{"id":11029,"date":"2026-04-30T00:48:34","date_gmt":"2026-04-29T22:48:34","guid":{"rendered":"https:\/\/unarchivefest.it\/eventi\/make-film-history-a-platform-for-archive-inspired-storytelling-in-education-2\/"},"modified":"2026-05-08T10:31:39","modified_gmt":"2026-05-08T08:31:39","slug":"make-film-history-a-platform-for-archive-inspired-storytelling-in-education","status":"publish","type":"portfolio","link":"https:\/\/unarchivefest.it\/en\/eventi\/make-film-history-a-platform-for-archive-inspired-storytelling-in-education\/","title":{"rendered":"Make Film History: A Platform for Archive-inspired Storytelling in Education"},"content":{"rendered":"<div class=\"wpb-content-wrapper\"><p>[vc_row][vc_column width=&#8221;1\/1&#8243;][vc_empty_space empty_h=&#8221;3&#8243;][\/vc_column][\/vc_row][vc_row row_height_percent=&#8221;0&#8243; override_padding=&#8221;yes&#8221; h_padding=&#8221;2&#8243; top_padding=&#8221;0&#8243; bottom_padding=&#8221;2&#8243; overlay_alpha=&#8221;50&#8243; gutter_size=&#8221;3&#8243; column_width_percent=&#8221;100&#8243; shift_y=&#8221;0&#8243; z_index=&#8221;0&#8243; uncode_shortcode_id=&#8221;866162&#8243;][vc_column column_width_percent=&#8221;100&#8243; gutter_size=&#8221;0&#8243; overlay_alpha=&#8221;50&#8243; shift_x=&#8221;0&#8243; shift_y=&#8221;0&#8243; shift_y_down=&#8221;0&#8243; z_index=&#8221;0&#8243; medium_width=&#8221;0&#8243; mobile_width=&#8221;0&#8243; width=&#8221;2\/3&#8243; uncode_shortcode_id=&#8221;162486&#8243;][vc_custom_heading uncode_shortcode_id=&#8221;172248&#8243;]<\/p>\n<h6><strong>Case studies<\/strong><\/h6>\n<p>[\/vc_custom_heading][vc_custom_heading auto_text=&#8221;yes&#8221; text_color=&#8221;color-855811&#8243; uncode_shortcode_id=&#8221;342836&#8243; text_color_type=&#8221;uncode-palette&#8221;][\/vc_custom_heading][\/vc_column][vc_column column_width_percent=&#8221;100&#8243; gutter_size=&#8221;1&#8243; overlay_alpha=&#8221;50&#8243; shift_x=&#8221;0&#8243; shift_y=&#8221;0&#8243; shift_y_down=&#8221;0&#8243; z_index=&#8221;0&#8243; medium_width=&#8221;0&#8243; mobile_width=&#8221;0&#8243; width=&#8221;1\/3&#8243; uncode_shortcode_id=&#8221;207555&#8243;][vc_column_text uncode_shortcode_id=&#8221;848287&#8243;]<strong>BOTANICAL GARDEN<\/strong><br \/>\n<strong>Aranciera &#8211; May 27 4 p.m.<br \/>\nShane O&#8217; Sullivan (Kingston University London) in dialogue with Vittorio Iervese (UNIMORE Universit\u00e0 degli Studi di Modena e Reggio Emilia)<br \/>\nENG<\/strong>[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column width=&#8221;1\/1&#8243;][vc_separator sep_color=&#8221;color-855811&#8243; type=&#8221;dotted&#8221; uncode_shortcode_id=&#8221;126914&#8243; sep_color_type=&#8221;uncode-palette&#8221; el_height=&#8221;10&#8243;][vc_column_text uncode_shortcode_id=&#8221;907107&#8243;]The Make Film History project makes available over 300 films from BBC Archive, the British and Irish Film Institutes and Northern Ireland Screen for creative reuse by emerging filmmakers, students and educators across the UK and Ireland. Dr Shane O&#8217;Sullivan (Kingston University London) will discuss the evolution and methodology of the project, as well as recent collaborations with Sheffield DocFest and Reuters Connect which expand the project to a global audience: archivesforeducation.com[\/vc_column_text][vc_separator sep_color=&#8221;color-855811&#8243; type=&#8221;dotted&#8221; uncode_shortcode_id=&#8221;106916&#8243; sep_color_type=&#8221;uncode-palette&#8221; el_height=&#8221;10&#8243;][vc_column_text uncode_shortcode_id=&#8221;242487&#8243;]<em>Il progetto Make Film History mette a disposizione oltre 300 film provenienti dall\u2019Archivio della BBC, dai British and Irish Film Institutes e da Northern Ireland Screen per essere riutilizzati in modo creativo da registi emergenti, studenti e docenti in tutto il Regno Unito e in Irlanda. Il dott. Shane O&#8217;Sullivan (Kingston University London) illustrer\u00e0 l\u2019evoluzione e la metodologia del progetto, oltre