{"id":2116,"date":"2023-03-14T11:42:39","date_gmt":"2023-03-14T10:42:39","guid":{"rendered":"https:\/\/unarchivefest.it\/eventi\/radiograph-of-a-family\/"},"modified":"2023-05-09T15:26:52","modified_gmt":"2023-05-09T13:26:52","slug":"radiograph-of-a-family","status":"publish","type":"portfolio","link":"https:\/\/unarchivefest.it\/en\/eventi\/radiograph-of-a-family\/","title":{"rendered":"Radiograph of a Family"},"content":{"rendered":"<div class=\"wpb-content-wrapper\"><p>[vc_row row_height_percent=&#8221;0&#8243; overlay_alpha=&#8221;50&#8243; gutter_size=&#8221;3&#8243; column_width_percent=&#8221;100&#8243; shift_y=&#8221;0&#8243; z_index=&#8221;0&#8243; uncode_shortcode_id=&#8221;115430&#8243;][vc_column width=&#8221;1\/1&#8243;][vc_single_image media=&#8221;901&#8243; media_width_percent=&#8221;100&#8243; uncode_shortcode_id=&#8221;182556&#8243;][\/vc_column][\/vc_row][vc_row row_height_percent=&#8221;0&#8243; override_padding=&#8221;yes&#8221; h_padding=&#8221;2&#8243; top_padding=&#8221;0&#8243; bottom_padding=&#8221;2&#8243; overlay_alpha=&#8221;50&#8243; gutter_size=&#8221;3&#8243; column_width_percent=&#8221;100&#8243; shift_y=&#8221;0&#8243; z_index=&#8221;0&#8243; uncode_shortcode_id=&#8221;160219&#8243;][vc_column column_width_percent=&#8221;100&#8243; gutter_size=&#8221;0&#8243; overlay_alpha=&#8221;50&#8243; shift_x=&#8221;0&#8243; shift_y=&#8221;0&#8243; shift_y_down=&#8221;0&#8243; z_index=&#8221;0&#8243; medium_width=&#8221;0&#8243; mobile_width=&#8221;0&#8243; width=&#8221;2\/3&#8243; uncode_shortcode_id=&#8221;158017&#8243;][vc_custom_heading uncode_shortcode_id=&#8221;135333&#8243;]<\/p>\n<h6>International Competition<\/h6>\n<p>[\/vc_custom_heading][vc_custom_heading auto_text=&#8221;yes&#8221; text_color=&#8221;accent&#8221; uncode_shortcode_id=&#8221;316526&#8243; text_color_type=&#8221;uncode-palette&#8221;][\/vc_custom_heading][vc_column_text uncode_shortcode_id=&#8221;670894&#8243;]<span style=\"font-weight: 400;\"><strong>Firouzeh Khosrovani<\/strong> Norwegia, Iran, Switzerland \/ 2020 \/ 82\u2019 \/ Persian, French | Italian and English Subtitles<\/span>[\/vc_column_text][vc_column_text uncode_shortcode_id=&#8221;802152&#8243;]<strong>BEST FEATURE FILM AWARD WINNER ASSIGNED BY STUDENT JURY<\/strong>[\/vc_column_text][vc_empty_space empty_h=&#8221;2&#8243;][vc_separator sep_color=&#8221;color-wvjs&#8221; type=&#8221;dotted&#8221; uncode_shortcode_id=&#8221;202264&#8243; sep_color_type=&#8221;uncode-palette&#8221; el_height=&#8221;10&#8243;][vc_empty_space empty_h=&#8221;1&#8243;][vc_column_text uncode_shortcode_id=&#8221;425794&#8243;]<span style=\"font-weight: 400;\">My mother married my father \u0301s photograph in Tehran, while he was studying radiology in Switzerland, because for mother to move to Switzerland they had to be married. For my mother, with her religious background, living in Europe was a challenge Sin was everywhere. My father instead came from a liberal and secular family, he was a lover of culture, fine arts, classical music. After I was born, we moved back to Tehran and, shortly after, the Revolution happened and changed everything. My mother found new reason and new identity, an important space for herself: She became a religious activist, school principal and did military training. My father sat quietly in his favorite chair at home and listened to Bach. In our house, there was no more card playing, nor red wine. Photographs of women without hijab were ripped apart. I was torn between my two parents. For a little girl, it was difficult and painful. As my identity developed, I carried both of them inside me and I still do. I am the result of Iran \u0301s struggle between tradition and modernization. My story is told through photographs, archive footage, letters and voices. Our home in Tehran becomes a metaphor of the shifts in our family, hence in modern Iranian society.