{"id":1849,"date":"2023-03-26T20:01:26","date_gmt":"2023-03-26T18:01:26","guid":{"rendered":"https:\/\/unarchivefest.it\/eventi\/before-the-dying-of-the-light\/"},"modified":"2023-04-29T11:34:08","modified_gmt":"2023-04-29T09:34:08","slug":"before-the-dying-of-the-light","status":"publish","type":"portfolio","link":"https:\/\/unarchivefest.it\/en\/eventi\/before-the-dying-of-the-light\/","title":{"rendered":"Before the Dying of the Light"},"content":{"rendered":"<div class=\"wpb-content-wrapper\"><p>[vc_row row_height_percent=&#8221;0&#8243; overlay_alpha=&#8221;50&#8243; gutter_size=&#8221;3&#8243; column_width_percent=&#8221;100&#8243; shift_y=&#8221;0&#8243; z_index=&#8221;0&#8243; uncode_shortcode_id=&#8221;115430&#8243;][vc_column width=&#8221;1\/1&#8243;][vc_single_image media=&#8221;967&#8243; media_width_percent=&#8221;100&#8243; uncode_shortcode_id=&#8221;378245&#8243;][\/vc_column][\/vc_row][vc_row row_height_percent=&#8221;0&#8243; override_padding=&#8221;yes&#8221; h_padding=&#8221;2&#8243; top_padding=&#8221;0&#8243; bottom_padding=&#8221;2&#8243; overlay_alpha=&#8221;50&#8243; gutter_size=&#8221;3&#8243; column_width_percent=&#8221;100&#8243; shift_y=&#8221;0&#8243; z_index=&#8221;0&#8243; uncode_shortcode_id=&#8221;160219&#8243;][vc_column column_width_percent=&#8221;100&#8243; gutter_size=&#8221;0&#8243; overlay_alpha=&#8221;50&#8243; shift_x=&#8221;0&#8243; shift_y=&#8221;0&#8243; shift_y_down=&#8221;0&#8243; z_index=&#8221;0&#8243; medium_width=&#8221;0&#8243; mobile_width=&#8221;0&#8243; width=&#8221;2\/3&#8243; uncode_shortcode_id=&#8221;142595&#8243;][vc_custom_heading uncode_shortcode_id=&#8221;110462&#8243;]<\/p>\n<h6>Frontiers<\/h6>\n<p>[\/vc_custom_heading][vc_custom_heading auto_text=&#8221;yes&#8221; text_color=&#8221;accent&#8221; uncode_shortcode_id=&#8221;174660&#8243; text_color_type=&#8221;uncode-palette&#8221;][\/vc_custom_heading][vc_column_text uncode_shortcode_id=&#8221;839468&#8243;]<span style=\"font-weight: 400;\"><strong>Ali Essafi<\/strong> \/ Morocco, France \/ 2020 \/ 70\u2019 \/ Arabic, French | Italian Subtitles<\/span>[\/vc_column_text][vc_empty_space empty_h=&#8221;2&#8243;][vc_separator sep_color=&#8221;color-wvjs&#8221; type=&#8221;dotted&#8221; uncode_shortcode_id=&#8221;202264&#8243; sep_color_type=&#8221;uncode-palette&#8221; el_height=&#8221;10&#8243;][vc_empty_space empty_h=&#8221;1&#8243;][vc_column_text uncode_shortcode_id=&#8221;618584&#8243;]<span style=\"font-weight: 400;\">This glittering collage of posters, magazine covers, archive footage, jazz music, and cartoons takes you back to the art scene of the 1970s in Morocco, viewed from the perspective of the artists and actors themselves. Many of them were to end up in prison or disappear without a trace.<br \/>\n<\/span><span style=\"font-weight: 400;\">The story revolves around a Moroccan independent film from 1974, <\/span><i style=\"font-family: -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Oxygen-Sans, Ubuntu, Cantarell, 'Helvetica Neue', sans-serif;\">About Some Meaningless Events<\/i><span style=\"font-weight: 400;\"> by Mostafa Derkaoui, where a group of young filmmakers explored the role the new Moroccan cinema should play in society. The counterculture arose from Marxist student movements which saw cinema as an \u201cinstrument for sensitization\u201d and self-discovery.