{"id":1832,"date":"2023-04-14T16:11:52","date_gmt":"2023-04-14T14:11:52","guid":{"rendered":"https:\/\/unarchivefest.it\/eventi\/les-annes-super-8-and-gli-anni\/"},"modified":"2023-04-29T10:55:55","modified_gmt":"2023-04-29T08:55:55","slug":"les-annes-super-8-and-gli-anni","status":"publish","type":"portfolio","link":"https:\/\/unarchivefest.it\/en\/eventi\/les-annes-super-8-and-gli-anni\/","title":{"rendered":"Les Ann\u00e9s Super 8 and Gli Anni"},"content":{"rendered":"

[vc_row row_height_percent=”0″ override_padding=”yes” h_padding=”2″ top_padding=”0″ bottom_padding=”2″ overlay_alpha=”50″ gutter_size=”3″ column_width_percent=”100″ shift_y=”0″ z_index=”0″ uncode_shortcode_id=”160219″][vc_column column_width_percent=”100″ gutter_size=”0″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”2\/3″ uncode_shortcode_id=”786542″][vc_custom_heading uncode_shortcode_id=”102219″]<\/p>\n

Special Screenings<\/h6>\n

[\/vc_custom_heading][vc_custom_heading auto_text=”yes” uncode_shortcode_id=”390057″][\/vc_custom_heading][\/vc_column][vc_column column_width_percent=”100″ gutter_size=”1″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”1\/3″ uncode_shortcode_id=”207555″][vc_column_text uncode_shortcode_id=”208926″]<\/p>\n

may 8<\/span>
\n5:30 pm.<\/span>
\nCinema Intrastevere<\/span>
\nmovie theater 1<\/span>
\nIntroduced by Alina Marazzi<\/span><\/span><\/h4>\n

<\/h4>\n

[\/vc_column_text][vc_empty_space empty_h=”2″][\/vc_column][\/vc_row][vc_row row_height_percent=”0″ override_padding=”yes” h_padding=”2″ top_padding=”0″ bottom_padding=”2″ overlay_alpha=”50″ gutter_size=”3″ column_width_percent=”100″ shift_y=”0″ z_index=”0″ uncode_shortcode_id=”160219″][vc_column column_width_percent=”100″ gutter_size=”0″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”1\/1″ uncode_shortcode_id=”124712″][vc_separator sep_color=”color-wvjs” type=”dotted” uncode_shortcode_id=”202264″ sep_color_type=”uncode-palette” el_height=”10″][vc_empty_space empty_h=”2″][vc_single_image media=”1449″ media_width_percent=”100″ uncode_shortcode_id=”133797″][vc_custom_heading uncode_shortcode_id=”144397″]<\/p>\n

