{"id":10009,"date":"2026-04-27T12:28:41","date_gmt":"2026-04-27T10:28:41","guid":{"rendered":"https:\/\/unarchivefest.it\/?post_type=portfolio&#038;p=10009"},"modified":"2026-05-06T11:15:58","modified_gmt":"2026-05-06T09:15:58","slug":"a-history-of-the-world-according-to-getty-images-37","status":"publish","type":"portfolio","link":"https:\/\/unarchivefest.it\/en\/eventi\/a-history-of-the-world-according-to-getty-images-37\/","title":{"rendered":"Remake"},"content":{"rendered":"<div class=\"wpb-content-wrapper\"><p>[vc_row unlock_row_content=&#8221;yes&#8221; row_height_percent=&#8221;0&#8243; overlay_alpha=&#8221;50&#8243; gutter_size=&#8221;3&#8243; column_width_percent=&#8221;100&#8243; shift_y=&#8221;0&#8243; z_index=&#8221;0&#8243; content_parallax=&#8221;0&#8243; uncode_shortcode_id=&#8221;135292&#8243;][vc_column column_width_percent=&#8221;0&#8243; gutter_size=&#8221;3&#8243; overlay_alpha=&#8221;50&#8243; shift_x=&#8221;0&#8243; shift_y=&#8221;0&#8243; shift_y_down=&#8221;0&#8243; z_index=&#8221;0&#8243; medium_width=&#8221;0&#8243; mobile_width=&#8221;0&#8243; width=&#8221;1\/1&#8243; uncode_shortcode_id=&#8221;322053&#8243;][vc_single_image media=&#8221;10014&#8243; media_width_percent=&#8221;100&#8243; uncode_shortcode_id=&#8221;120402&#8243;][\/vc_column][\/vc_row][vc_row row_height_percent=&#8221;0&#8243; override_padding=&#8221;yes&#8221; h_padding=&#8221;2&#8243; top_padding=&#8221;0&#8243; bottom_padding=&#8221;2&#8243; overlay_alpha=&#8221;50&#8243; gutter_size=&#8221;3&#8243; column_width_percent=&#8221;100&#8243; shift_y=&#8221;0&#8243; z_index=&#8221;0&#8243; uncode_shortcode_id=&#8221;866162&#8243;][vc_column column_width_percent=&#8221;100&#8243; gutter_size=&#8221;0&#8243; overlay_alpha=&#8221;50&#8243; shift_x=&#8221;0&#8243; shift_y=&#8221;0&#8243; shift_y_down=&#8221;0&#8243; z_index=&#8221;0&#8243; medium_width=&#8221;0&#8243; mobile_width=&#8221;0&#8243; width=&#8221;2\/3&#8243; uncode_shortcode_id=&#8221;162486&#8243;][vc_custom_heading uncode_shortcode_id=&#8221;141175&#8243;]<\/p>\n<h6><strong>Best of Fest<\/strong><\/h6>\n<p>[\/vc_custom_heading][vc_custom_heading uncode_shortcode_id=&#8221;610610&#8243;]<\/p>\n<h6>Beeld &#038; Geluid IDFA ReFrame Award (Amsterdam)<\/h6>\n<p>[\/vc_custom_heading][vc_custom_heading auto_text=&#8221;yes&#8221; text_color=&#8221;accent&#8221; uncode_shortcode_id=&#8221;163448&#8243; text_color_type=&#8221;uncode-palette&#8221;][\/vc_custom_heading][vc_column_text uncode_shortcode_id=&#8221;528676&#8243;]<\/p>\n<p class=\"p1\"><strong>Ross McElwee<\/strong> \/ USA \/ 2025 \/ 116&#8242;<\/p>\n<p>[\/vc_column_text][vc_empty_space empty_h=&#8221;2&#8243;][vc_separator sep_color=&#8221;color-wvjs&#8221; type=&#8221;dotted&#8221; uncode_shortcode_id=&#8221;202264&#8243; sep_color_type=&#8221;uncode-palette&#8221; el_height=&#8221;10&#8243;][vc_empty_space empty_h=&#8221;1&#8243;][vc_column_text uncode_shortcode_id=&#8221;140483&#8243;]<span style=\"font-weight: 400;\">In <\/span><i><span style=\"font-weight: 400;\">Remake<\/span><\/i><span style=\"font-weight: 400;\">, director Ross McElwee turns his attention to the passage of time and the ambiguous space between documenting life and understanding it. The film traces McElwee&#8217;s relationship with his son Adrian and the fragile bond the camera created between them when Adrian was alive and now that he is gone. Drawing on decades of footage, some shot by Ross, some by Adrian, the film becomes a layered exploration of memory and image-making. Acting as a common thread is the ghost of another project: a failed attempt by Hollywood to adapt McElwee&#8217;s 1986 classic for film,     <\/span><i><span style=\"font-weight: 400;\">Sherman&#8217;s March<\/span><\/i><span style=\"font-weight: 400;\">. What emerges is a work shaped by absence and driven by the impulse to keep looking, even when there is no longer a clear story to tell.