienza University of Rome) <em>The archive in the vertical. Sound tracks, asynchronies, animated voices.<\/em>[\/vc_column_text][\/vc_column][vc_column column_width_percent=&#8221;100&#8243; gutter_size=&#8221;2&#8243; overlay_alpha=&#8221;50&#8243; shift_x=&#8221;0&#8243; shift_y=&#8221;0&#8243; shift_y_down=&#8221;0&#8243; z_index=&#8221;0&#8243; medium_width=&#8221;0&#8243; mobile_width=&#8221;0&#8243; width=&#8221;1\/2&#8243; uncode_shortcode_id=&#8221;171205&#8243;][vc_single_image media=&#8221;8766&#8243; media_width_percent=&#8221;100&#8243; advanced=&#8221;yes&#8221; media_overlay_opacity=&#8221;1&#8243; media_padding=&#8221;2&#8243; uncode_shortcode_id=&#8221;133817&#8243; media_link=&#8221;url:https%3A%2F%2Fwww.youtube.com%2Fwatch%3Fv%3D_tR2ZWsMV4g|title:you%20tube|target:_blank&#8221;][vc_custom_heading heading_semantic=&#8221;p&#8221; text_size=&#8221;h5&#8243; text_weight=&#8221;600&#8243; uncode_shortcode_id=&#8221;178951&#8243;]A.I. Archive Intelligence &#8211; Panel[\/vc_custom_heading][vc_column_text uncode_shortcode_id=&#8221;213730&#8243;]<em>Archival reuse and generative Artificial Intelligence<\/em>[\/vc_column_text][vc_column_text uncode_shortcode_id=&#8221;195852&#8243;]Chair: Simone Arcagni (Universit\u00e0 IULM)<br \/>\nIntroductions: Vincenzo Vita (Presidente Archivio Audiovisivo del Movimento Operaio e Democratico)<br \/>\nSpeakers: Alberto Ciprian (Rai Research Centre) <em>AI and Archives. New ways for content creation; <\/em>Donatella Della Ratta (John Cabot University) <em>AI as archive; <\/em>Laurence McFalls (Universit\u00e9 de Montr\u00e9al) <em>The magic of home movies, the illusions of AI; <\/em>Teresa Numerico (University of Roma Tre) <em>AI generativity and memory archiving.<\/em>[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column column_width_percent=&#8221;100&#8243; gutter_size=&#8221;2&#8243; overlay_alpha=&#8221;50&#8243; shift_x=&#8221;0&#8243; shift_y=&#8221;0&#8243; shift_y_down=&#8221;0&#8243; z_index=&#8221;0&#8243; medium_width=&#8221;0&#8243; mobile_width=&#8221;0&#8243; width=&#8221;1\/1&#8243; uncode_shortcode_id=&#8221;755203&#8243;][vc_separator sep_color=&#8221;color-wvjs&#8221; uncode_shortcode_id=&#8221;100202&#8243; sep_color_type=&#8221;uncode-palette&#8221; el_height=&#8221;1px&#8221;][vc_column_text uncode_shortcode_id=&#8221;810414&#8243;]<\/p>\n<h3><span style=\"color: #000000;\">II Edition &#8211; 2024<\/span><\/h3>\n<p>[\/vc_column_text][vc_separator sep_color=&#8221;color-wvjs&#8221; uncode_shortcode_id=&#8221;100202&#8243; sep_color_type=&#8221;uncode-palette&#8221; el_height=&#8221;1px&#8221;][\/vc_column][\/vc_row][vc_row][vc_column column_width_percent=&#8221;100&#8243; gutter_size=&#8221;2&#8243; overlay_alpha=&#8221;50&#8243; shift_x=&#8221;0&#8243; shift_y=&#8221;0&#8243; shift_y_down=&#8221;0&#8243; z_index=&#8221;0&#8243; medium_width=&#8221;0&#8243; mobile_width=&#8221;0&#8243; width=&#8221;1\/2&#8243; uncode_shortcode_id=&#8221;755203&#8243;][vc_single_image