Les Ann\u00e9es Super 8<\/span><\/h1>\n

[\/vc_custom_heading][vc_column_text uncode_shortcode_id=”712362″]–<\/span><\/em>[\/vc_column_text][vc_column_text uncode_shortcode_id=”113989″]Annie Ernaux, David Ernaux-Briot<\/strong> \/ France \/ 2022 \/ 61′ \/ French | Italian subtitles<\/span>[\/vc_column_text][vc_empty_space empty_h=”2″][vc_separator sep_color=”color-wvjs” type=”dotted” uncode_shortcode_id=”202264″ sep_color_type=”uncode-palette” el_height=”10″][vc_empty_space empty_h=”1″][vc_column_text uncode_shortcode_id=”194452″]Super 8 shooting is silent: it passes on the wall, or on a white sheet, and to comment on them there is only the crackling of the projector. Annie Ernaux, Nobel Prize for Literature 2022, gives voice to those silences by superimposing her own words on a collection of family home movies shot by her and her husband between 1972 and 1981. In front of and behind the camera, the writer tells an intimate story which, as in the books, is twisted with collective history. Travels around the world (from Allende’s Chile to exotic Morocco, from the Soviet Union to mysterious Albania), everyday life at home, escapes to the countryside and the crises of the Ernaux family reflect the emotions and insecurities of an entire social class in the decades following 1968. And they offer a unique and irreplaceable witness and point of view on a historical moment in which our present is firmly rooted.<\/span>[\/vc_column_text][vc_empty_space empty_h=”2″][vc_column_text uncode_shortcode_id=”110707″]Screenplay <\/em><\/span>Annie Ernaux<\/span>
\n<\/span>Edit <\/span><\/em>Cl\u00e9ment Pinteaux<\/span>
\n<\/span>Music<\/span><\/em> Florencia Di Concilio<\/span>
\n<\/span>Sound Design <\/span><\/em> Rym Debbarh Mounir
\n<\/span>Mix<\/span><\/em> M\u00e9lissa Petitjean
\nCast<\/em> Annie Ernaux (voiceover)
\n<\/span>Color Correction<\/span><\/em> Alexandre Pocquet
\n<\/span>Producer <\/span><\/em>David Thion, Philippe Martin<\/span>[\/vc_column_text][vc_empty_space empty_h=”2″][\/vc_column][\/vc_row][vc_row row_height_percent=”0″ override_padding=”yes” h_padding=”2″ top_padding=”0″ bottom_padding=”2″ overlay_alpha=”50″ gutter_size=”3″ column_width_percent=”100″ shift_y=”0″ z_index=”0″ uncode_shortcode_id=”160219″][vc_column column_width_percent=”100″ gutter_size=”0″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”1\/1″ uncode_shortcode_id=”177001″][vc_separator sep_color=”color-wvjs” type=”dotted” uncode_shortcode_id=”202264″ sep_color_type=”uncode-palette” el_height=”10″][vc_empty_space empty_h=”2″][vc_single_image media=”1450″ media_width_percent=”100″ uncode_shortcode_id=”103137″][vc_custom_heading uncode_shortcode_id=”921715″]<\/p>\n

Gli Anni<\/span><\/h1>\n

[\/vc_custom_heading][vc_column_text uncode_shortcode_id=”139380″]Sara Fgaier<\/strong> \/ Italy, France \/ 2018 \/ 20\u2019 \/ Italian<\/span>[\/vc_column_text][vc_empty_space empty_h=”2″][vc_separator sep_color=”color-wvjs” type=”dotted” uncode_shortcode_id=”202264″ sep_color_type=”uncode-palette” el_height=”10″][vc_empty_space empty_h=”1″][vc_column_text uncode_shortcode_id=”456822″]A woman gives voice to the text Les ann\u00e9es<\/em> by Annie Ernaux, a few fragments collected on the shores of a timeless Sardinia. Neither the word nor the images pretend to turn out its story: the places of the past emerge as reverberations of a fragmentary and changing memory, illuminated by a new light. Gestures, faces, slice of life lived in the family, reassembled and disengaged from their context of origin, become expressive elements of a confession that is at the same time self-discovery and collective narrative. A promise to be renewed, inscribed in the exchange between the archive and the word.<\/span>[\/vc_column_text][vc_empty_space empty_h=”2″][vc_column_text uncode_shortcode_id=”598932″]Editing<\/span><\/em> Sara Fgaier, Davide Minotti<\/span>
\n<\/span>Suond Design and mix<\/span><\/em>Riccardo Spagnol, Paolo Segat<\/span>
\n<\/span>Production <\/span><\/em>Dugong Films, Rai Cinema, Films Grand Huit<\/span>
\n<\/span>Archive<\/span><\/em> Archivio della Societ\u00e0 Umanitaria; Cineteca <\/span>Sarda; Archivio Superottimisti; Associazione <\/span>Museo Nazionale del Cinema
\nAiuto Regia<\/em> Beatrice Buzi
\n<\/span>[\/vc_column_text][vc_empty_space empty_h=”3″][vc_separator sep_color=”color-wvjs” type=”dotted” uncode_shortcode_id=”202264″ sep_color_type=”uncode-palette” el_height=”10″][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/2″][vc_column_text uncode_shortcode_id=”164467″]Annie Ernaux
\n<\/strong><\/p>\n

