{"id":1957,"date":"2023-03-02T16:04:43","date_gmt":"2023-03-02T15:04:43","guid":{"rendered":"https:\/\/unarchivefest.it\/eventi\/bordx2\/"},"modified":"2023-04-27T22:46:29","modified_gmt":"2023-04-27T20:46:29","slug":"bordx2","status":"publish","type":"portfolio","link":"https:\/\/unarchivefest.it\/en\/eventi\/bordx2\/","title":{"rendered":"BordX2"},"content":{"rendered":"

[vc_row row_height_percent=”0″ overlay_alpha=”50″ gutter_size=”3″ column_width_percent=”100″ shift_y=”0″ z_index=”0″ uncode_shortcode_id=”115430″][vc_column width=”1\/1″][vc_single_image media=”374″ media_width_percent=”100″ uncode_shortcode_id=”164561″][\/vc_column][\/vc_row][vc_row row_height_percent=”0″ override_padding=”yes” h_padding=”2″ top_padding=”0″ bottom_padding=”2″ overlay_alpha=”50″ gutter_size=”3″ column_width_percent=”100″ shift_y=”0″ z_index=”0″ uncode_shortcode_id=”160219″][vc_column column_width_percent=”100″ gutter_size=”0″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”2\/3″ uncode_shortcode_id=”722817″][vc_custom_heading uncode_shortcode_id=”137581″]<\/p>\n

International Competition<\/h6>\n

[\/vc_custom_heading][vc_custom_heading auto_text=”yes” text_color=”accent” uncode_shortcode_id=”618235″ text_color_type=”uncode-palette”][\/vc_custom_heading][vc_column_text uncode_shortcode_id=”184968″]Alexis Moreano Banda<\/strong> \/ France \/ 2022 \/ 11′ 30” \/ Silent[\/vc_column_text][vc_column_text uncode_shortcode_id=”209525″]INTERNATIONAL PREVIEW<\/strong>[\/vc_column_text][vc_empty_space empty_h=”2″][vc_separator sep_color=”color-wvjs” type=”dotted” uncode_shortcode_id=”202264″ sep_color_type=”uncode-palette” el_height=”10″][vc_empty_space empty_h=”1″][vc_column_text uncode_shortcode_id=”187892″]A pornographic film shot at the beginning of the 20th century slides laterally towards the outside of the frame. Shortly before reaching the edge, the outer fringe of the film starts to repeat itself in successive strips until it fills the screen once again, thus generating a new image, on the verge of abstraction. The film is conceived as a diptych in which each part results from the repetition of one or the other edge of the original movie. The two parts can be viewed either one after the other, in any order, or simultaneously, on two screens. The film is conceived as a diptych in which each part results from the repetition of one or the other edge of the original movie. The two parts can be viewed either one after the other, in any order, or simultaneously, on two screens.<\/span>[\/vc_column_text][vc_empty_space empty_h=”2″][vc_column_text uncode_shortcode_id=”148311″]Editing<\/i> Alexis Moreano Banda<\/span>[\/vc_column_text][vc_empty_space empty_h=”3″][vc_column_text uncode_shortcode_id=”170587″]Alexis Moreano Banda<\/strong><\/p>\n

Based in France, Alexis Moreano Banda (Ecuador, 1971) is a video artist, film editor and arts researcher. His most recent works include the films <\/span>Cada trozo, cada ganglio<\/span><\/i>and<\/span>Ghosts Before Breakfast<\/span><\/i>both made in 2023 from archival footage for the eponymous work of composers Fernando Garnero and Sebasti\u00e1n Rivas, respectively, as well as the experimental short<\/span>Gorg\u00f4<\/span><\/i>co-directed with artist Estefan\u00eda Pe\u00f1afiel Loaiza. He is currently preparing his first feature film, <\/span>Carmen<\/span><\/i>, an essay halfway between fiction and documentary, also co-directed with Estefan\u00eda Pe\u00f1afiel Loaiza. <\/span>[\/vc_column_text][vc_empty_space empty_h=”2″][\/vc_column][vc_column column_width_percent=”100″ gutter_size=”1″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”1\/3″ uncode_shortcode_id=”207555″][vc_column_text uncode_shortcode_id=”700855″]<\/p>\n

may 5<\/span>
\n4:30 pm.<\/span>
\nCinema Intrastevere<\/span>
\nmovie theater 1<\/span><\/h4>\n
Repetition screening may 6<\/span>
\n10:00 pm.
\nCinema Intrastevere<\/span>
\nmovie theater 1<\/span><\/h5>\n

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Alexis Moreano Banda \/ France \/ 2022 \/ 11′ 30” \/ Silent | International Preview<\/p>\n","protected":false},"author":1,"featured_media":374,"parent":0,"menu_order":0,"comment_status":"open","ping_status":"open","template":"","meta":{"rs_blank_template":"","rs_page_bg_color":"","slide_template_v7":"","footnotes":""},"portfolio_category":[27,29],"class_list":["post-1957","portfolio","type-portfolio","status-publish","has-post-thumbnail","hentry","portfolio_category-international-competition","portfolio_category-short"],"_links":{"self":[{"href":"https:\/\/unarchivefest.it\/en\/wp-json\/wp\/v2\/portfolio\/1957","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/unarchivefest.it\/en\/wp-json\/wp\/v2\/portfolio"}],"about":[{"href":"https:\/\/unarchivefest.it\/en\/wp-json\/wp\/v2\/types\/portfolio"}],"author":[{"embeddable":true,"href":"https:\/\/unarchivefest.it\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/unarchivefest.it\/en\/wp-json\/wp\/v2\/comments?post=1957"}],"version-history":[{"count":3,"href":"https:\/\/unarchivefest.it\/en\/wp-json\/wp\/v2\/portfolio\/1957\/revisions"}],"predecessor-version":[{"id":2051,"href":"https:\/\/unarchivefest.it\/en\/wp-json\/wp\/v2\/portfolio\/1957\/revisions\/2051"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/unarchivefest.it\/en\/wp-json\/wp\/v2\/media\/374"}],"wp:attachment":[{"href":"https:\/\/unarchivefest.it\/en\/wp-json\/wp\/v2\/media?parent=1957"}],"wp:term":[{"taxonomy":"portfolio_category","embeddable":true,"href":"https:\/\/unarchivefest.it\/en\/wp-json\/wp\/v2\/portfolio_category?post=1957"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}