media=&#8221;8949&#8243; media_width_percent=&#8221;100&#8243; advanced=&#8221;yes&#8221; media_overlay_opacity=&#8221;1&#8243; media_padding=&#8221;2&#8243; uncode_shortcode_id=&#8221;729464&#8243; media_link=&#8221;url:https%3A%2F%2Fwww.youtube.com%2Fwatch%3Fv%3DUaeCH8kSU6o|title:you%20tube|target:_blank&#8221;][vc_custom_heading heading_semantic=&#8221;p&#8221; text_size=&#8221;h5&#8243; text_weight=&#8221;600&#8243; uncode_shortcode_id=&#8221;196599&#8243;]Eyal Sivan Masterclass[\/vc_custom_heading][vc_column_text uncode_shortcode_id=&#8221;138058&#8243;]Moderated by Marco Bertozzi.[\/vc_column_text][\/vc_column][vc_column column_width_percent=&#8221;42&#8243; gutter_size=&#8221;2&#8243; overlay_alpha=&#8221;50&#8243; shift_x=&#8221;0&#8243; shift_y=&#8221;0&#8243; shift_y_down=&#8221;0&#8243; z_index=&#8221;0&#8243; medium_width=&#8221;0&#8243; mobile_width=&#8221;0&#8243; width=&#8221;1\/2&#8243; uncode_shortcode_id=&#8221;357168&#8243;][vc_single_image media=&#8221;8978&#8243; media_width_percent=&#8221;100&#8243; advanced=&#8221;yes&#8221; media_overlay_opacity=&#8221;1&#8243; media_padding=&#8221;2&#8243; uncode_shortcode_id=&#8221;146550&#8243; media_link=&#8221;url:https%3A%2F%2Fwww.youtube.com%2Fwatch%3Fv%3Dww9xTmEvyTk%26t%3D1s|title:you%20tube|target:_blank&#8221;][vc_custom_heading heading_semantic=&#8221;p&#8221; text_size=&#8221;h5&#8243; text_weight=&#8221;600&#8243; uncode_shortcode_id=&#8221;933688&#8243;]Sergei Loznitsa Masterclass[\/vc_custom_heading][vc_column_text uncode_shortcode_id=&#8221;213619&#8243;]Moderated by Alberto Crespi.[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column column_width_percent=&#8221;42&#8243; gutter_size=&#8221;2&#8243; overlay_alpha=&#8221;50&#8243; shift_x=&#8221;0&#8243; shift_y=&#8221;0&#8243; shift_y_down=&#8221;0&#8243; z_index=&#8221;0&#8243; medium_width=&#8221;0&#8243; mobile_width=&#8221;0&#8243; width=&#8221;1\/2&#8243; uncode_shortcode_id=&#8221;177109&#8243;][vc_single_image media=&#8221;8978&#8243; media_width_percent=&#8221;100&#8243; advanced=&#8221;yes&#8221; media_overlay_opacity=&#8221;1&#8243; media_padding=&#8221;2&#8243; uncode_shortcode_id=&#8221;101552&#8243; media_link=&#8221;url:https%3A%2F%2Fwww.youtube.com%2Fwatch%3Fv%3Dww9xTmEvyTk%26t%3D1s|title:you%20tube|target:_blank&#8221;][vc_custom_heading heading_semantic=&#8221;p&#8221; text_size=&#8221;h5&#8243; text_weight=&#8221;600&#8243; uncode_shortcode_id=&#8221;163618&#8243;]Un Unusual Archive[\/vc_custom_heading][vc_column_text uncode_shortcode_id=&#8221;210419&#8243;]<em>A meet with Kamal Aljafari<\/em>[\/vc_column_text][vc_column_text uncode_shortcode_id=&#8221;153084&#8243;]Moderated by Fabio Ferzetti.