<br \/>\n<\/span><span style=\"font-weight: 400;\">After just a single public screening, however,<\/span><i style=\"font-family: -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Oxygen-Sans, Ubuntu, Cantarell, 'Helvetica Neue', sans-serif;\">About Some Meaningless Events <\/i> <span style=\"font-weight: 400;\">was censored by the government. But the negatives of this long lost film were rediscovered in Spain and have recently been restored.<br \/>\n<\/span><span style=\"font-weight: 400;\">Dedicated to the victims of censorship and oppression,<\/span><i style=\"font-family: -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Oxygen-Sans, Ubuntu, Cantarell, 'Helvetica Neue', sans-serif;\">Before the Dying of the Light <\/i> <span style=\"font-weight: 400;\">employs riotously edited fragments and evokes a time of excitement about the future, before it was extinguished by the repressive years under King Hassan II. Now that flame is briefly rekindled as these images are shown once again.<\/span>[\/vc_column_text][vc_empty_space empty_h=&#8221;2&#8243;][vc_column_text uncode_shortcode_id=&#8221;127853&#8243;]<em><span style=\"font-weight: 400;\">Screenplay <\/span><\/em> <span style=\"font-weight: 400;\">Ali Essafi<br \/>\n<\/span><em style=\"font-family: -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Oxygen-Sans, Ubuntu, Cantarell, 'Helvetica Neue', sans-serif;\">Editing <\/em> <span style=\"font-weight: 400;\">Chaghig Arzoumanian<br \/>\n<\/span><em style=\"font-family: -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Oxygen-Sans, Ubuntu, Cantarell, 'Helvetica Neue', sans-serif;\">Sound design <\/em> <span style=\"font-weight: 400;\">Kinda Hassan<br \/>\n<\/span><em style=\"font-family: -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Oxygen-Sans, Ubuntu, Cantarell, 'Helvetica Neue', sans-serif;\">Mix<\/em> <span style=\"font-weight: 400;\">Jean-Marc Schick<br \/>\n<\/span><em style=\"font-family: -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Oxygen-Sans, Ubuntu, Cantarell, 'Helvetica Neue', sans-serif;\">Production<\/em> <span style=\"font-weight: 400;\">Cinemaat Productions<br \/>\n<\/span><em style=\"font-family: -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Oxygen-Sans, Ubuntu, Cantarell, 'Helvetica Neue', sans-serif;\">Producer <\/em><span style=\"font-family: -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Oxygen-Sans, Ubuntu, Cantarell, 'Helvetica Neue', sans-serif;\">Ali Essafi<br \/>\n<\/span><em style=\"font-family: -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Oxygen-Sans, Ubuntu, Cantarell, 'Helvetica Neue', sans-serif;\">Co-Producer <\/em> <span style=\"font-weight: 400;\">2M TV, Laterit Productions, Les films du Passage, <\/span><span style=\"font-weight: 400;\">ARTE TV (La Lucarne)<\/span> [\/vc_column_text][vc_empty_space empty_h=&#8221;3&#8243;][vc_column_text uncode_shortcode_id=&#8221;181392&#8243;]<strong>Ali Essafi<br \/>\n<\/strong><\/p>\n<p><strong><span style=\"font-weight: 400;\">Essafi was born in 1963 in Fez, Morocco. In 1989, he completed a degree in psychology in France, and in 1991, he began working as an assistant on several documentary films. In 1997, he directed, <\/span><i><span style=\"font-weight: 400;\">G\u00e9n\u00e9ral, nous voil\u00e0!