{"id":10463,"date":"2026-04-29T23:31:29","date_gmt":"2026-04-29T21:31:29","guid":{"rendered":"https:\/\/unarchivefest.it\/?post_type=portfolio&p=10463"},"modified":"2026-05-25T16:27:00","modified_gmt":"2026-05-25T14:27:00","slug":"archival-algorithms-description-restoration-and-artistic-practices-through-ai","status":"publish","type":"portfolio","link":"https:\/\/unarchivefest.it\/en\/eventi\/archival-algorithms-description-restoration-and-artistic-practices-through-ai\/","title":{"rendered":"Archival algorithms: description, restoration and artistic practices through AI"},"content":{"rendered":"

[vc_row][vc_column width=”1\/1″][vc_empty_space empty_h=”3″][\/vc_column][\/vc_row][vc_row row_height_percent=”0″ override_padding=”yes” h_padding=”2″ top_padding=”0″ bottom_padding=”2″ overlay_alpha=”50″ gutter_size=”3″ column_width_percent=”100″ shift_y=”0″ z_index=”0″ uncode_shortcode_id=”866162″][vc_column column_width_percent=”100″ gutter_size=”0″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”2\/3″ uncode_shortcode_id=”162486″][vc_custom_heading uncode_shortcode_id=”684801″]<\/p>\n

Panel<\/strong><\/h6>\n

[\/vc_custom_heading][vc_custom_heading auto_text=”yes” text_color=”color-855811″ uncode_shortcode_id=”964620″ text_color_type=”uncode-palette”][\/vc_custom_heading][vc_empty_space empty_h=”2″][\/vc_column][vc_column column_width_percent=”100″ gutter_size=”1″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”1\/3″ uncode_shortcode_id=”207555″][vc_column_text uncode_shortcode_id=”164029″]BOTANICAL GARDEN
\nAranciera – May 29 9:30 a.m.
\n<\/strong>Giovanni Bruno (Regesta.exe), C\u00e9line St\u00e9phanie Pozzi (<\/b>L’Immagine ritrovata), Alessandro Turchioe with Teresa Numerico (Universit\u00e0 degli Studi Roma Tre)
\nITA<\/strong>[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/1″][vc_separator sep_color=”color-855811″ uncode_shortcode_id=”113296″ sep_color_type=”uncode-palette”][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/4″][vc_column_text uncode_shortcode_id=”854709″]Giovanni Bruno<\/strong><\/p>\n

Founder and CEO of Regesta.exe, with which he designed and distributes the open-source xDams platform. Regesta manages, among other things, the participatory Emilia-Romagna\u2019<\/span>s archive system, the historical portals of the Chamber of Deputies and the Presidency of the Republic, the CDEC digital library, and the archives of Intesa Sanpaolo, Eni, Pirelli, Mediobanca, Generali, the Cini Foundation, the Senate of the Republic, the Fondazione Gramsci, and Instituto Sturzo. Regesta designed and created the new General Catalogue of Cultural Heritage and the photographic archives portal for the ICCD and is currently working on the digital transformation project for the Italgas Heritage Lab.<\/p>\n

[\/vc_column_text][\/vc_column][vc_column width=”1\/4″][vc_column_text uncode_shortcode_id=”992050″]<\/p>\n

C\u00e9line St\u00e9phanie Pozzi<\/b><\/p>\n

C\u00e9line St\u00e9phanie Pozzi has been working at L\u2019<\/span>Immagine Ritrovata since 2003. She started as an intern in the Film Repair department, then switched to digital in 2006 and became Head of Digital Restoration in 2008. But she is still an analog film fan. In 2019 she became Project Manager. Over the years she has also been actively involved in the organization of internal training at L’Immagine Ritrovata, recruitment, and public relations at film markets in Hong Kong and France. She has been part of the faculty at the FIAF Film Restoration School since 2007 including the Film Preservation and Restoration School India, Mumbai 2015, teaching about the digital restoration workflow.<\/p>\n

[\/vc_column_text][\/vc_column][vc_column width=”1\/4″][vc_column_text uncode_shortcode_id=”209426″]<\/p>\n

Alessandro Turchioe<\/b><\/p>\n

Alessandro Turchioe, a filmmaker based in Rome with roots in New York, specializes in blending experimental media with narrative storytelling. His work has been showcased at film festivals worldwide, including in New York and Madrid. He is currently developing, alongside longtime collaborator Donatella Della Ratta, a three-part video essay series titled Call Me When You Get There<\/i>, which delves into the ethical dimensions and societal impacts of AI.<\/p>\n