[\/vc_column_text][\/vc_column][vc_column column_width_percent=&#8221;42&#8243; gutter_size=&#8221;2&#8243; overlay_alpha=&#8221;50&#8243; shift_x=&#8221;0&#8243; shift_y=&#8221;0&#8243; shift_y_down=&#8221;0&#8243; z_index=&#8221;0&#8243; medium_width=&#8221;0&#8243; mobile_width=&#8221;0&#8243; width=&#8221;1\/2&#8243; uncode_shortcode_id=&#8221;344108&#8243;][vc_single_image media=&#8221;8978&#8243; media_width_percent=&#8221;100&#8243; advanced=&#8221;yes&#8221; media_overlay_opacity=&#8221;1&#8243; media_padding=&#8221;2&#8243; uncode_shortcode_id=&#8221;373962&#8243; media_link=&#8221;url:https%3A%2F%2Fwww.youtube.com%2Fwatch%3Fv%3D_tR2ZWsMV4g|title:you%20tube|target:_blank&#8221;][vc_custom_heading heading_semantic=&#8221;p&#8221; text_size=&#8221;h5&#8243; text_weight=&#8221;600&#8243; uncode_shortcode_id=&#8221;477047&#8243;]Archiveology[\/vc_custom_heading][vc_column_text uncode_shortcode_id=&#8221;142639&#8243;]<em>A meet with Bill Morrison<\/em>[\/vc_column_text][vc_column_text uncode_shortcode_id=&#8221;118152&#8243;]Moderated by Rossella Catanese.[\/vc_column_text][vc_column_text uncode_shortcode_id=&#8221;147003&#8243;][\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column column_width_percent=&#8221;100&#8243; gutter_size=&#8221;2&#8243; overlay_alpha=&#8221;50&#8243; shift_x=&#8221;0&#8243; shift_y=&#8221;0&#8243; shift_y_down=&#8221;0&#8243; z_index=&#8221;0&#8243; medium_width=&#8221;0&#8243; mobile_width=&#8221;0&#8243; width=&#8221;1\/2&#8243; uncode_shortcode_id=&#8221;755203&#8243;][vc_single_image media=&#8221;8943&#8243; media_width_percent=&#8221;100&#8243; advanced=&#8221;yes&#8221; media_overlay_opacity=&#8221;1&#8243; media_padding=&#8221;2&#8243; uncode_shortcode_id=&#8221;639587&#8243; media_link=&#8221;url:https%3A%2F%2Fwww.youtube.com%2Flive%2FtAENgtDvZuM%3Fsi%3DrF2SrYJl6utlkvr1|title:you%20tube|target:_blank&#8221;][vc_custom_heading heading_semantic=&#8221;p&#8221; text_size=&#8221;h5&#8243; text_weight=&#8221;600&#8243; uncode_shortcode_id=&#8221;476254&#8243;]The situated image &#8211; Panel[\/vc_custom_heading][vc_column_text uncode_shortcode_id=&#8221;149787&#8243;]<em>Archival thoughts and practices between feminism and decoloniality<\/em>[\/vc_column_text][vc_column_text uncode_shortcode_id=&#8221;371161&#8243;]Chair: Marco Bertozzi, Alina Marazzi<br \/>\nSpeakers: Alessandra Beltrame (Cinescatti Archive Collaborator, Lab 80); Giulia Castelletti (Manager, Curator Cinescatti Archive, Lab 80 film); Luciana Fina (Director, CIEBA \u2013 Fine Arts, University of Lisbon); Ilaria Fraioli (Editor); Alma Mileto (Sapienza Universit\u00e0 di Roma); Igiaba Scego (Writer); Giulia Simi (University of Sassari, Archivio Aperto); Patrizia Cacciani (Head of the Office of Studies, Research, Education and Library, Archivio Luce \u2013 Cinecitt\u00e0).