{"id":2119,"date":"2023-02-22T18:29:01","date_gmt":"2023-02-22T17:29:01","guid":{"rendered":"https:\/\/unarchivefest.it\/eventi\/red-africa\/"},"modified":"2023-04-29T11:06:05","modified_gmt":"2023-04-29T09:06:05","slug":"red-africa","status":"publish","type":"portfolio","link":"https:\/\/unarchivefest.it\/en\/eventi\/red-africa\/","title":{"rendered":"Red Africa"},"content":{"rendered":"

[vc_row row_height_percent=”0″ overlay_alpha=”50″ gutter_size=”3″ column_width_percent=”100″ shift_y=”0″ z_index=”0″ uncode_shortcode_id=”115430″][vc_column width=”1\/1″][vc_single_image media=”2013″ media_width_percent=”100″ uncode_shortcode_id=”443465″][\/vc_column][\/vc_row][vc_row row_height_percent=”0″ override_padding=”yes” h_padding=”2″ top_padding=”0″ bottom_padding=”2″ overlay_alpha=”50″ gutter_size=”3″ column_width_percent=”100″ shift_y=”0″ z_index=”0″ uncode_shortcode_id=”160219″][vc_column column_width_percent=”100″ gutter_size=”0″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”2\/3″ uncode_shortcode_id=”202078″][vc_custom_heading uncode_shortcode_id=”197217″]<\/p>\n

International Competition<\/h6>\n

[\/vc_custom_heading][vc_custom_heading auto_text=”yes” uncode_shortcode_id=”390057″][\/vc_custom_heading][vc_column_text uncode_shortcode_id=”719267″]Alexander Markov<\/strong> \/ Russia, Portugal \/ 2022 \/ 65′ \/ Russian, English | Italian and English Subtitles[\/vc_column_text][vc_empty_space empty_h=”2″][vc_separator sep_color=”color-wvjs” type=”dotted” uncode_shortcode_id=”202264″ sep_color_type=”uncode-palette” el_height=”10″][vc_empty_space empty_h=”1″][vc_column_text uncode_shortcode_id=”987817″]After gaining independence in the early 1960s, the young African nations are greeted by an unexpected and enigmatic friend from a far-off continent. Independent Africa receives a seemingly endless stream of Soviet parliamentarians, who arrive on the continent to pay respect to the newly independent states. These ambassadors of the nation with a \u2018bright future\u2019 radiate friendliness and offer assistance in technical, social and cultural development under the banner of a new ideology of equality and fraternity.
\n<\/span>But is everything as rosy as the Soviet propaganda claims? Are there any strings attached to the Soviet Union\u2019s goodwill? What were the real objectives of the Red Empire?[\/vc_column_text][vc_empty_space empty_h=”2″][vc_column_text uncode_shortcode_id=”940196″]Screenplay<\/em>Alexander Markov
\nProducer<\/em>Stanislav Poplavskii, Rui Ribeiro, Ansgar Shaefer<\/span>[\/vc_column_text][vc_empty_space empty_h=”3″][vc_column_text uncode_shortcode_id=”122090″]Alexander Markov<\/strong><\/p>\n

Alexander Markov is a documentary filmmaker, cinema historian and artist. Born in Leningrad, Russia on January 28, 1973. Teaches documentary directing at Saint Petersburg State Institute of Film and Television, and works as an independent curator. His video installations were shown at Sharjah Biennial, Calvert 22, Iwalewahaus, Africa.Cont, CEU etc. Markov’s films have won prizes and have been shown at various international film festivals like Berlinale Talents, Visions Du Reel, DocPoint, Sheffield Doc, Film Africa, NYAFF, Artdocfest, Cinefest, and others. Markov has directed a number of documentary films, including: <\/span>Museum of Dreams<\/span><\/i> (5 min, 35 mm, 2000); <\/span>Lullaby<\/span><\/i> (20 min, 35 mm, 2002); <\/span>Cities within Cities<\/span><\/i> (26 min, BetaSP, 2003); <\/span>Russian Costa Rica <\/span><\/i>(52 min, HDV, 2008); <\/span>Two Highways<\/span><\/i> (26 min, BetaSP, 2008); <\/span>Pastoral<\/span><\/i> (26 min, HDV, 2008); <\/span>Delusion<\/span><\/i> (7 min, HDV, 2010); <\/span>Children of the Sun<\/span><\/i> (15 min, HD, 2011); <\/span>Get Used to This Place<\/span><\/i> (15 min, HD, 2011); <\/span>German Portraits Russian Style<\/span><\/i> (15 min, HD, 2012), <\/span>Our Africa<\/span><\/i> (45 min, HD, 2018).<\/span>[\/vc_column_text][vc_empty_space empty_h=”2″][\/vc_column][vc_column column_width_percent=”100″ gutter_size=”1″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”1\/3″ uncode_shortcode_id=”207555″][vc_column_text uncode_shortcode_id=”105615″]<\/p>\n