<\/span><\/i><span style=\"font-weight: 400;\">, ed \u00e8 tornato in Marocco nel 2002. He was appointed as the artistic director of Moroccan public television (SNRT) from 2006 until 2009. Ali Essafi works as a filmmaker, film curator, cinematographer, and video artist. He lives in Casablanca.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><\/strong>[\/vc_column_text][vc_empty_space empty_h=&#8221;2&#8243;][\/vc_column][vc_column column_width_percent=&#8221;100&#8243; gutter_size=&#8221;1&#8243; overlay_alpha=&#8221;50&#8243; shift_x=&#8221;0&#8243; shift_y=&#8221;0&#8243; shift_y_down=&#8221;0&#8243; z_index=&#8221;0&#8243; medium_width=&#8221;0&#8243; mobile_width=&#8221;0&#8243; width=&#8221;1\/3&#8243; uncode_shortcode_id=&#8221;207555&#8243;][vc_column_text uncode_shortcode_id=&#8221;127818&#8243;]<\/p>\n<h4><span style=\"color: #666699;\">may 6<\/span><br \/>\n<span style=\"color: #666699;\">6:00 pm.<\/span><br \/>\n<span style=\"color: #666699;\">Cinema Intrastevere<\/span><br \/>\n<span style=\"color: #666699;\">movie theatre 2<br \/>\n<span style=\"color: #ff0000;\">Introduced by Roberto Silvestri, film critic<\/span><\/span><\/h4>\n<p>[\/vc_column_text][vc_empty_space empty_h=&#8221;2&#8243;][\/vc_column][\/vc_row][vc_row row_height_percent=&#8221;0&#8243; override_padding=&#8221;yes&#8221; h_padding=&#8221;2&#8243; top_padding=&#8221;1&#8243; bottom_padding=&#8221;1&#8243; overlay_alpha=&#8221;50&#8243; gutter_size=&#8221;3&#8243; column_width_percent=&#8221;100&#8243; shift_y=&#8221;0&#8243; z_index=&#8221;0&#8243; uncode_shortcode_id=&#8221;183712&#8243;][vc_column width=&#8221;1\/1&#8243;][uncode_share layout=&#8221;multiple&#8221; bigger=&#8221;yes&#8221; separator=&#8221;yes&#8221; css_animation=&#8221;bottom-t-top&#8221; title=&#8221;share&#8221;][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>Ali Essafi \/ Morocco, France \/ 2020 \/ 70\u2019 \/ Arabic, French | Italian Subtitles<\/p>\n","protected":false},"author":1,"featured_media":1147,"parent":0,"menu_order":0,"comment_status":"open","ping_status":"open","template":"","meta":{"rs_blank_template":"","rs_page_bg_color":"","slide_template_v7":"","footnotes":""},"portfolio_category":[32],"class_list":["post-1849","portfolio","type-portfolio","status-publish","has-post-thumbnail","hentry","portfolio_category-frontiers"],"_links":{"self":[{"href":"https:\/\/unarchivefest.it\/en\/wp-json\/wp\/v2\/portfolio\/1849","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/unarchivefest.it\/en\/wp-json\/wp\/v2\/portfolio"}],"about":[{"href":"https:\/\/unarchivefest.it\/en\/wp-json\/wp\/v2\/types\/portfolio"}],"author":[{"embeddable":true,"href":"https:\/\/unarchivefest.it\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/unarchivefest.it\/en\/wp-json\/wp\/v2\/comments?post=1849"}],"version-history":[{"count":13,"href":"https:\/\/unarchivefest.it\/en\/wp-json\/wp\/v2\/portfolio\/1849\/revisions"}],"predecessor-version":[{"id":2281,"href":"https:\/\/unarchivefest.it\/en\/wp-json\/wp\/v2\/portfolio\/1849\/revisions\/2281"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/unarchivefest.it\/en\/wp-json\/wp\/v2\/media\/1147"}],"wp:attachment":[{"href":"https:\/\/unarchivefest.it\/en\/wp-json\/wp\/v2\/media?parent=1849"}],"wp:term":[{"taxonomy":"portfolio_category","embeddable":true,"href":"https:\/\/unarchivefest.it\/en\/wp-json\/wp\/v2\/portfolio_category?post=1849"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}