[\/vc_column_text][\/vc_column][vc_column column_width_percent=&#8221;100&#8243; gutter_size=&#8221;2&#8243; overlay_alpha=&#8221;50&#8243; shift_x=&#8221;0&#8243; shift_y=&#8221;0&#8243; shift_y_down=&#8221;0&#8243; z_index=&#8221;0&#8243; medium_width=&#8221;0&#8243; mobile_width=&#8221;0&#8243; width=&#8221;1\/2&#8243; uncode_shortcode_id=&#8221;171205&#8243;][vc_single_image media=&#8221;8944&#8243; media_width_percent=&#8221;100&#8243; advanced=&#8221;yes&#8221; media_overlay_opacity=&#8221;1&#8243; media_padding=&#8221;2&#8243; uncode_shortcode_id=&#8221;134050&#8243; media_link=&#8221;url:https%3A%2F%2Fwww.youtube.com%2Flive%2F9FflNlJWw-4%3Fsi%3DjsT-RFX0mOz6VzAO|title:you%20tube|target:_blank&#8221;][vc_custom_heading heading_semantic=&#8221;p&#8221; text_size=&#8221;h5&#8243; text_weight=&#8221;600&#8243; uncode_shortcode_id=&#8221;130730&#8243;]Poetics of the contemporary reuse &#8211; Round table[\/vc_custom_heading][vc_column_text uncode_shortcode_id=&#8221;449066&#8243;]<em>Forms, practices, experiences<\/em>[\/vc_column_text][vc_column_text uncode_shortcode_id=&#8221;108167&#8243;]<\/p>\n<p class=\"p1\">A time to meet and reflect on ways of reusing archival images, from authorial poetics to public implications, from ethical to aesthetic aspects.<\/p>\n<p>[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column column_width_percent=&#8221;100&#8243; gutter_size=&#8221;2&#8243; overlay_alpha=&#8221;50&#8243; shift_x=&#8221;0&#8243; shift_y=&#8221;0&#8243; shift_y_down=&#8221;0&#8243; z_index=&#8221;0&#8243; medium_width=&#8221;0&#8243; mobile_width=&#8221;0&#8243; width=&#8221;1\/1&#8243; uncode_shortcode_id=&#8221;755203&#8243;][vc_separator sep_color=&#8221;color-wvjs&#8221; uncode_shortcode_id=&#8221;100202&#8243; sep_color_type=&#8221;uncode-palette&#8221; el_height=&#8221;1px&#8221;][vc_column_text uncode_shortcode_id=&#8221;166006&#8243;]<\/p>\n<h3><span style=\"color: #000000;\">I Edition &#8211; 2023<\/span><\/h3>\n<p>[\/vc_column_text][vc_separator sep_color=&#8221;color-wvjs&#8221; uncode_shortcode_id=&#8221;100202&#8243; sep_color_type=&#8221;uncode-palette&#8221; el_height=&#8221;1px&#8221;][\/vc_column][\/vc_row][vc_row][vc_column column_width_percent=&#8221;42&#8243; gutter_size=&#8221;2&#8243; overlay_alpha=&#8221;50&#8243; shift_x=&#8221;0&#8243; shift_y=&#8221;0&#8243; shift_y_down=&#8221;0&#8243; z_index=&#8221;0&#8243; medium_width=&#8221;0&#8243; mobile_width=&#8221;0&#8243; width=&#8221;1\/2&#8243; uncode_shortcode_id=&#8221;829222&#8243;][vc_single_image media=&#8221;8978&#8243; media_width_percent=&#8221;100&#8243; advanced=&#8221;yes&#8221; media_overlay_opacity=&#8221;1&#8243; media_padding=&#8221;2&#8243; uncode_shortcode_id=&#8221;721734&#8243; media_link=&#8221;url:https%3A%2F%2Fwww.youtube.com%2Fwatch%3Fv%3DUaeCH8kSU6o|title:you%20tube|target:_blank&#8221;][vc_custom_heading heading_semantic=&#8221;p&#8221; text_size=&#8221;h5&#8243; text_weight=&#8221;600&#8243; uncode_shortcode_id=&#8221;198221&#8243;]Radu Jude Masterclass[\/vc_custom_heading][vc_column_text uncode_shortcode_id=&#8221;341275&#8243;]Moderated by Alina Marazzi.