<\/span>[\/vc_column_text][vc_empty_space empty_h=&#8221;2&#8243;][vc_column_text uncode_shortcode_id=&#8221;390550&#8243;]<em><span style=\"font-weight: 400;\">Screenplay<\/span><\/em><span style=\"font-weight: 400;\">Firouzeh Khosrovani<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><em><span style=\"font-weight: 400;\">Editing<\/span><\/em><span style=\"font-weight: 400;\">Farahnaz Sharifi, Rainer Maria Trinkler, Jila Apachi<br \/>\n<\/span><em><span style=\"font-weight: 400;\">Music<\/span><\/em> <span style=\"font-weight: 400;\">Peyman Yazdanian<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><em><span style=\"font-weight: 400;\">Sound design and mix <\/span><\/em><span style=\"font-weight: 400;\">Ensieh Maleki<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><em><span style=\"font-weight: 400;\">Production<\/span><\/em> <span style=\"font-weight: 400;\">Antipode Film AS<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><em><span style=\"font-weight: 400;\">Producer<\/span><\/em><span style=\"font-weight: 400;\">Fabien Greenberg, B\u00e5rd Kj\u00f8ge R\u00f8nning<br \/>\n<em>Executive producer<\/em> Arild Karlsen<br \/>\n<\/span><span style=\"font-weight: 400;\"><em>Coproduction<\/em> DV Films, Rainy Pictures<br \/>\n<em>Coproducer<\/em> Majid Barzegar, Firouzeh Khosrovani<\/span><\/p>\n<p>[\/vc_column_text][vc_empty_space empty_h=&#8221;3&#8243;][vc_column_text uncode_shortcode_id=&#8221;144805&#8243;]<strong>Firouzeh Khosrovani<\/strong><\/p>\n<p><span style=\"font-weight: 400;\">Born in Tehran, Firouzeh Khosrovani settled in Italy to pursue her artistic studies at the Accademia di Belle Arti di Brera, then returned to Iran and acquired her MA in Journalism. She made her debut as a filmmaker in 2004 with Life Train, <\/span><i><span style=\"font-weight: 400;\">Life Train<\/span><\/i><span style=\"font-weight: 400;\"> a documentary on the \u2018play\u2019 therapy provided for the traumatized children of Bam in the aftermath of a devastating earthquake. In 2007, she directed <\/span><i><span style=\"font-weight: 400;\">Rough Cut<\/span><\/i><span style=\"font-weight: 400;\">, which won thirteen international documentary film festival awards, followed in 2008 by <\/span><i><span style=\"font-weight: 400;\">Cutting Off,<\/span><\/i><span style=\"font-weight: 400;\"> Cutting Off, an installation and video art piece for the Triennale di Milano, and by <\/span><i><span style=\"font-weight: 400;\">1001 Irans<\/span><\/i> <span style=\"font-weight: 400;\">(2010)<\/span><b>.<\/b><span style=\"font-weight: 400;\"> In 2011, she collaborated on a Spanish production about the concept of beauty, <\/span><i><span style=\"font-weight: 400;\">Espelho Meu<\/span><\/i><span style=\"font-weight: 400;\">, which won the Best National Documentary award in Documenta Madrid, and in 2012 she directed <\/span><i><span style=\"font-weight: 400;\">Iran, Unveiled and Veiled Again<\/span><\/i><b>,  <\/b><span style=\"font-weight: 400;\">produced by Istituto Luce, Cinecitt\u00e0. n 2014, she participated in a collective project, <\/span><i><span style=\"font-weight: 400;\">Profession: Documentarist<\/span><\/i><b>,<\/b><span style=\"font-weight: 400;\"> with six other Iranian women directors, and directed <\/span><i><span style=\"font-weight: 400;\">Fest of Duty<\/span><\/i><span style=\"font-weight: 400;\">,on the religious ceremony girls go through in Iran at the age of