{"id":10451,"date":"2026-04-29T23:22:25","date_gmt":"2026-04-29T21:22:25","guid":{"rendered":"https:\/\/unarchivefest.it\/?post_type=portfolio&p=10451"},"modified":"2026-05-19T12:41:23","modified_gmt":"2026-05-19T10:41:23","slug":"future-heritage-living-in-the-cloud-to-preserve-the-legacy-of-digital-cinema","status":"publish","type":"portfolio","link":"https:\/\/unarchivefest.it\/en\/eventi\/future-heritage-living-in-the-cloud-to-preserve-the-legacy-of-digital-cinema\/","title":{"rendered":"Future Heritage: Living in the cloud to preserve the legacy of digital cinema"},"content":{"rendered":"

[vc_row][vc_column width=”1\/1″][vc_empty_space empty_h=”3″][\/vc_column][\/vc_row][vc_row row_height_percent=”0″ override_padding=”yes” h_padding=”2″ top_padding=”0″ bottom_padding=”2″ overlay_alpha=”50″ gutter_size=”3″ column_width_percent=”100″ shift_y=”0″ z_index=”0″ uncode_shortcode_id=”866162″][vc_column column_width_percent=”100″ gutter_size=”0″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”2\/3″ uncode_shortcode_id=”162486″][vc_custom_heading uncode_shortcode_id=”107349″]<\/p>\n

Technical Panel<\/strong><\/h6>\n

[\/vc_custom_heading][vc_custom_heading auto_text=”yes” text_color=”color-855811″ uncode_shortcode_id=”177652″ text_color_type=”uncode-palette”][\/vc_custom_heading][vc_empty_space empty_h=”2″][vc_column_text uncode_shortcode_id=”166773″]powered by Mnemonica<\/strong>[\/vc_column_text][\/vc_column][vc_column column_width_percent=”100″ gutter_size=”1″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”1\/3″ uncode_shortcode_id=”207555″][vc_column_text uncode_shortcode_id=”424159″]BOTANICAL GARDEN<\/strong>
\nAranciera 27 maggio, 5 p.m.
\nPiero Costantini (Mnemonica) in dialogue with Vittorio Iervese (UNIMORE Universit\u00e0 degli Studi di Modena e Reggio Emilia)
\nENG<\/strong>[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/1″][vc_separator sep_color=”color-wvjs” type=”dotted” uncode_shortcode_id=”202264″ sep_color_type=”uncode-palette” el_height=”10″][vc_column_text uncode_shortcode_id=”111160″]In the post-film era, audiovisual heritage faces a new vulnerability: the dispersion of data across obsolete media. Mnemonica Archive proposes a paradigm shift: transforming the archive from a passive repository into an active ecosystem.
\nThrough agile, intelligent and rigorous management of data and metadata, we offer archives and their users the tools to ensure that digital masters remain not only preserved, but perpetually accessible and ready for new artistic and commercial uses, whilst strongly supporting the path towards full European digital sovereignty.[\/vc_column_text][vc_separator sep_color=”color-wvjs” type=”dotted” uncode_shortcode_id=”202264″ sep_color_type=”uncode-palette” el_height=”10″][vc_column_text uncode_shortcode_id=”120598″]Nell\u2019era post-pellicola, il patrimonio audiovisivo affronta una nuova fragilit\u00e0: la dispersione dei dati su supporti obsoleti. Mnemonica Archive propone un cambio di paradigma: trasformare l\u2019archivio da deposito passivo a ecosistema attivo. Attraverso una gestione agile, intelligente e rigorosa dei dati e dei metadati, offriamo agli archivi e ai loro utenti gli strumenti per garantire che i master digitali restino non solo conservati, ma perennemente accessibili e pronti per nuove vite artistiche e commerciali, al contempo sostenendo con forza il percorso verso una piena sovranit\u00e0 digitale europea.<\/em>[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/1″][vc_separator sep_color=”color-855811″ uncode_shortcode_id=”665400″ sep_color_type=”uncode-palette”][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/2″][vc_column_text uncode_shortcode_id=”105984″]Piero Costantini<\/strong><\/p>\n

An entrepreneur and filmmaker with over twenty years\u2019 experience in the audiovisual sector, specialising in digital post-production and innovative technological solutions for the film industry. Founder and CEO of Mnemonica, Europe\u2019s leading cloud-native platform for multimedia asset management in the film industry.<\/span>[\/vc_column_text][\/vc_column][vc_column width=”1\/2″][vc_column_text uncode_shortcode_id=”160589″]Vittorio Iervese<\/strong><\/p>\n

\n

Vittorio Iervese is Professor of the Sociology of Cultural Processes at the University of Modena and Reggio Emilia and a founding member of DHMore \u2013 Centre for Research on Digital Humanities, where he has worked on audiovisual archives. He has conducted research into the relationship between visual culture and cultural processes. He was President of the Festival dei Popoli. His most recent publications include: (with Daniele Dottorini)\u00a0Lessico del reale. Le parole del cinema documentario<\/em>, Meltemi 2026. He wrote the chapter\u00a0Born Digital: quali archivi per le immagini del presente?<\/em>\u00a0in\u00a0Quarant\u2019anni e oltre. Storie e prospettive di un archivio audiovisivo<\/em>, edited by Letizia Cortini, Luca Ricciardi and Paola Scarnati, Edizioni Effigi, 2025.<\/div>\n

[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/1″][vc_separator sep_color=”color-855811″ uncode_shortcode_id=”665400″ sep_color_type=”uncode-palette”][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/2″][vc_column_text uncode_shortcode_id=”161903″]Imprenditore e regista con oltre vent’anni di esperienza nel settore audiovisivo, specializzato in post-produzione digitale e soluzioni tecnologiche innovative per l’industria cinematografica. Fondatore e amministratore delegato di Mnemonica, la piattaforma cloud-native leader in Europa per la gestione delle risorse multimediali nell’industria cinematografica.<\/em><\/span>[\/vc_column_text][\/vc_column][vc_column width=”1\/2″][vc_column_text uncode_shortcode_id=”556928″]Vittorio Iervese \u00e8 Professore in Sociologia dei Processi Culturali presso l\u2019Universit\u00e0 degli Studi di Modena e Reggio Emilia e membro fondatore del DHMore \u2013 Centro di ricerca sulle Digital Humanities in cui si \u00e8 occupato di archivi audiovisivi. Ha svolto ricerche sul rapporto tra cultura visuale e processi culturali. \u00c8 stato Presidente del Festival dei Popoli. Tra le sue ultime pubblicazioni: (con Daniele Dottorini)\u00a0<\/em>Lessico del reale. Le parole del cinema documentario<\/span>, Meltemi 2026. Ha scritto il capitolo\u00a0<\/em>Born Digital: quali archivi per le immagini del presente? nel volume: Quarant\u2019anni e oltre. Storie e prospettive di un archivio audiovisivo<\/span>, A cura di Letizia Cortini, Luca Ricciardi, Paola Scarnati, Edizioni Effigi, 2025.<\/em><\/span>[\/vc_column_text][\/vc_column][\/vc_row][vc_row row_height_percent=”0″ override_padding=”yes” h_padding=”2″ top_padding=”1″ bottom_padding=”1″ overlay_alpha=”50″ gutter_size=”3″ column_width_percent=”100″ shift_y=”0″ z_index=”0″ uncode_shortcode_id=”183712″][vc_column width=”1\/1″][uncode_share layout=”multiple” bigger=”yes” separator=”yes” css_animation=”bottom-t-top” title=”share”][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

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