{"id":1960,"date":"2023-03-21T11:52:05","date_gmt":"2023-03-21T10:52:05","guid":{"rendered":"https:\/\/unarchivefest.it\/eventi\/good-manners-for-the-archives\/"},"modified":"2024-05-08T16:38:37","modified_gmt":"2024-05-08T14:38:37","slug":"good-manners-for-the-archives","status":"publish","type":"portfolio","link":"https:\/\/unarchivefest.it\/en\/eventi\/good-manners-for-the-archives\/","title":{"rendered":"Good manners for the archives"},"content":{"rendered":"

[vc_row row_height_percent=”0″ overlay_alpha=”50″ gutter_size=”3″ column_width_percent=”100″ shift_y=”0″ z_index=”0″ uncode_shortcode_id=”115430″][vc_column width=”1\/1″][vc_single_image media=”1173″ media_width_percent=”100″ uncode_shortcode_id=”133846″][\/vc_column][\/vc_row][vc_row row_height_percent=”0″ override_padding=”yes” h_padding=”2″ top_padding=”0″ bottom_padding=”2″ overlay_alpha=”50″ gutter_size=”3″ column_width_percent=”100″ shift_y=”0″ z_index=”0″ uncode_shortcode_id=”160219″][vc_column column_width_percent=”100″ gutter_size=”0″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”2\/3″ uncode_shortcode_id=”118363″][vc_custom_heading uncode_shortcode_id=”204648″]<\/p>\n

Panel<\/h6>\n

[\/vc_custom_heading][vc_custom_heading auto_text=”yes” text_color=”accent” uncode_shortcode_id=”119512″ text_color_type=”uncode-palette”][\/vc_custom_heading][vc_empty_space empty_h=”2″][vc_separator sep_color=”color-wvjs” type=”dotted” uncode_shortcode_id=”202264″ sep_color_type=”uncode-palette” el_height=”10″][vc_empty_space empty_h=”1″][vc_column_text uncode_shortcode_id=”111504″]A comparison between archives about the processing of audiovisual repertoire, from conservation to fruition.<\/p>\n

Moderator<\/strong>Paolo Tosini (Director Conservation e management of audiovisual patrimony Centro Sperimentale di Cinematografia – National Film School)<\/em><\/strong>[\/vc_column_text][vc_empty_space empty_h=”2″][vc_column_text uncode_shortcode_id=”202914″]Panelist: <\/strong>Letizia Cortini (Archivist, Audiovisual Archive of the Democratic and Labour Movement)<\/em><\/strong> with Giovanni Bruno (President, Regesta.exe)<\/em><\/strong><\/p>\n

Fabrizio Micarelli ((Area Manager conservation, Archivio Luce)<\/em><\/strong><\/p>\n

Maurizio Prece (Area Manager data, Archivio Luce)<\/em><\/strong><\/p>\n

Andrea Meneghelli (Area Manager film archive, Cineteca di Bologna)<\/em><\/strong><\/p>\n

Davide Pozzi (Director laboratory of film restoration L\u2019Immagine Ritrovata)<\/em><\/strong><\/p>\n

Maria Assunta Pimpinelli (Area Manager Collections and Filmic Repertoire, Italian Natonal Film Library)<\/em><\/strong><\/p>\n

Mirco Santi ((Area Manager laboratory of restoration and digitalization, Co-founder, Home Movies – Italian National Home Movies Archive)<\/em><\/strong><\/p>\n

 <\/p>\n

Then Laurence McFalls presents the Open Memory Box<\/strong> platform.<\/p>\n

[\/vc_column_text][vc_empty_space empty_h=”2″][\/vc_column][vc_column column_width_percent=”100″ gutter_size=”1″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”1\/3″ uncode_shortcode_id=”207555″][vc_column_text uncode_shortcode_id=”368887″]<\/p>\n

may 4<\/span>
\n10:00<\/span>
\nReal Academia de Espa\u00f1a en Roma<\/span>
\nConference hall<\/span><\/h4>\n

[\/vc_column_text][vc_empty_space empty_h=”2″][\/vc_column][\/vc_row][vc_row row_height_percent=”0″ override_padding=”yes” h_padding=”2″ top_padding=”1″ bottom_padding=”1″ overlay_alpha=”50″ gutter_size=”3″ column_width_percent=”100″ shift_y=”0″ z_index=”0″ uncode_shortcode_id=”183712″][vc_column width=”1\/1″][uncode_share layout=”multiple” bigger=”yes” separator=”yes” css_animation=”bottom-t-top” title=”share”][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

A comparison between archives about the processing of audiovisual repertoire, from conservation to fruition.<\/p>\n","protected":false},"author":1,"featured_media":2004,"parent":0,"menu_order":0,"comment_status":"open","ping_status":"open","template":"","meta":{"rs_blank_template":"","rs_page_bg_color":"","slide_template_v7":"","footnotes":""},"portfolio_category":[34],"class_list":["post-1960","portfolio","type-portfolio","status-publish","has-post-thumbnail","hentry","portfolio_category-panel-en"],"_links":{"self":[{"href":"https:\/\/unarchivefest.it\/en\/wp-json\/wp\/v2\/portfolio\/1960","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/unarchivefest.it\/en\/wp-json\/wp\/v2\/portfolio"}],"about":[{"href":"https:\/\/unarchivefest.it\/en\/wp-json\/wp\/v2\/types\/portfolio"}],"author":[{"embeddable":true,"href":"https:\/\/unarchivefest.it\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/unarchivefest.it\/en\/wp-json\/wp\/v2\/comments?post=1960"}],"version-history":[{"count":12,"href":"https:\/\/unarchivefest.it\/en\/wp-json\/wp\/v2\/portfolio\/1960\/revisions"}],"predecessor-version":[{"id":4628,"href":"https:\/\/unarchivefest.it\/en\/wp-json\/wp\/v2\/portfolio\/1960\/revisions\/4628"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/unarchivefest.it\/en\/wp-json\/wp\/v2\/media\/2004"}],"wp:attachment":[{"href":"https:\/\/unarchivefest.it\/en\/wp-json\/wp\/v2\/media?parent=1960"}],"wp:term":[{"taxonomy":"portfolio_category","embeddable":true,"href":"https:\/\/unarchivefest.it\/en\/wp-json\/wp\/v2\/portfolio_category?post=1960"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}