Born in 1940 a Lillebonne, is one of the most important voice in french literature. Her novel, La place<\/em>, L\u2019\u00e9v\u00e9nement<\/em> (wich was made into the Venice Gold Lion winner L\u2019\u00e9v\u00e9nement<\/em>, by Audrey Diwan), Les Ann\u00e9es. In 2022 she won the Nobel prize for literature.<\/p>\n

David Ernaux-Briot
\n<\/strong><\/p>\n

Born in 1968, son of Annie and Philippe Ernaux, he’s cured scientific programs for the Tv.[\/vc_column_text][\/vc_column][vc_column width=”1\/2″][vc_column_text uncode_shortcode_id=”201546″]Sara Fgaier<\/strong><\/p>\n

Sara Fgaier is the only Italian who received the Rolex Prize for the Arts thanks to which she has worked with W. Murch. She has directed some short films and founded <\/span>Avventurosa<\/span> collaborating in the making of all the films of Pietro Marcello. She worked, among others, with Aleksandr Sokurov, Franco Maresco, Ganfranco Rosi, Fanny & Alexander and Alina Marazzi.<\/span>[\/vc_column_text][\/vc_column][\/vc_row][vc_row row_height_percent=”0″ override_padding=”yes” h_padding=”2″ top_padding=”1″ bottom_padding=”1″ overlay_alpha=”50″ gutter_size=”3″ column_width_percent=”100″ shift_y=”0″ z_index=”0″ uncode_shortcode_id=”183712″][vc_column width=”1\/1″][uncode_share layout=”multiple” bigger=”yes” separator=”yes” css_animation=”bottom-t-top” title=”share”][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

Annie Ernaux, David Ernaux-Briot \/ France \/ 2022 \/ 61′ \/ French | Italian Subtitles
\nin combination with
\nGli Anni \/ Sara Fgaier \/ Italy, France \/ 2018 \/ Italian<\/p>\n","protected":false},"author":1,"featured_media":1449,"parent":0,"menu_order":0,"comment_status":"open","ping_status":"open","template":"","meta":{"rs_blank_template":"","rs_page_bg_color":"","slide_template_v7":"","footnotes":""},"portfolio_category":[31],"class_list":["post-1832","portfolio","type-portfolio","status-publish","has-post-thumbnail","hentry","portfolio_category-special-screenings"],"_links":{"self":[{"href":"https:\/\/unarchivefest.it\/en\/wp-json\/wp\/v2\/portfolio\/1832","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/unarchivefest.it\/en\/wp-json\/wp\/v2\/portfolio"}],"about":[{"href":"https:\/\/unarchivefest.it\/en\/wp-json\/wp\/v2\/types\/portfolio"}],"author":[{"embeddable":true,"href":"https:\/\/unarchivefest.it\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/unarchivefest.it\/en\/wp-json\/wp\/v2\/comments?post=1832"}],"version-history":[{"count":15,"href":"https:\/\/unarchivefest.it\/en\/wp-json\/wp\/v2\/portfolio\/1832\/revisions"}],"predecessor-version":[{"id":2232,"href":"https:\/\/unarchivefest.it\/en\/wp-json\/wp\/v2\/portfolio\/1832\/revisions\/2232"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/unarchivefest.it\/en\/wp-json\/wp\/v2\/media\/1449"}],"wp:attachment":[{"href":"https:\/\/unarchivefest.it\/en\/wp-json\/wp\/v2\/media?parent=1832"}],"wp:term":[{"taxonomy":"portfolio_category","embeddable":true,"href":"https:\/\/unarchivefest.it\/en\/wp-json\/wp\/v2\/portfolio_category?post=1832"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}