{"id":10046,"date":"2026-04-27T15:05:25","date_gmt":"2026-04-27T13:05:25","guid":{"rendered":"https:\/\/unarchivefest.it\/?post_type=portfolio&p=10046"},"modified":"2026-05-16T13:16:07","modified_gmt":"2026-05-16T11:16:07","slug":"a-i-archive-intelligence-riusi-darchivio-e-intelligenza-artificiale-generativa-2","status":"publish","type":"portfolio","link":"https:\/\/unarchivefest.it\/en\/eventi\/a-i-archive-intelligence-riusi-darchivio-e-intelligenza-artificiale-generativa-2\/","title":{"rendered":"Riusi generativi"},"content":{"rendered":"

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Riusi generativi<\/span><\/h1>\n

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Works that investigates the relationship between archives and Artificial Intelligence.<\/h3>\n

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In partnership with<\/em>\u00a0John Cabot University<\/p>\n

[\/vc_column_text][vc_separator sep_color=”color-wvjs” type=”dotted” uncode_shortcode_id=”202264″ sep_color_type=”uncode-palette” el_height=”10″][\/vc_column][vc_column width=”1\/3″][vc_column_text uncode_shortcode_id=”116927″]CINEMA INTRASTEVERE – Room 2, May 30, 4:30 p.m.<\/strong><\/span>[\/vc_column_text][\/vc_column][\/vc_row][vc_row row_height_percent=”0″ override_padding=”yes” h_padding=”2″ top_padding=”1″ bottom_padding=”1″ overlay_alpha=”50″ gutter_size=”3″ column_width_percent=”100″ shift_y=”0″ z_index=”0″ uncode_shortcode_id=”183712″][vc_column width=”1\/1″][vc_row_inner][vc_column_inner width=”1\/4″][vc_single_image media=”10051″ media_width_percent=”100″ uncode_shortcode_id=”426012″][\/vc_column_inner][vc_column_inner width=”3\/4″][vc_column_text uncode_shortcode_id=”201885″]<\/p>\n

09\/05\/1982<\/strong>
\nJorge Caballero, Camilo Restrepo \/ Mexico, Spain \/ 2025 \/ 11\u2019<\/p>\n

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A deteriorated film, shot in 1982 in a Latin American country, presents a succession of everyday images, among which some stand out as bearing witness to the violent events that took place on 9 May of that year. As the images unfold, a male voice narrates the official version of events. Beneath its apparent banality, the film raises the suspicion that what really happened has been covered up.<\/p>\n<\/div>\n<\/div>\n

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An Uncanny Dialogue<\/strong>
\nAlessandro Turchioe \/ Italy \/ 2025 \/ 12\u2019<\/p>\n

Uncanny Dialogue<\/em> stages a clash between two voices in a blurred space where images generated by artificial intelligence and live footage merge into one another. By interweaving Roland Barthes\u2019 lament in Camera Lucida<\/em> with a tech visionary\u2019s celebration of manipulation, the film explores what happens to visual evidence\u2014not only of events, but also of people\u2019s inner lives\u2014when neither these nor the moments that captured them may ever have existed.
\nUncanny Dialogue<\/em> is part of a wider series that explores how AI is reshaping our lives in small, almost imperceptible ways, altering our ways of thinking and the means through which we interact with culture.[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_separator sep_color=”color-wvjs” type=”dotted” uncode_shortcode_id=”202264″ sep_color_type=”uncode-palette” el_height=”10″][vc_row_inner][vc_column_inner width=”1\/4″][vc_single_image media=”11135″ media_width_percent=”100″ uncode_shortcode_id=”706648″][\/vc_column_inner][vc_column_inner width=”3\/4″][vc_column_text uncode_shortcode_id=”189427″]<\/p>\n

Cold and Dim<\/strong>
\nPiero Fragola \/ Italy \/ 3\u2019<\/p>\n

This music video is the result of a creative project that blends artificial intelligence with traditional analogue film techniques, giving rise to a unique experiment within today\u2019s audiovisual landscape. This experimental fusion of the artificial and the natural aims to challenge the concepts of craftsmanship and artistic exploration.[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_separator sep_color=”color-wvjs” type=”dotted” uncode_shortcode_id=”202264″ sep_color_type=”uncode-palette” el_height=”10″][vc_row_inner][vc_column_inner width=”1\/4″][vc_single_image media=”11131″ media_width_percent=”100″ uncode_shortcode_id=”186315″][\/vc_column_inner][vc_column_inner width=”3\/4″][vc_column_text uncode_shortcode_id=”213965″]<\/p>\n