alle recenti collaborazioni con lo Sheffield DocFest e Reuters Connect, che ne ampliano la portata a un pubblico globale: archivesforeducation.com<\/em>[\/vc_column_text][vc_separator sep_color=&#8221;color-855811&#8243; type=&#8221;dotted&#8221; uncode_shortcode_id=&#8221;106916&#8243; sep_color_type=&#8221;uncode-palette&#8221; el_height=&#8221;10&#8243;][\/vc_column][\/vc_row][vc_row row_height_percent=&#8221;0&#8243; override_padding=&#8221;yes&#8221; h_padding=&#8221;2&#8243; top_padding=&#8221;1&#8243; bottom_padding=&#8221;1&#8243; overlay_alpha=&#8221;50&#8243; gutter_size=&#8221;3&#8243; column_width_percent=&#8221;100&#8243; shift_y=&#8221;0&#8243; z_index=&#8221;0&#8243; uncode_shortcode_id=&#8221;183712&#8243;][vc_column width=&#8221;1\/2&#8243;][vc_column_text uncode_shortcode_id=&#8221;184459&#8243;]<strong>Shane O&#8217; Sullivan<\/strong><\/p>\n<p><span style=\"font-weight: 400;\">Dr Shane O\u2019Sullivan is an Associate Professor and Head of Film and Photography at Kingston University London. His work as a filmmaker includes four archive-driven feature documentaries exploring contemporary political history. These include <em>Children of the Revolution<\/em> (2010), which premiered at IDFA and was released theatrically in the UK and Japan; and <em>The Watergate Caper: Richard Nixon and the Death of the American Dream<\/em> (2026), narrated by Harry Shearer, which will be released later this year. He is co-founder of the award-winning Make Film History project, which won the Excellence in Unlocking the Value and Potential of Archives Award at the FIAT\/IFTA Archive Achievement Awards 2021.<\/span>[\/vc_column_text][\/vc_column][vc_column width=&#8221;1\/2&#8243;][vc_column_text uncode_shortcode_id=&#8221;299289&#8243;]<strong>Vittorio Iervese<\/strong><\/p>\n<div class=\"uncode_text_column\">\n<p>Vittorio Iervese is Professor of the Sociology of Cultural Processes at the University of Modena and Reggio Emilia and a founding member of DHMore \u2013 Centre for Research on Digital Humanities, where he has worked on audiovisual archives. He has conducted research into the relationship between visual culture and cultural processes. He was President of the Festival dei Popoli. His most recent publications include: (with Daniele Dottorini)<em>\u00a0Lessico del reale. Le parole del cinema documentario<\/em>, Meltemi 2026. He wrote the chapter\u00a0<em>Born Digital: quali archivi per le immagini del presente?<\/em>\u00a0in\u00a0<em>Quarant\u2019anni e oltre. Storie e prospettive di un archivio audiovisivo<\/em>, edited by Letizia Cortini, Luca Ricciardi and Paola Scarnati, Edizioni Effigi, 2025.<\/p>\n<\/div>\n<p>[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column width=&#8221;1\/1&#8243;][vc_separator sep_color=&#8221;color-855811&#8243; uncode_shortcode_id=&#8221;161616&#8243; sep_color_type=&#8221;uncode-palette&#8221;][\/vc_column][\/vc_row][vc_row][vc_column width=&#8221;1\/2&#8243;][vc_column_text uncode_shortcode_id=&#8221;181617&#8243;]<em>Il dottor Shane O\u2019Sullivan \u00e8 professore associato e direttore del dipartimento di Cinema e Fotografia alla Kingston University di Londra. La sua attivit\u00e0 di regista comprende quattro lungometraggi documentari basati su materiale d\u2019archivio che esplorano la storia politica contemporanea. Tra questi figurano <\/em>Children of the Revolution <em>(2010), presentato in anteprima all\u2019IDFA e distribuito nelle sale nel Regno Unito e in Giappone; e <\/em>The Watergate Caper: Richard Nixon and the Death of the American Dream<em> (2026), narrato da Harry Shearer, che uscir\u00e0 entro la fine dell\u2019anno. \u00c8 cofondatore del pluripremiato progetto Make Film History, vincitore del premio Excellence in Unlocking the Value and Potential of Archives agli FIAT\/IFTA Archive Achievement Awards 2021.