{"id":2172,"date":"2023-04-15T22:05:38","date_gmt":"2023-04-15T20:05:38","guid":{"rendered":"https:\/\/unarchivefest.it\/eventi\/statici-and-marisa\/"},"modified":"2023-04-29T11:09:59","modified_gmt":"2023-04-29T09:09:59","slug":"statici-and-marisa","status":"publish","type":"portfolio","link":"https:\/\/unarchivefest.it\/en\/eventi\/statici-and-marisa\/","title":{"rendered":"Statici and Marisa"},"content":{"rendered":"

[vc_row row_height_percent=”0″ overlay_alpha=”50″ gutter_size=”3″ column_width_percent=”100″ shift_y=”0″ z_index=”0″ uncode_shortcode_id=”115430″][vc_column column_width_percent=”100″ gutter_size=”0″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”1\/2″ uncode_shortcode_id=”156926″][vc_custom_heading uncode_shortcode_id=”995186″]<\/p>\n

Italian Landscapes<\/h6>\n

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may 4<\/span>
\n7:30 pm.<\/span>
\nCinema Intrastevere<\/span>
\nmovie theatre 2<\/span>
\nMeeting with the author<\/span><\/span><\/h4>\n

[\/vc_column_text][vc_empty_space empty_h=”2″][\/vc_column][\/vc_row][vc_row row_height_percent=”0″ override_padding=”yes” h_padding=”2″ top_padding=”0″ bottom_padding=”2″ overlay_alpha=”50″ gutter_size=”3″ column_width_percent=”100″ shift_y=”0″ z_index=”0″ uncode_shortcode_id=”160219″][vc_column column_width_percent=”100″ gutter_size=”0″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”1\/1″ uncode_shortcode_id=”127585″][vc_separator sep_color=”color-wvjs” type=”dotted” uncode_shortcode_id=”202264″ sep_color_type=”uncode-palette” el_height=”10″][vc_empty_space empty_h=”1″][vc_single_image media=”1549″ media_width_percent=”100″ uncode_shortcode_id=”132489″][vc_custom_heading uncode_shortcode_id=”129003″]<\/p>\n

Statici<\/span><\/h1>\n

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Jacopo Quadri<\/strong> \/ Italy \/ 1997 \/ 9\u2019 \/ Italian, English, Bulgarian<\/p>\n<\/div>\n<\/div>\n<\/div>\n

[\/vc_column_text][vc_empty_space empty_h=”2″][vc_separator sep_color=”color-wvjs” type=”dotted” uncode_shortcode_id=”202264″ sep_color_type=”uncode-palette” el_height=”10″][vc_empty_space empty_h=”1″][vc_column_text uncode_shortcode_id=”142852″]The statico is shot film conserved in a dry and secure place, away from rats and laboratory parasites. It ceases to be static when it is withdrawn and made to become a story, a situation, a post-applicated sensation.<\/span>[\/vc_column_text][vc_empty_space empty_h=”2″][vc_column_text uncode_shortcode_id=”766047″]Screenplay<\/em> Jacopo Quadri
\nEditing<\/em> Jacopo Quadri<\/span>[\/vc_column_text][vc_empty_space empty_h=”1″][\/vc_column][\/vc_row][vc_row row_height_percent=”0″ override_padding=”yes” h_padding=”2″ top_padding=”0″ bottom_padding=”2″ overlay_alpha=”50″ gutter_size=”3″ column_width_percent=”100″ shift_y=”0″ z_index=”0″ uncode_shortcode_id=”160219″][vc_column column_width_percent=”100″ gutter_size=”0″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”1\/1″ uncode_shortcode_id=”751416″][vc_separator sep_color=”color-wvjs” type=”dotted” uncode_shortcode_id=”202264″ sep_color_type=”uncode-palette” el_height=”10″][vc_empty_space empty_h=”1″][vc_single_image media=”1553″ media_width_percent=”100″ uncode_shortcode_id=”192029″][vc_custom_heading uncode_shortcode_id=”645638″]<\/p>\n

Marisa<\/span><\/h1>\n

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Jacopo Quadri<\/strong> \/ Italy \/ 2000 \/ 9\u2019 \/ Italian<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