I am everything
\n<\/strong>Jeppe Lange \/ Denmark \/ 2025 \/ 12\u2019<\/p>\n

An artificial intelligence develops self-awareness and reflects on humanity\u2019s moral codes and social structures.
\nUsing art history and the internet\u2019s infinite archive of images as building blocks, Jeppe Lange has created a thought-provoking and subtly humorous work in which a (fictional) artificial intelligence that develops self-awareness observes humanity\u2019s moral limits from a new perspective. Just as the spectra of light and sound extend beyond human perception, the AI discovers a mental spectrum far vaster than any individual mind can comprehend, creating an unprecedented connection between technology and the hidden patterns of nature.[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_separator sep_color=”color-wvjs” type=”dotted” uncode_shortcode_id=”202264″ sep_color_type=”uncode-palette” el_height=”10″][vc_row_inner][vc_column_inner width=”1\/4″][vc_single_image media=”11132″ media_width_percent=”100″ uncode_shortcode_id=”186315″][\/vc_column_inner][vc_column_inner width=”3\/4″][vc_column_text uncode_shortcode_id=”214379″]<\/p>\n

Manual Of Self-Destruction<\/strong>
\nElisa Baccolo \/ Italy \/ 2025 \/ 19\u2019<\/p>\n

After realising that an artificial intelligence model is altering her self-portraits by imposing unattainable beauty standards, E. begins to suspect that these models are nothing more than a sublimation of something that already plagues contemporary society.[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_separator sep_color=”color-wvjs” type=”dotted” uncode_shortcode_id=”202264″ sep_color_type=”uncode-palette” el_height=”10″][vc_row_inner][vc_column_inner width=”1\/4″][vc_single_image media=”11133″ media_width_percent=”100″ uncode_shortcode_id=”186315″][\/vc_column_inner][vc_column_inner width=”3\/4″][vc_column_text uncode_shortcode_id=”665344″]<\/p>\n

Ping Pong<\/strong>
\nTianji Yu \/ China \/ 2025 \/ 15\u2019<\/p>\n

A game of table tennis becomes a metaphor for closeness and alienation: director Tianji Yu engages in a conversation with an artificial intelligence about lost friendships, political divisions and immateriality. From a mundane conversation emerges a poetic reflection on memory, absence and the human being as a political entity.[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_separator sep_color=”color-wvjs” type=”dotted” uncode_shortcode_id=”202264″ sep_color_type=”uncode-palette” el_height=”10″][vc_row_inner][vc_column_inner width=”1\/4″][vc_single_image media=”11134″ media_width_percent=”100″ uncode_shortcode_id=”186315″][\/vc_column_inner][vc_column_inner width=”3\/4″][vc_column_text uncode_shortcode_id=”211306″]<\/p>\n

The Future Is Now Finally Weird<\/strong>
\nSilvia Dal Dosso \/ Austria \/ 2025 \/ 13\u2019<\/p>\n

Structured in three parts, the film presents a visionary narrative set in a post-post-post-truth world, where artificial intelligence generates voices, identities and alternative realities. Guiding the viewer is the synthetic voice of British documentary filmmaker Adam Curtis, known for his essay films on the history of power, the media and social manipulation, recreated here using voice cloning software.
\nDeceased celebrities brought back to life, billionaires fleeing underground, virtual influencers, emotional advertising and relationships with bots populate the film\u2019s dystopian and hyper-real setting. Composed entirely of archive footage, the work moves between cultural criticism, memetic aesthetics and satirical visions of the present, offering a chaotic and unsettling portrait of the era of generative AI.[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row row_height_percent=”0″ overlay_alpha=”50″ gutter_size=”3″ column_width_percent=”100″ shift_y=”0″ z_index=”0″ uncode_shortcode_id=”115430″][vc_column width=”1\/1″][vc_separator sep_color=”color-wvjs” type=”dotted” uncode_shortcode_id=”202264″ sep_color_type=”uncode-palette” el_height=”10″][vc_single_image media=”10892″ media_width_percent=”100″ uncode_shortcode_id=”119134″][\/vc_column][\/vc_row][vc_row row_height_percent=”0″ override_padding=”yes” h_padding=”2″ top_padding=”1″ bottom_padding=”1″ overlay_alpha=”50″ gutter_size=”3″ column_width_percent=”100″ shift_y=”0″ z_index=”0″ uncode_shortcode_id=”183712″][vc_column width=”2\/3″][vc_separator sep_color=”color-wvjs” type=”dotted” uncode_shortcode_id=”202264″ sep_color_type=”uncode-palette” el_height=”10″][vc_column_text uncode_shortcode_id=”805470″]<\/p>\n

