{"id":11093,"date":"2026-05-08T10:26:51","date_gmt":"2026-05-08T08:26:51","guid":{"rendered":"https:\/\/unarchivefest.it\/?post_type=portfolio&p=11093"},"modified":"2026-05-12T14:00:37","modified_gmt":"2026-05-12T12:00:37","slug":"safe-sustainable-non-fiction-film-heritage-between-preservation-and-digital-ecosystems","status":"publish","type":"portfolio","link":"https:\/\/unarchivefest.it\/en\/eventi\/safe-sustainable-non-fiction-film-heritage-between-preservation-and-digital-ecosystems\/","title":{"rendered":"SAFE: Sustainable Non-fiction Film Heritage \u2013 Between Preservation and Digital Ecosystems"},"content":{"rendered":"

[vc_row][vc_column width=”1\/1″][vc_empty_space empty_h=”3″][\/vc_column][\/vc_row][vc_row row_height_percent=”0″ override_padding=”yes” h_padding=”2″ top_padding=”0″ bottom_padding=”2″ overlay_alpha=”50″ gutter_size=”3″ column_width_percent=”100″ shift_y=”0″ z_index=”0″ uncode_shortcode_id=”866162″][vc_column column_width_percent=”100″ gutter_size=”0″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”2\/3″ uncode_shortcode_id=”162486″][vc_custom_heading uncode_shortcode_id=”386387″]<\/p>\n

Case studies<\/strong><\/h6>\n

[\/vc_custom_heading][vc_custom_heading auto_text=”yes” text_color=”color-855811″ uncode_shortcode_id=”603729″ text_color_type=”uncode-palette”][\/vc_custom_heading][\/vc_column][vc_column column_width_percent=”100″ gutter_size=”1″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”1\/3″ uncode_shortcode_id=”207555″][vc_column_text uncode_shortcode_id=”358585″]BOTANICAL GARDEN<\/strong>
\nAranciera May 27 4:30 pm.
\n<\/strong>Rossella Catanese (Universit\u00e0 della Tuscia, NYU Florence), Valentina Valente (Universit\u00e0 degli Studi di Padova, Universit\u00e0 della Tuscia) in dialogue with Vittorio Iervese (UNIMORE Universit\u00e0 degli Studi di Modena e Reggio Emilia)
\nENG<\/strong>[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/1″][vc_separator sep_color=”color-855811″ type=”dotted” uncode_shortcode_id=”713969″ sep_color_type=”uncode-palette” el_height=”10″][vc_column_text uncode_shortcode_id=”185442″]SAFE (The sustainability of Italian film heritage: archival infrastructures, digital preservation, stewardship strategies) is a Ministry-funded academic Research Project of National Relevance (PRIN), led by the University of Udine and the University of Tuscia. It investigates the sustainability of Italian non-theatrical and non-fiction film archives, approaching sustainability as a condition shaped by infrastructures, environmental constraints, labour practices, governance models, and cultural values. Collaborating with different institutions, the project integrates nationwide surveys, microclimatic monitoring, and ethnographic research to rethink preservation as a collective practice of ethical stewardship, fostering a dialogue between archives, researchers, and users.<\/span>[\/vc_column_text][vc_separator sep_color=”color-855811″ type=”dotted” uncode_shortcode_id=”833334″ sep_color_type=”uncode-palette” el_height=”10″][vc_column_text uncode_shortcode_id=”276565″]SAFE (La sostenibilit\u00e0 del patrimonio cinematografico italiano: infrastrutture archivistiche, conservazione digitale, strategie di gestione responsabile) \u00e8 un progetto di ricerca accademica di rilevanza nazionale (PRIN) finanziato dal Ministero, guidato dall\u2019Universit\u00e0 di Udine e dall\u2019Universit\u00e0 della Tuscia. Il progetto indaga la sostenibilit\u00e0 degli archivi cinematografici italiani di film non destinati alle sale e di documentari, considerando la sostenibilit\u00e0 come una condizione determinata da infrastrutture, vincoli ambientali, pratiche lavorative, modelli di governance e valori culturali. In collaborazione con diverse istituzioni, il progetto integra indagini a livello nazionale, monitoraggio microclimatico e ricerca etnografica per ripensare la conservazione come pratica collettiva di gestione etica, favorendo il dialogo tra archivi, ricercatori e utenti.<\/em>[\/vc_column_text][vc_separator sep_color=”color-855811″ type=”dotted” uncode_shortcode_id=”833334″ sep_color_type=”uncode-palette” el_height=”10″][\/vc_column][\/vc_row][vc_row row_height_percent=”0″ override_padding=”yes” h_padding=”2″ top_padding=”1″ bottom_padding=”1″ overlay_alpha=”50″ gutter_size=”3″ column_width_percent=”100″ shift_y=”0″ z_index=”0″ uncode_shortcode_id=”183712″][vc_column width=”1\/3″][vc_column_text uncode_shortcode_id=”141181″]Rossella Catanese<\/strong>
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Rossella Catanese is an associate professor at the Universit\u00e0 della Tuscia (Viterbo) and adjunct professor at NYU Florence. Previously, she was a postdoctoral researcher at the Universit\u00e0 di Udine and at IMT School for Advanced Studies di Lucca. Her research focuses on film restoration, cinematheques, and experimental cinema. Among her books are the collections\u00a0Italian Experimental Cinema and Moving-Image Art: New Paths, New Perspectives<\/em>, co-edited with Jennifer Malvezzi (2025);\u00a0From Sensation to Synaesthesia in Film and New Media<\/i>\u00a0(Cambridge Scholars Publishing, 2019, with Francesca Scotto Lavina e Valentina Valente), and\u00a0Futurist Cinema. Studies in Italian Avant-garde Film<\/i>\u00a0(Amsterdam University Press, 2018). She also received the Sixth Marcel Duchamp Research Grant from the Staatliches Museum Schwerin (Germany) in 2023.<\/div>\n