[\/vc_column_text][\/vc_column][vc_column column_width_percent=&#8221;100&#8243; gutter_size=&#8221;2&#8243; overlay_alpha=&#8221;50&#8243; shift_x=&#8221;0&#8243; shift_y=&#8221;0&#8243; shift_y_down=&#8221;0&#8243; z_index=&#8221;0&#8243; medium_width=&#8221;0&#8243; mobile_width=&#8221;0&#8243; width=&#8221;1\/2&#8243; uncode_shortcode_id=&#8221;171205&#8243;][vc_single_image media=&#8221;8945&#8243; media_width_percent=&#8221;100&#8243; advanced=&#8221;yes&#8221; media_overlay_opacity=&#8221;1&#8243; media_padding=&#8221;2&#8243; uncode_shortcode_id=&#8221;209562&#8243; media_link=&#8221;url:https%3A%2F%2Fwww.youtube.com%2Fwatch%3Fv%3Dww9xTmEvyTk%26t%3D1s|title:you%20tube|target:_blank&#8221;][vc_custom_heading heading_semantic=&#8221;p&#8221; text_size=&#8221;h5&#8243; text_weight=&#8221;600&#8243; uncode_shortcode_id=&#8221;208453&#8243;]Aleksandr Sokurov&#8217;s <em>Fairytale <\/em>Q&amp;A[\/vc_custom_heading][\/vc_column][\/vc_row][vc_row][vc_column column_width_percent=&#8221;100&#8243; gutter_size=&#8221;2&#8243; overlay_alpha=&#8221;50&#8243; shift_x=&#8221;0&#8243; shift_y=&#8221;0&#8243; shift_y_down=&#8221;0&#8243; z_index=&#8221;0&#8243; medium_width=&#8221;0&#8243; mobile_width=&#8221;0&#8243; width=&#8221;1\/3&#8243; uncode_shortcode_id=&#8221;755203&#8243;][vc_single_image media=&#8221;8946&#8243; media_width_percent=&#8221;100&#8243; advanced=&#8221;yes&#8221; media_overlay_opacity=&#8221;1&#8243; media_padding=&#8221;2&#8243; uncode_shortcode_id=&#8221;125875&#8243; media_link=&#8221;url:https%3A%2F%2Fyoutu.be%2F6QIIvfHIaMQ%3Fsi%3DYHq-Kg9M8qwPooQW|title:you%20tube|target:_blank&#8221;][vc_custom_heading heading_semantic=&#8221;p&#8221; text_size=&#8221;h5&#8243; text_weight=&#8221;600&#8243; uncode_shortcode_id=&#8221;142557&#8243;]Good manners for the archives &#8211; Panel[\/vc_custom_heading][vc_column_text uncode_shortcode_id=&#8221;106101&#8243;]<em>A dialogue between archives about the processing of audiovisual repertoire, from conservation to fruition.<\/em>[\/vc_column_text][vc_column_text uncode_shortcode_id=&#8221;127665&#8243;]Chair: Paolo Tosini (Director Conservation e management of audiovisual patrimony Centro Sperimentale di Cinematografia \u2013 National Film School)<br \/>\nSpeakers: Letizia Cortini (Archivist, Audiovisual Archive of the Democratic and Labour Movement) with Giovanni Bruno (President, Regesta.exe); Fabrizio Micarelli ((Area Manager conservation, Archivio Luce); Laurence McFalls (Director Open Memory Box); Maurizio Prece (Area Manager data, Archivio Luce); Andrea Meneghelli (Area Manager film archive, Cineteca di Bologna); Davide Pozzi (Director laboratory of film restoration L\u2019Immagine Ritrovata); Maria Assunta Pimpinelli (Area Manager Collections and Filmic Repertoire, Italian Natonal Film Library); Mirco Santi ((Area Manager laboratory of restoration and digitalization, Co-founder, Home Movies \u2013 Italian National Home Movies Archive).