Ask Me for Those Unborn Promises that May Seem Unlikely to Happen in the Natural
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Donatella della Ratta<\/span>
\n<\/strong><\/span>in partnership with<\/em>\u00a0THE VOID (Tommaso Campagna & Jordi Viader Guerrero)<\/h4>\n

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Generative artificial intelligence creates speculative images that, while not based on real events, remain plausible, constructing realities that have yet to unfold. Situated more in the realm of possibility than empirical certainty, these images introduce a new form of \u201csynthetic realism.\u201d They reshape the past and present through their world-building potential, and it is precisely in their apparent innocence \u2014 lacking concrete references, historical roots, genealogies, or context \u2014 that they exert a silent yet profound violence against history and factual reality.
\nDonatella Della Ratta\u2019s lecture performance, explores \u201cspeculative violence,\u201d an emerging mode of the image\u2019s existence, oscillating between explicit destruction and subtle, almost imperceptible effects. Combining text and visuals \u2014 including found footage, social media threads, and AI-generated media \u2014 the work leads the audience on a disquieting journey through the violence of the not-yet-realized, navigating symbols and contemporary landscapes from Palestine to Trump\u2019s America, and involving, even, groups of unsuspecting cows.<\/p>\n

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CINEMA INTRASTEVERE – Room 2, May 30 6 p.m.\u00a0<\/strong><\/span><\/h4>\n

[\/vc_column_text][\/vc_column][\/vc_row][vc_row row_height_percent=”0″ overlay_alpha=”50″ gutter_size=”3″ column_width_percent=”100″ shift_y=”0″ z_index=”0″ uncode_shortcode_id=”115430″][vc_column width=”1\/1″][vc_separator sep_color=”color-wvjs” type=”dotted” uncode_shortcode_id=”202264″ sep_color_type=”uncode-palette” el_height=”10″][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

[vc_row row_height_percent=”0″ overlay_alpha=”50″ gutter_size=”3″ column_width_percent=”100″ shift_y=”0″ z_index=”0″ content_parallax=”0″ uncode_shortcode_id=”873606″][vc_column width=”2\/3″][vc_custom_heading uncode_shortcode_id=”142375″] Riusi generativi [\/vc_custom_heading][vc_empty_space empty_h=”2″][vc_custom_heading uncode_shortcode_id=”180386″] Works that investigates the […]<\/p>\n","protected":false},"author":1,"featured_media":10051,"parent":0,"menu_order":0,"comment_status":"open","ping_status":"open","template":"","meta":{"rs_blank_template":"","rs_page_bg_color":"","slide_template_v7":"","footnotes":""},"portfolio_category":[],"class_list":["post-10046","portfolio","type-portfolio","status-publish","has-post-thumbnail","hentry"],"_links":{"self":[{"href":"https:\/\/unarchivefest.it\/en\/wp-json\/wp\/v2\/portfolio\/10046","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/unarchivefest.it\/en\/wp-json\/wp\/v2\/portfolio"}],"about":[{"href":"https:\/\/unarchivefest.it\/en\/wp-json\/wp\/v2\/types\/portfolio"}],"author":[{"embeddable":true,"href":"https:\/\/unarchivefest.it\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/unarchivefest.it\/en\/wp-json\/wp\/v2\/comments?post=10046"}],"version-history":[{"count":16,"href":"https:\/\/unarchivefest.it\/en\/wp-json\/wp\/v2\/portfolio\/10046\/revisions"}],"predecessor-version":[{"id":11577,"href":"https:\/\/unarchivefest.it\/en\/wp-json\/wp\/v2\/portfolio\/10046\/revisions\/11577"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/unarchivefest.it\/en\/wp-json\/wp\/v2\/media\/10051"}],"wp:attachment":[{"href":"https:\/\/unarchivefest.it\/en\/wp-json\/wp\/v2\/media?parent=10046"}],"wp:term":[{"taxonomy":"portfolio_category","embeddable":true,"href":"https:\/\/unarchivefest.it\/en\/wp-json\/wp\/v2\/portfolio_category?post=10046"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}