nine. <\/span>[\/vc_column_text][vc_empty_space empty_h=&#8221;2&#8243;][\/vc_column][vc_column column_width_percent=&#8221;100&#8243; gutter_size=&#8221;1&#8243; overlay_alpha=&#8221;50&#8243; shift_x=&#8221;0&#8243; shift_y=&#8221;0&#8243; shift_y_down=&#8221;0&#8243; z_index=&#8221;0&#8243; medium_width=&#8221;0&#8243; mobile_width=&#8221;0&#8243; width=&#8221;1\/3&#8243; uncode_shortcode_id=&#8221;207555&#8243;][vc_column_text uncode_shortcode_id=&#8221;119411&#8243;]<\/p>\n<h4><span style=\"color: #666699;\">may 4<\/span><br \/>\n<span style=\"color: #666699;\">16:00<\/span><br \/>\n<span style=\"color: #666699;\">Cinema Intrastevere<\/span><br \/>\n<span style=\"color: #000000;\"><span style=\"color: #666699;\">movie theatre 1<\/span><br \/>\n<\/span><span style=\"color: #ff0000;\"><strong>Meeting with the author<\/strong><\/span> <\/h4>\n<p>[\/vc_column_text][vc_empty_space empty_h=&#8221;2&#8243;][vc_column_text uncode_shortcode_id=&#8221;180477&#8243;]<\/p>\n<h4><strong>Related events<\/strong><\/h4>\n<p><strong>Panel, Talk and Masterclass<\/strong> &#8211; <em>Poetics of the contemporary reuse<\/em><strong><br \/>\n<\/strong>may 6<br \/>\n10:00<br \/>\nReal Academia de Espa\u00f1a en Roma<br \/>\nConference Hall[\/vc_column_text][vc_empty_space empty_h=&#8221;2&#8243;][\/vc_column][\/vc_row][vc_row row_height_percent=&#8221;0&#8243; override_padding=&#8221;yes&#8221; h_padding=&#8221;2&#8243; top_padding=&#8221;1&#8243; bottom_padding=&#8221;1&#8243; overlay_alpha=&#8221;50&#8243; gutter_size=&#8221;3&#8243; column_width_percent=&#8221;100&#8243; shift_y=&#8221;0&#8243; z_index=&#8221;0&#8243; uncode_shortcode_id=&#8221;183712&#8243;][vc_column width=&#8221;1\/1&#8243;][uncode_share layout=&#8221;multiple&#8221; bigger=&#8221;yes&#8221; separator=&#8221;yes&#8221; css_animation=&#8221;bottom-t-top&#8221; title=&#8221;share&#8221;][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>Firouzeh Khosrovani \/ Norwegia, Iran, Switzerland \/ 2020 \/ 82\u2019 \/ Persian, French | Italian and English Subtitles | Best Feature Film Award Winner assigned by Student Jury<\/p>\n","protected":false},"author":1,"featured_media":1136,"parent":0,"menu_order":0,"comment_status":"open","ping_status":"open","template":"","meta":{"rs_blank_template":"","rs_page_bg_color":"","slide_template_v7":"","footnotes":""},"portfolio_category":[27,28],"class_list":["post-2116","portfolio","type-portfolio","status-publish","has-post-thumbnail","hentry","portfolio_category-international-competition","portfolio_category-feature-lenght"],"_links":{"self":[{"href":"https:\/\/unarchivefest.it\/en\/wp-json\/wp\/v2\/portfolio\/2116","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/unarchivefest.it\/en\/wp-json\/wp\/v2\/portfolio"}],"about":[{"href":"https:\/\/unarchivefest.it\/en\/wp-json\/wp\/v2\/types\/portfolio"}],"author":[{"embeddable":true,"href":"https:\/\/unarchivefest.it\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/unarchivefest.it\/en\/wp-json\/wp\/v2\/comments?post=2116"}],"version-history":[{"count":7,"href":"https:\/\/unarchivefest.it\/en\/wp-json\/wp\/v2\/portfolio\/2116\/revisions"}],"predecessor-version":[{"id":2411,"href":"https:\/\/unarchivefest.it\/en\/wp-json\/wp\/v2\/portfolio\/2116\/revisions\/2411"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/unarchivefest.it\/en\/wp-json\/wp\/v2\/media\/1136"}],"wp:attachment":[{"href":"https:\/\/unarchivefest.it\/en\/wp-json\/wp\/v2\/media?parent=2116"}],"wp:term":[{"taxonomy":"portfolio_category","embeddable":true,"href":"https:\/\/unarchivefest.it\/en\/wp-json\/wp\/v2\/portfolio_category?post=2116"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}