[\/vc_column_text][\/vc_column][vc_column width=”1\/3″][vc_column_text uncode_shortcode_id=”124262″]Valentina Valente<\/strong><\/p>\n

Valentina Valente, Ph.D. in History and Criticism of Musical and Performing Arts from the Universit\u00e0 degli Studi di Padova, has been a postdoc researcher at the Universit\u00e0 della Tuscia. She teaches Film and Media Education (Universit\u00e0 di Roma La Sapienza), History of Photography and Cinema (Universit\u00e0 Telematica San Raffaele e Istituto Centrale per la Patologia degli Archivi e dei Libri), and Photography Workshop (Universit\u00e0 degli Studi Roma Tre). Previously, she has taught Media Education (Universit\u00e0 di Cagliari), History of Film Theories, Film Archive Management, Film Archives and Fiaf Guidelines, and Digital Photographic Restoration (Universit\u00e0 di Roma La Sapienza).<\/span>[\/vc_column_text][\/vc_column][vc_column width=”1\/3″][vc_column_text uncode_shortcode_id=”373781″]Vittorio Iervese<\/strong><\/p>\n

Vittorio Iervese is Professor of the Sociology of Cultural Processes at the University of Modena and Reggio Emilia and a founding member of DHMore \u2013 Centre for Research on Digital Humanities, where he has worked on audiovisual archives. He has conducted research into the relationship between visual culture and cultural processes. He was President of the Festival dei Popoli. His most recent publications include: (with Daniele Dottorini) Lessico del reale. Le parole del cinema documentario<\/em>, Meltemi 2026. He wrote the chapter Born Digital: quali archivi per le immagini del presente?<\/em> in Quarant’anni e oltre. Storie e prospettive di un archivio audiovisivo<\/em>, edited by Letizia Cortini, Luca Ricciardi and Paola Scarnati, Edizioni Effigi, 2025.[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/1″][vc_separator sep_color=”color-855811″ type=”dotted” uncode_shortcode_id=”833334″ sep_color_type=”uncode-palette” el_height=”10″][vc_empty_space empty_h=”0″][\/vc_column][\/vc_row][vc_row row_height_percent=”0″ override_padding=”yes” h_padding=”2″ top_padding=”1″ bottom_padding=”1″ overlay_alpha=”50″ gutter_size=”3″ column_width_percent=”100″ shift_y=”0″ z_index=”0″ uncode_shortcode_id=”183712″][vc_column width=”1\/3″][vc_column_text uncode_shortcode_id=”245947″]Rossella Catanese \u00e8 professore associato presso l\u2019Universit\u00e0 della Tuscia (Viterbo) e docente a contratto presso la NYU Florence. In precedenza, \u00e8 stata ricercatrice post-dottorato presso l\u2019Universit\u00e0 di Udine e l\u2019IMT School for Advanced Studies di Lucca. La sua attivit\u00e0 di ricerca verte sul restauro cinematografico, le cineteche e il cinema sperimentale. Tra i suoi libri figurano le raccolte<\/em> Italian Experimental