{"id":10023,"date":"2026-04-27T12:51:59","date_gmt":"2026-04-27T10:51:59","guid":{"rendered":"https:\/\/unarchivefest.it\/?post_type=portfolio&p=10023"},"modified":"2026-05-06T11:14:49","modified_gmt":"2026-05-06T09:14:49","slug":"a-history-of-the-world-according-to-getty-images-39","status":"publish","type":"portfolio","link":"https:\/\/unarchivefest.it\/en\/eventi\/a-history-of-the-world-according-to-getty-images-39\/","title":{"rendered":"Archaeologies in Trance"},"content":{"rendered":"

[vc_row row_height_percent=”0″ override_padding=”yes” h_padding=”2″ top_padding=”0″ bottom_padding=”2″ overlay_alpha=”50″ gutter_size=”3″ column_width_percent=”100″ shift_y=”0″ z_index=”0″ uncode_shortcode_id=”866162″][vc_column column_width_percent=”100″ gutter_size=”0″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”2\/3″ uncode_shortcode_id=”162486″][vc_empty_space empty_h=”2″][vc_empty_space empty_h=”2″][vc_custom_heading uncode_shortcode_id=”141175″]<\/p>\n

Best of Fest<\/strong><\/h6>\n

[\/vc_custom_heading][vc_custom_heading uncode_shortcode_id=”180311″]<\/p>\n

MUTA Festival Internacional de Apropiaci\u00f3n Audiovisual de Lima<\/h6>\n

[\/vc_custom_heading][vc_custom_heading auto_text=”yes” text_color=”accent” uncode_shortcode_id=”163448″ text_color_type=”uncode-palette”][\/vc_custom_heading][vc_empty_space empty_h=”2″][vc_separator sep_color=”color-wvjs” type=”dotted” uncode_shortcode_id=”202264″ sep_color_type=”uncode-palette” el_height=”10″][vc_empty_space empty_h=”2″][\/vc_column][vc_column column_width_percent=”100″ gutter_size=”1″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”1\/3″ uncode_shortcode_id=”207555″][vc_empty_space empty_h=”2″][vc_empty_space empty_h=”2″][vc_column_text uncode_shortcode_id=”743023″]INTRASTEVERE CINEMA – Room 2, May 29, 6 p.m.<\/strong><\/span><\/p>\n

Introduced by the curator\u00a0<\/strong><\/span>[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/1″][vc_column_text uncode_shortcode_id=”177079″]This program brings together seven short films that explore the materiality of cinema and the poetic potential of collage, where film and archival images become archaeological gestures shaped by chance, intervention, repetition, and reappropriation.
\n<\/span>Orphan images are intervened until their own dimensions are altered, opening perceptual states in which the visual becomes matter in transit. From the meticulous observation of a hummingbird\u2019s flight to the reading of two historical moments as archaeological gestures, the works activate ways of engaging with time that oscillate between the microscopic and the ancestral.
\n<\/span>In this trajectory, a search runs through the archive as a trace of a history in which the face of a lesbian woman had to remain hidden, while other works address how exile and migration are inscribed in the body, shaping displacement through collage as an embodied experience.
\n<\/span>The program also invokes an ancestral trance in dialogue with the quinine plant, questioning the narratives of colonial extractivism through Bora and Uitoto chants that reactivate other forms of knowledge. A new north is imagined \u201cdown and to the left\u201d of hegemonic world maps, where the history of rebellious radios and leftist political struggles across the continent opened imaginaries of resistance.<\/span><\/p>\n

