{"id":10105,"date":"2026-04-27T16:26:43","date_gmt":"2026-04-27T14:26:43","guid":{"rendered":"https:\/\/unarchivefest.it\/?post_type=portfolio&p=10105"},"modified":"2026-05-11T17:16:46","modified_gmt":"2026-05-11T15:16:46","slug":"animated-archives-stories-theories-practices-2","status":"publish","type":"portfolio","link":"https:\/\/unarchivefest.it\/en\/eventi\/animated-archives-stories-theories-practices-2\/","title":{"rendered":"histoires naturelles de la destruction"},"content":{"rendered":"

[vc_row row_height_percent=”0″ override_padding=”yes” h_padding=”2″ top_padding=”0″ bottom_padding=”2″ overlay_alpha=”50″ gutter_size=”3″ column_width_percent=”100″ shift_y=”0″ z_index=”0″ uncode_shortcode_id=”160219″][vc_column column_width_percent=”100″ gutter_size=”0″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”2\/3″ uncode_shortcode_id=”118363″][vc_empty_space empty_h=”2″][vc_empty_space empty_h=”2″][vc_custom_heading uncode_shortcode_id=”988041″]<\/p>\n

Masterclass<\/strong><\/h6>\n

[\/vc_custom_heading][vc_custom_heading auto_text=”yes” text_color=”accent” uncode_shortcode_id=”119512″ text_color_type=”uncode-palette”][\/vc_custom_heading][vc_column_text uncode_shortcode_id=”193964″]<\/p>\n

C\u00e9cile Fontaine Masterclass<\/p>\n

[\/vc_column_text][vc_empty_space empty_h=”2″][vc_column_text uncode_shortcode_id=”401035″]<\/p>\n

In partnership with<\/em> Libera Universit\u00e0 di Lingue e Comunicazione IULM<\/p>\n

[\/vc_column_text][\/vc_column][vc_column column_width_percent=”100″ gutter_size=”1″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”1\/3″ uncode_shortcode_id=”207555″][vc_empty_space empty_h=”2″][vc_empty_space empty_h=”2″][vc_column_text uncode_shortcode_id=”619751″]<\/p>\n

INTRASTEVERE CINEMA – Room 1 May 28, 4:30 p.m.<\/strong><\/span><\/h4>\n

The author in dialogue with Philip-Alain Michaud\u00a0<\/strong><\/span>[\/vc_column_text][vc_empty_space empty_h=”2″][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/2″][vc_separator sep_color=”color-wvjs” type=”dotted” uncode_shortcode_id=”202264″ sep_color_type=”uncode-palette” el_height=”10″][vc_column_text uncode_shortcode_id=”166970″]C\u00e9cile Fontaine<\/strong><\/p>\n

Born in 1957 in the south of France, she grew up in an overseas French “department,” \u00cele de la R\u00e9union, in the Indian Ocean; she studied art in both France (1975-1979) and Boston (1980-1986), where she began making films in 1982 after taking an evening film course at the Massachusetts College of Art and then enrolling full-time at the School of Museum of Fine Arts, majoring in film. She returned to France in 1986 and has lived in Paris ever since, where she teaches art full time at an elementary school and makes films.[\/vc_column_text][\/vc_column][vc_column width=”1\/2″][vc_separator sep_color=”color-wvjs” type=”dotted” uncode_shortcode_id=”202264″ sep_color_type=”uncode-palette” el_height=”10″][vc_column_text uncode_shortcode_id=”166970″]Philippe-Alain Michaud <\/strong><\/p>\n

He is curator at the Mus\u00e9e National d’Art Moderne – Centre Pompidou, in charge of the museum’s film collection. He teaches film history and theory at the Universit\u00e9 de Gen\u00e8ve. He is the author of Aby Warburg et l’image en mouvement<\/em> (Macula, 1998), Le peuple des images<\/em> (Descl\u00e9e de Brouwer, 2004), Sur le Film<\/em> (Macula, 2016), Primitive souls. Celluloid, plush and paper figures. <\/em> (Quodlibet, 2023). He has written several articles on the relationship between cinema and the visual arts. He has been curator of several exhibitions, including Comme le r\u00eave le dessin<\/em> (Mus\u00e9e du Louvre\/Centre Pompidou, 2004), Le mouvement des images<\/em> (Centre Pompidou, 2006), Nuits \u00e9lectriques<\/em> (Mus\u00e9e, de la photographie, Moscou et Laboral (Gijon, Spain) 2007, Tapis volants<\/em> (Villa Medici, Rome et Les Abattoirs, Toulouse) 2010, Beat Generation<\/em> (Centre Pompidou, 2016), L’\u0153il extatique : Sergue\u00ef Eisenstein \u00e0 la crois\u00e9e des arts<\/em> (Centre Pompidou-Metz, 2019), Le reste est ombre<\/em>(Centre Pompidou, 2022).[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

C\u00e9cile Fontaine Masterclass<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"open","ping_status":"open","template":"","meta":{"rs_blank_template":"","rs_page_bg_color":"","slide_template_v7":"","footnotes":""},"portfolio_category":[109],"class_list":["post-10105","portfolio","type-portfolio","status-publish","hentry","portfolio_category-masterclass-2026"],"_links":{"self":[{"href":"https:\/\/unarchivefest.it\/en\/wp-json\/wp\/v2\/portfolio\/10105","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/unarchivefest.it\/en\/wp-json\/wp\/v2\/portfolio"}],"about":[{"href":"https:\/\/unarchivefest.it\/en\/wp-json\/wp\/v2\/types\/portfolio"}],"author":[{"embeddable":true,"href":"https:\/\/unarchivefest.it\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/unarchivefest.it\/en\/wp-json\/wp\/v2\/comments?post=10105"}],"version-history":[{"count":8,"href":"https:\/\/unarchivefest.it\/en\/wp-json\/wp\/v2\/portfolio\/10105\/revisions"}],"predecessor-version":[{"id":11196,"href":"https:\/\/unarchivefest.it\/en\/wp-json\/wp\/v2\/portfolio\/10105\/revisions\/11196"}],"wp:attachment":[{"href":"https:\/\/unarchivefest.it\/en\/wp-json\/wp\/v2\/media?parent=10105"}],"wp:term":[{"taxonomy":"portfolio_category","embeddable":true,"href":"https:\/\/unarchivefest.it\/en\/wp-json\/wp\/v2\/portfolio_category?post=10105"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}