Cinema e Moving-Image Art: New Paths, New Perspectives, curate insieme a Jennifer Malvezzi (2025);<\/em> From Sensation to Synaesthesia in Film and New Media (Cambridge Scholars Publishing, 2019, con Francesca Scotto Lavina e Valentina Valente), e <\/em>Futurist Cinema. Studies in Italian Avant-garde Film (Amsterdam University Press, 2018). Nel 2023 ha inoltre ricevuto la sesta borsa di ricerca Marcel Duchamp dallo Staatliches Museum Schwerin (Germania).<\/em>[\/vc_column_text][\/vc_column][vc_column width=”1\/3″][vc_column_text uncode_shortcode_id=”203003″]Valentina Valente, titolare di un dottorato di ricerca in Storia e critica delle arti musicali e dello spettacolo conseguito presso l\u2019Universit\u00e0 degli Studi di Padova, ha svolto attivit\u00e0 di ricerca post-dottorato presso l\u2019Universit\u00e0 della Tuscia. Insegna Educazione al cinema e ai media (Universit\u00e0 di Roma Sapienza), Storia della fotografia e del cinema (Universit\u00e0 Telematica San Raffaele e Istituto Centrale per la Patologia degli Archivi e dei Libri) e tiene un laboratorio di fotografia (Universit\u00e0 degli Studi Roma Tre). In precedenza ha insegnato Educazione ai media (Universit\u00e0 di Cagliari), Storia delle teorie cinematografiche, Gestione degli archivi cinematografici, Archivi cinematografici e linee guida FIAF, e Restauro fotografico digitale (Universit\u00e0 di Roma La Sapienza).<\/em>[\/vc_column_text][\/vc_column][vc_column width=”1\/3″][vc_column_text uncode_shortcode_id=”607758″]Vittorio Iervese \u00e8 Professore in Sociologia dei Processi Culturali presso l’Universit\u00e0 degli Studi di Modena e Reggio Emilia e membro fondatore del DHMore \u2013 Centro di ricerca sulle Digital Humanities in cui si \u00e8 occupato di archivi audiovisivi. Ha svolto ricerche sul rapporto tra cultura visuale e processi culturali. \u00c8 stato Presidente del Festival dei Popoli. Tra le sue ultime pubblicazioni: (con Daniele Dottorini) <\/em>Lessico del reale. Le parole del cinema documentario, Meltemi 2026. Ha scritto il capitolo <\/em>Born Digital: quali archivi per le immagini del presente? nel volume:<\/em> Quarant’anni e oltre. Storie e prospettive di un archivio audiovisivo, A cura di Letizia Cortini, Luca Ricciardi, Paola Scarnati, Edizioni Effigi, 2025.<\/em>[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/1″][vc_separator sep_color=”color-855811″ type=”dotted” uncode_shortcode_id=”833334″ sep_color_type=”uncode-palette” el_height=”10″][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/1″][uncode_share layout=”multiple” bigger=”yes” separator=”yes” css_animation=”bottom-t-top” title=”share”][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

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