<\/span>[\/vc_column_text][vc_empty_space empty_h=&#8221;2&#8243;][vc_column_text uncode_shortcode_id=&#8221;199352&#8243;]<em>Director<\/em> Ross McElwee<br \/>\n<em>Screenplay<\/em> Ross McElwee<br \/>\n<em>Editing<\/em> Ross McElwee, Joe Bini<br \/>\n<em>Produced<\/em> <em>by<\/em> Mark Meatto, Ross McElwee[\/vc_column_text][vc_empty_space empty_h=&#8221;2&#8243;][\/vc_column][vc_column column_width_percent=&#8221;100&#8243; gutter_size=&#8221;1&#8243; overlay_alpha=&#8221;50&#8243; shift_x=&#8221;0&#8243; shift_y=&#8221;0&#8243; shift_y_down=&#8221;0&#8243; z_index=&#8221;0&#8243; medium_width=&#8221;0&#8243; mobile_width=&#8221;0&#8243; width=&#8221;1\/3&#8243; uncode_shortcode_id=&#8221;207555&#8243;][vc_column_text uncode_shortcode_id=&#8221;117215&#8243;]<span style=\"color: #ff0000;\"><strong>INTRASTEVERE CINEMA &#8211; Room 1, May 26, 7 p.m.<\/strong><\/span><\/p>\n<p><span style=\"color: #000000;\"><strong>Introduced by Karen Maldoy, Project Leader Beeld &amp; Geluid)<\/strong><\/span>[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column width=&#8221;1\/1&#8243;][vc_column_text uncode_shortcode_id=&#8221;155315&#8243;]<strong>Ross McElwee<\/strong><\/p>\n<p>Ross McElwee is an American documentary filmmaker whose work blends autobiography, cultural observation and humor. His breakthrough film, <em>Sherman&#8217;s March<\/em>, won the Grand Jury Prize at the Sundance Film Festival. In 2005, MoMA presented a comprehensive retrospective of his work, which subsequently screened in Paris, Seoul, Quito, Madrid and Moscow.[\/vc_column_text][\/vc_column][\/vc_row][vc_row row_height_percent=&#8221;0&#8243; override_padding=&#8221;yes&#8221; h_padding=&#8221;2&#8243; top_padding=&#8221;1&#8243; bottom_padding=&#8221;1&#8243; overlay_alpha=&#8221;50&#8243; gutter_size=&#8221;3&#8243; column_width_percent=&#8221;100&#8243; shift_y=&#8221;0&#8243; z_index=&#8221;0&#8243; uncode_shortcode_id=&#8221;183712&#8243;][vc_column width=&#8221;1\/1&#8243;][uncode_share layout=&#8221;multiple&#8221; bigger=&#8221;yes&#8221; separator=&#8221;yes&#8221; css_animation=&#8221;bottom-t-top&#8221; title=&#8221;share yes&#8221;][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>Ross McElwee \/ USA \/ 2025 \/ 116&#8242; &#8211; Beeld &#038; Geluid IDFA ReFrame Award (Amsterdam)<\/p>\n","protected":false},"author":1,"featured_media":10014,"parent":0,"menu_order":0,"comment_status":"open","ping_status":"open","template":"","meta":{"rs_blank_template":"","rs_page_bg_color":"","slide_template_v7":"","footnotes":""},"portfolio_category":[114],"class_list":["post-10009","portfolio","type-portfolio","status-publish","has-post-thumbnail","hentry","portfolio_category-best-of-fest-2026"],"_links":{"self":[{"href":"https:\/\/unarchivefest.it\/en\/wp-json\/wp\/v2\/portfolio\/10009","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/unarchivefest.it\/en\/wp-json\/wp\/v2\/portfolio"}],"about":[{"href":"https:\/\/unarchivefest.it\/en\/wp-json\/wp\/v2\/types\/portfolio"}],"author":[{"embeddable":true,"href":"https:\/\/unarchivefest.it\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/unarchivefest.it\/en\/wp-json\/wp\/v2\/comments?post=10009"}],"version-history":[{"count":6,"href":"https:\/\/unarchivefest.it\/en\/wp-json\/wp\/v2\/portfolio\/10009\/revisions"}],"predecessor-version":[{"id":10887,"href":"https:\/\/unarchivefest.it\/en\/wp-json\/wp\/v2\/portfolio\/10009\/revisions\/10887"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/unarchivefest.it\/en\/wp-json\/wp\/v2\/media\/10014"}],"wp:attachment":[{"href":"https:\/\/unarchivefest.it\/en\/wp-json\/wp\/v2\/media?parent=10009"}],"wp:term":[{"taxonomy":"portfolio_category","embeddable":true,"href":"https:\/\/unarchivefest.it\/en\/wp-json\/wp\/v2\/portfolio_category?post=10009"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}