<\/em>[\/vc_column_text][\/vc_column][vc_column width=&#8221;1\/2&#8243;][vc_column_text uncode_shortcode_id=&#8221;157613&#8243;]<span style=\"color: #000000;\"><em style=\"font-family: -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Oxygen-Sans, Ubuntu, Cantarell, 'Helvetica Neue', sans-serif;\">Vittorio Iervese \u00e8 Professore in Sociologia dei Processi Culturali presso l\u2019Universit\u00e0 degli Studi di Modena e Reggio Emilia e membro fondatore del DHMore \u2013 Centro di ricerca sulle Digital Humanities in cui si \u00e8 occupato di archivi audiovisivi. Ha svolto ricerche sul rapporto tra cultura visuale e processi culturali. \u00c8 stato Presidente del Festival dei Popoli. Tra le sue ultime pubblicazioni: (con Daniele Dottorini) <\/em><span style=\"font-family: -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Oxygen-Sans, Ubuntu, Cantarell, 'Helvetica Neue', sans-serif;\">Lessico del reale. Le parole del cinema documentario<\/span><em style=\"font-family: -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Oxygen-Sans, Ubuntu, Cantarell, 'Helvetica Neue', sans-serif;\">, Meltemi 2026. Ha scritto il capitolo\u00a0<\/em><span style=\"font-family: -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Oxygen-Sans, Ubuntu, Cantarell, 'Helvetica Neue', sans-serif;\">Born Digital: quali archivi per le immagini del presente? nel volume: Quarant\u2019anni e oltre. Storie e prospettive di un archivio audiovisivo<\/span><em style=\"font-family: -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Oxygen-Sans, Ubuntu, Cantarell, 'Helvetica Neue', sans-serif;\">, A cura di Letizia Cortini, Luca Ricciardi, Paola Scarnati, Edizioni Effigi, 2025.<\/em><\/span>[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column width=&#8221;1\/1&#8243;][uncode_share layout=&#8221;multiple&#8221; bigger=&#8221;yes&#8221; separator=&#8221;yes&#8221; css_animation=&#8221;bottom-t-top&#8221; title=&#8221;share&#8221;][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>[vc_row][vc_column width=&#8221;1\/1&#8243;][vc_empty_space empty_h=&#8221;3&#8243;][\/vc_column][\/vc_row][vc_row row_height_percent=&#8221;0&#8243; override_padding=&#8221;yes&#8221; h_padding=&#8221;2&#8243; top_padding=&#8221;0&#8243; bottom_padding=&#8221;2&#8243; overlay_alpha=&#8221;50&#8243; gutter_size=&#8221;3&#8243; column_width_percent=&#8221;100&#8243; shift_y=&#8221;0&#8243; z_index=&#8221;0&#8243; uncode_shortcode_id=&#8221;866162&#8243;][vc_column column_width_percent=&#8221;100&#8243; gutter_size=&#8221;0&#8243; overlay_alpha=&#8221;50&#8243; shift_x=&#8221;0&#8243; shift_y=&#8221;0&#8243; shift_y_down=&#8221;0&#8243; [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":11034,"parent":0,"menu_order":0,"comment_status":"open","ping_status":"open","template":"","meta":{"rs_blank_template":"","rs_page_bg_color":"","slide_template_v7":"","footnotes":""},"portfolio_category":[121],"class_list":["post-11029","portfolio","type-portfolio","status-publish","has-post-thumbnail","hentry","portfolio_category-panel-2026"],"_links":{"self":[{"href":"https:\/\/unarchivefest.it\/en\/wp-json\/wp\/v2\/portfolio\/11029","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/unarchivefest.it\/en\/wp-json\/wp\/v2\/portfolio"}],"about":[{"href":"https:\/\/unarchivefest.it\/en\/wp-json\/wp\/v2\/types\/portfolio"}],"author":[{"embeddable":true,"href":"https:\/\/unarchivefest.it\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/unarchivefest.it\/en\/wp-json\/wp\/v2\/comments?post=11029"}],"version-history":[{"count":5,"href":"https:\/\/unarchivefest.it\/en\/wp-json\/wp\/v2\/portfolio\/11029\/revisions"}],"predecessor-version":[{"id":11102,"href":"https:\/\/unarchivefest.it\/en\/wp-json\/wp\/v2\/portfolio\/11029\/revisions\/11102"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/unarchivefest.it\/en\/wp-json\/wp\/v2\/media\/11034"}],"wp:attachment":[{"href":"https:\/\/unarchivefest.it\/en\/wp-json\/wp\/v2\/media?parent=11029"}],"wp:term":[{"taxonomy":"portfolio_category","embeddable":true,"href":"https:\/\/unarchivefest.it\/en\/wp-json\/wp\/v2\/portfolio_category?post=11029"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}