may 4<\/span>
\n6:30 pm.<\/span>
\nCinema Intrastevere<\/span>
\nmovie theater 1<\/span>
\nMeeting with the author<\/span><\/span><\/h4>\n
Repetition screening may 5<\/span>
\n10:00 pm.<\/span>
\nCinema Intrastevere<\/span>
\nmovie theatre 2<\/span><\/h5>\n

[\/vc_column_text][vc_empty_space empty_h=”2″][vc_column_text uncode_shortcode_id=”130204″]<\/p>\n

Related events<\/strong><\/h4>\n

Panel, Talk and Masterclass<\/strong> – Poetics of the contemporary reuse<\/em>
\n<\/strong>may 6
\n10:00 am.
\nReal Academia de Espa\u00f1a en Roma
\nConference Hall[\/vc_column_text][\/vc_column][\/vc_row][vc_row row_height_percent=”0″ override_padding=”yes” h_padding=”2″ top_padding=”1″ bottom_padding=”2″ overlay_alpha=”50″ gutter_size=”3″ column_width_percent=”100″ shift_y=”0″ z_index=”0″ uncode_shortcode_id=”698225″][vc_column width=”1\/1″][uncode_share layout=”multiple” bigger=”yes” separator=”yes” css_animation=”bottom-t-top” title=”share”][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

Alexander Markov \/ Russia, Portugal \/ 2022 \/ 65′ \/ Russian, English | Italian and English Subtitles<\/p>\n","protected":false},"author":1,"featured_media":2013,"parent":0,"menu_order":0,"comment_status":"open","ping_status":"open","template":"","meta":{"rs_blank_template":"","rs_page_bg_color":"","slide_template_v7":"","footnotes":""},"portfolio_category":[27,28],"class_list":["post-2119","portfolio","type-portfolio","status-publish","has-post-thumbnail","hentry","portfolio_category-international-competition","portfolio_category-feature-lenght"],"_links":{"self":[{"href":"https:\/\/unarchivefest.it\/en\/wp-json\/wp\/v2\/portfolio\/2119","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/unarchivefest.it\/en\/wp-json\/wp\/v2\/portfolio"}],"about":[{"href":"https:\/\/unarchivefest.it\/en\/wp-json\/wp\/v2\/types\/portfolio"}],"author":[{"embeddable":true,"href":"https:\/\/unarchivefest.it\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/unarchivefest.it\/en\/wp-json\/wp\/v2\/comments?post=2119"}],"version-history":[{"count":4,"href":"https:\/\/unarchivefest.it\/en\/wp-json\/wp\/v2\/portfolio\/2119\/revisions"}],"predecessor-version":[{"id":2243,"href":"https:\/\/unarchivefest.it\/en\/wp-json\/wp\/v2\/portfolio\/2119\/revisions\/2243"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/unarchivefest.it\/en\/wp-json\/wp\/v2\/media\/2013"}],"wp:attachment":[{"href":"https:\/\/unarchivefest.it\/en\/wp-json\/wp\/v2\/media?parent=2119"}],"wp:term":[{"taxonomy":"portfolio_category","embeddable":true,"href":"https:\/\/unarchivefest.it\/en\/wp-json\/wp\/v2\/portfolio_category?post=2119"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}