[\/vc_column_text][\/vc_column][vc_column column_width_percent=&#8221;100&#8243; gutter_size=&#8221;2&#8243; overlay_alpha=&#8221;50&#8243; shift_x=&#8221;0&#8243; shift_y=&#8221;0&#8243; shift_y_down=&#8221;0&#8243; z_index=&#8221;0&#8243; medium_width=&#8221;0&#8243; mobile_width=&#8221;0&#8243; width=&#8221;1\/3&#8243; uncode_shortcode_id=&#8221;171205&#8243;][vc_single_image media=&#8221;8947&#8243; media_width_percent=&#8221;100&#8243; advanced=&#8221;yes&#8221; media_overlay_opacity=&#8221;1&#8243; media_padding=&#8221;2&#8243; uncode_shortcode_id=&#8221;696281&#8243; media_link=&#8221;url:https%3A%2F%2Fyoutu.be%2Fpx0xpd78W1k%3Fsi%3D8erOH1cIMnDymokv|title:you%20tube|target:_blank&#8221;][vc_custom_heading heading_semantic=&#8221;p&#8221; text_size=&#8221;h5&#8243; text_weight=&#8221;600&#8243; uncode_shortcode_id=&#8221;153162&#8243;]Class(room) reuse &#8211; Panel[\/vc_custom_heading][vc_column_text uncode_shortcode_id=&#8221;130734&#8243;]<em>A comparison between the principal training courses dedicated to the found footage pratices<\/em>[\/vc_column_text][vc_column_text uncode_shortcode_id=&#8221;166502&#8243;]Chair: Marco Bertozzi<br \/>\nSpeakers: Alessia Petitto (Archive Producer); Annalisa Forgione (Editing teacher, Centro Sperimentale di Cinematografia \u2013 National Film School); Costanza Quatriglio (Drector Documentary School, Centro Sperimentale di Cinematografia \u2013 National Film School); Danilo Torre (Docente montaggio, Centro Sperimentale di Cinematografia); Antonio Medici (Director Premio Zavattini); Karianne Fiorini (President and curator Re-framing home movies project); Gianmarco Torri (Secretary general and curator Re-framing home movies project); Giacomo Ravesi (Scientific Director, Art Residence Suoni &amp; Visioni); Giuseppe Ferrari (Area Manager conservation and digitalization, Ri-prese project); Nicoletta Traversa (Area Manager conservation and digitalization, Ri-prese project).[\/vc_column_text][\/vc_column][vc_column width=&#8221;1\/3&#8243;][vc_single_image media=&#8221;8948&#8243; media_width_percent=&#8221;100&#8243; advanced=&#8221;yes&#8221; media_overlay_opacity=&#8221;1&#8243; media_padding=&#8221;2&#8243; uncode_shortcode_id=&#8221;545196&#8243; media_link=&#8221;url:https%3A%2F%2Fwww.youtube.com%2Fwatch%3Fv%3DOMs7C4lgDnA|title:you%20tube|target:_blank&#8221;][vc_custom_heading heading_semantic=&#8221;p&#8221; text_size=&#8221;h5&#8243; text_weight=&#8221;600&#8243; uncode_shortcode_id=&#8221;139042&#8243;]Poetics of the contemporary reuse &#8211; Round table[\/vc_custom_heading][vc_column_text uncode_shortcode_id=&#8221;449066&#8243;]<em>Forms, practices, experiences<\/em>[\/vc_column_text][vc_column_text uncode_shortcode_id=&#8221;108167&#8243;]<\/p>\n<p class=\"p1\">A time to meet and reflect on ways of reusing archival images, from authorial poetics to public implications, from ethical to aesthetic aspects.<\/p>\n<p>[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>[vc_row][vc_column column_width_percent=&#8221;100&#8243; gutter_size=&#8221;2&#8243; overlay_alpha=&#8221;50&#8243; shift_x=&#8221;0&#8243; shift_y=&#8221;0&#8243; shift_y_down=&#8221;0&#8243; z_index=&#8221;0&#8243; 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