[\/vc_column_text][vc_empty_space empty_h=”2″][vc_separator sep_color=”color-wvjs” type=”dotted” uncode_shortcode_id=”202264″ sep_color_type=”uncode-palette” el_height=”10″][vc_empty_space empty_h=”1″][vc_column_text uncode_shortcode_id=”446873″]Marisa<\/em><\/strong> is a film for Marisa, my mother, Marisa Rusconi who has been gone for a year. I wanted to tell this personal story, with vaguely biographical elements of Marisa and of my own feelings about detachment and life, using footage from the RAI archives on the subject of migration. In this material, which is broad and open to the world, I found the elements with which I built the framework of the film. Then I inserted images and sounds recorded by me in the last months and fragments of Super 8 filmed by my father, Franco, in the 1960s.<\/span>[\/vc_column_text][vc_empty_space empty_h=”2″][vc_column_text uncode_shortcode_id=”194680″]Screenplay<\/em> Jacopo Quadri
\nEditing<\/em> Jacopo Quadri
\nProduction<\/em> Lantia Audiovisivi, Rai
\n<\/span>[\/vc_column_text][vc_empty_space empty_h=”2″][vc_separator sep_color=”color-wvjs” type=”dotted” uncode_shortcode_id=”202264″ sep_color_type=”uncode-palette” el_height=”10″][vc_empty_space empty_h=”3″][vc_column_text uncode_shortcode_id=”573553″]Jacopo Quadri<\/strong><\/p>\n

Graduated at Centro Sperimentale di Cinematografia – National Film School in Rome, he was the editor of all Mario Martone’s films.
\nHe has edited more than sixty films presented in the most important international festivals, including the Grand Jury Prize in Venice Morte di un matematico napoletano<\/em> by Mario Martone, and the Golden Lion Sacro GRA<\/em> by Gianfranco Rosi. He collaborates, among others, with Bernardo Bertolucci, Marco Bechis, Paolo Virz\u00ec, Zhang Yuan, Apitchapong Weerasethakul, Francesca Archibugi, Alessandro Rossetto. In 2014 he shot the documentary on Luca Ronconi La scuola d’estate<\/em>, presented at the Turin Film Festival, and in 2015 together with Davide Barletti the one on Eugenio Barba Il paese dove gli alberi volano<\/em>.[\/vc_column_text][vc_empty_space empty_h=”2″][\/vc_column][\/vc_row][vc_row row_height_percent=”0″ override_padding=”yes” h_padding=”2″ top_padding=”1″ bottom_padding=”1″ overlay_alpha=”50″ gutter_size=”3″ column_width_percent=”100″ shift_y=”0″ z_index=”0″ uncode_shortcode_id=”183712″][vc_column width=”1\/1″][uncode_share layout=”multiple” bigger=”yes” separator=”yes” css_animation=”bottom-t-top” title=”share”][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

Jacopo Quadri \/
\nItaly \/ 1997 \/ 9\u2019 \/ Italian, English, Bulgarian
\nItaly \/ 2000 \/ 9\u2019 \/ Italian<\/p>\n","protected":false},"author":1,"featured_media":1549,"parent":0,"menu_order":0,"comment_status":"open","ping_status":"open","template":"","meta":{"rs_blank_template":"","rs_page_bg_color":"","slide_template_v7":"","footnotes":""},"portfolio_category":[36],"class_list":["post-2172","portfolio","type-portfolio","status-publish","has-post-thumbnail","hentry","portfolio_category-out-of-competition"],"_links":{"self":[{"href":"https:\/\/unarchivefest.it\/en\/wp-json\/wp\/v2\/portfolio\/2172","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/unarchivefest.it\/en\/wp-json\/wp\/v2\/portfolio"}],"about":[{"href":"https:\/\/unarchivefest.it\/en\/wp-json\/wp\/v2\/types\/portfolio"}],"author":[{"embeddable":true,"href":"https:\/\/unarchivefest.it\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/unarchivefest.it\/en\/wp-json\/wp\/v2\/comments?post=2172"}],"version-history":[{"count":3,"href":"https:\/\/unarchivefest.it\/en\/wp-json\/wp\/v2\/portfolio\/2172\/revisions"}],"predecessor-version":[{"id":2247,"href":"https:\/\/unarchivefest.it\/en\/wp-json\/wp\/v2\/portfolio\/2172\/revisions\/2247"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/unarchivefest.it\/en\/wp-json\/wp\/v2\/media\/1549"}],"wp:attachment":[{"href":"https:\/\/unarchivefest.it\/en\/wp-json\/wp\/v2\/media?parent=2172"}],"wp:term":[{"taxonomy":"portfolio_category","embeddable":true,"href":"https:\/\/unarchivefest.it\/en\/wp-json\/wp\/v2\/portfolio_category?post=2172"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}