Milagros Tavara
\nMUTA Programmer[\/vc_column_text][vc_separator sep_color=”color-wvjs” type=”dotted” uncode_shortcode_id=”202264″ sep_color_type=”uncode-palette” el_height=”10″][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/3″][vc_separator sep_color=”color-wvjs” type=”dotted” uncode_shortcode_id=”202264″ sep_color_type=”uncode-palette” el_height=”10″][vc_single_image media=”10259″ media_width_percent=”100″ uncode_shortcode_id=”118036″][\/vc_column][vc_column width=”2\/3″][vc_separator sep_color=”color-wvjs” type=”dotted” uncode_shortcode_id=”202264″ sep_color_type=”uncode-palette” el_height=”10″][vc_column_text uncode_shortcode_id=”146785″]Being Here, Dreaming There<\/strong>
\nP\u00e9ter Lichter \/ Hungary, Peru \/ 2025 \/ 3′[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/3″][vc_separator sep_color=”color-wvjs” type=”dotted” uncode_shortcode_id=”202264″ sep_color_type=”uncode-palette” el_height=”10″][vc_single_image media=”10034″ media_width_percent=”100″ uncode_shortcode_id=”118036″][\/vc_column][vc_column width=”2\/3″][vc_separator sep_color=”color-wvjs” type=”dotted” uncode_shortcode_id=”202264″ sep_color_type=”uncode-palette” el_height=”10″][vc_column_text uncode_shortcode_id=”100607″]Lessons on Flight<\/strong>
\nCecilia Araneda \/ Chile \/ 2025 \/ 4′[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/3″][vc_separator sep_color=”color-wvjs” type=”dotted” uncode_shortcode_id=”202264″ sep_color_type=”uncode-palette” el_height=”10″][vc_single_image media=”10260″ media_width_percent=”100″ uncode_shortcode_id=”118036″][\/vc_column][vc_column width=”2\/3″][vc_separator sep_color=”color-wvjs” type=”dotted” uncode_shortcode_id=”202264″ sep_color_type=”uncode-palette” el_height=”10″][vc_column_text uncode_shortcode_id=”396346″]Vesuvius<\/em>
\nVesuvius<\/em> \/ Bruno Christofoletti Barrenha \/ Germany \/ 2025 \/ 7′[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/3″][vc_separator sep_color=”color-wvjs” type=”dotted” uncode_shortcode_id=”202264″ sep_color_type=”uncode-palette” el_height=”10″][vc_single_image media=”10262″ media_width_percent=”100″ uncode_shortcode_id=”118036″][\/vc_column][vc_column width=”2\/3″][vc_separator sep_color=”color-wvjs” type=”dotted” uncode_shortcode_id=”202264″ sep_color_type=”uncode-palette” el_height=”10″][vc_column_text uncode_shortcode_id=”273494″]I am a lesbian from this country <\/strong>
\nSoy una lesbiana de este pa\u00eds<\/em> \/ Roc\u00edo Llamb\u00ed \/ Uruguay, Spain \/ 2024 \/ 9′[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/3″][vc_separator sep_color=”color-wvjs” type=”dotted” uncode_shortcode_id=”202264″ sep_color_type=”uncode-palette” el_height=”10″][vc_single_image media=”10264″ media_width_percent=”100″ uncode_shortcode_id=”574635″][\/vc_column][vc_column width=”2\/3″][vc_separator sep_color=”color-wvjs” type=”dotted” uncode_shortcode_id=”202264″ sep_color_type=”uncode-palette” el_height=”10″][vc_column_text uncode_shortcode_id=”203666″]Memory of a displaced body <\/strong>
\nMemoria de un cuerpo desplazado<\/em> \/ Mariana Mendivil \/ Mexico \/ 2024 \/ 9′[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/3″][vc_separator sep_color=”color-wvjs” type=”dotted” uncode_shortcode_id=”202264″ sep_color_type=”uncode-palette” el_height=”10″][vc_single_image media=”10265″ media_width_percent=”100″ uncode_shortcode_id=”142888″][\/vc_column][vc_column width=”2\/3″][vc_separator sep_color=”color-wvjs” type=”dotted” uncode_shortcode_id=”202264″ sep_color_type=”uncode-palette” el_height=”10″][vc_column_text uncode_shortcode_id=”171675″]Quinine machine<\/strong>
\nMA-QUINA<\/em> \/ Sebastian Widemann \/ Colombia \/ 2024 \/ 8′[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/3″][vc_single_image media=”10267″ media_width_percent=”100″ uncode_shortcode_id=”118036″][\/vc_column][vc_column width=”2\/3″][vc_separator sep_color=”color-wvjs” type=”dotted” uncode_shortcode_id=”202264″ sep_color_type=”uncode-palette” el_height=”10″][vc_column_text uncode_shortcode_id=”813253″]Below and to the left<\/strong>
\nAbajo y a la izquierda<\/em> \/ Mart\u00ecn Baus \/ Chile, Ecuador, Switzerland \/ 2025 \/ 14′[\/vc_column_text][\/vc_column][\/vc_row][vc_row row_height_percent=”0″ override_padding=”yes” h_padding=”2″ top_padding=”1″ bottom_padding=”1″ overlay_alpha=”50″ gutter_size=”3″ column_width_percent=”100″ shift_y=”0″ z_index=”0″ uncode_shortcode_id=”183712″][vc_column width=”1\/1″][uncode_share layout=”multiple” bigger=”yes” separator=”yes” css_animation=”bottom-t-top” title=”share yes”][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

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