[\/vc_column_text][\/vc_column][vc_column width=”1\/4″][vc_column_text uncode_shortcode_id=”126075″]Teresa Numerico<\/strong><\/p>\n

She is an associate professor of Logic and Philosophy of Science at Roma Tre University. She specializes in the philosophy of technology. Her publications include: Alan Turing and the Intelligence of Machines <\/i>(FrancoAngeli, 2005), Web Dragons<\/i> (with M. Gori and I. Witten; Morgan Kaufmann, 2007), and The Digital Humanist<\/i> (with D. Fiormonte and F. Tomasi; Il Mulino, 2010; English translation: Punctum Books, 2016).<\/p>\n

[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/1″][vc_separator sep_color=”color-855811″ uncode_shortcode_id=”193678″ sep_color_type=”uncode-palette”][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/4″][vc_column_text uncode_shortcode_id=”140402″]Giovanni Bruno<\/strong><\/span><\/p>\n

Giovanni Bruno, fondatore e CEO di Regesta.exe, \u00e8 laureato in Scienze politiche all\u2019Universit\u00e0 di Salerno, e dottore di ricerca in Storia presso l\u2019Universit\u00e0 di Napoli. Dal 1983 componente della redazione e dal 1993 al 2010 membro del comitato scientifico di \u201cStudi storici\u201d. Partecipa alla redazione della <\/span>Storia dell\u2019industria elettrica<\/span>, per Laterza, ed \u00e8 stato membro del comitato editoriale della <\/span><\/em>Storia dell’Italia repubblicana<\/span>, Einaudi.
\n<\/span>Nel 1996 promuove la nascita di Regesta, con la quale realizza il Progetto archivio storico Iri e l\u2019archivio multimediale dell\u2019Istituto Luce. Ha coordinato i lavori per gli archivi della Camera dei deputati, della Regione Emilia-Romagna, di Intesa Sanpaolo, della Fondazione Cini di Venezia, di Italgas e della Presidenza della Repubblica. Dal 2009 si occupa di tecnologie semantiche e di Linked Data.<\/span><\/em>[\/vc_column_text][\/vc_column][vc_column width=”1\/4″][vc_column_text uncode_shortcode_id=”467895″]C\u00e9line St\u00e9phanie Pozzi<\/strong>\u00a0<\/span><\/p>\n

C\u00e9line St\u00e9phanie Pozzi lavora presso L’Immagine Ritrovata dal 2003. Ha iniziato come stagista nel reparto di restauro pellicole, per poi passare al digitale nel 2006 e diventare responsabile del restauro digitale nel 2008. Rimane comunque un’appassionata di pellicola analogica. Nel 2019 \u00e8 diventata Project Manager. Nel corso degli anni si \u00e8 anche occupata attivamente dell’organizzazione di corsi di formazione interni a L’Immagine Ritrovata, del reclutamento e delle pubbliche relazioni in occasione di mercati cinematografici a Hong Kong e in Francia. Dal 2007 \u00e8 docente presso la FIAF Film Restoration School, inclusa la Film Preservation and Restoration School India di Mumbai nel 2015, dove insegna il flusso di lavoro del restauro digitale.<\/span><\/em>[\/vc_column_text][\/vc_column][vc_column width=”1\/4″][vc_column_text uncode_shortcode_id=”209426″]Alessandro Turchioe<\/strong><\/p>\n

Alessandro Turchioe, regista romano con radici a New York, \u00e8 specializzato nella fusione di media sperimentali e narrazione. Le sue opere sono state presentate in festival cinematografici in giro per il mondo, tra cui New York e Madrid. Attualmente sta sviluppando, insieme alla sua collaboratrice di lunga data Donatella Della Ratta, una serie di tre video-saggi intitolata <\/em>Call Me When You Get There, che approfondisce le dimensioni etiche e l’impatto sociale dell’intelligenza artificiale.<\/em>[\/vc_column_text][\/vc_column][vc_column width=”1\/4″][vc_column_text uncode_shortcode_id=”126466″]Teresa Numerico<\/strong><\/p>\n

\u00c8 professoressa associata di Logica e Filosofia della scienza all\u2019Universit\u00e0 Roma Tre. Si occupa di filosofia della tecnologia. Tra le sue pubblicazioni: <\/span><\/em>Alan Turing e l\u2019intelligenza delle macchine<\/span> (FrancoAngeli, 2005), <\/span><\/em>Web Dragons<\/span> (con M. Gori e I. Witten; Morgan Kaufmann, 2007) e<\/span><\/em> L\u2019umanista digitale<\/span> (con D. Fiormonte e F. Tomasi; Il Mulino, 2010; trad. ingl. Punctum Books, 2016).<\/span><\/em><\/p>\n

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