{"id":2199,"date":"2023-04-15T19:55:33","date_gmt":"2023-04-15T17:55:33","guid":{"rendered":"https:\/\/unarchivefest.it\/eventi\/the-potemkinists\/"},"modified":"2023-04-29T11:20:41","modified_gmt":"2023-04-29T09:20:41","slug":"the-potemkinists","status":"publish","type":"portfolio","link":"https:\/\/unarchivefest.it\/en\/eventi\/the-potemkinists\/","title":{"rendered":"The Potemkinists"},"content":{"rendered":"

[vc_row row_height_percent=”0″ overlay_alpha=”50″ gutter_size=”3″ column_width_percent=”100″ shift_y=”0″ z_index=”0″ uncode_shortcode_id=”115430″][vc_column width=”1\/1″][vc_single_image media=”1528″ media_width_percent=”100″ uncode_shortcode_id=”760043″][\/vc_column][\/vc_row][vc_row row_height_percent=”0″ override_padding=”yes” h_padding=”2″ top_padding=”0″ bottom_padding=”2″ overlay_alpha=”50″ gutter_size=”3″ column_width_percent=”100″ shift_y=”0″ z_index=”0″ uncode_shortcode_id=”160219″][vc_column column_width_percent=”100″ gutter_size=”0″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”2\/3″ uncode_shortcode_id=”185607″][vc_custom_heading uncode_shortcode_id=”102561″]<\/p>\n

Frontiers<\/h6>\n

[\/vc_custom_heading][vc_custom_heading auto_text=”yes” text_color=”accent” uncode_shortcode_id=”128866″ text_color_type=”uncode-palette”][\/vc_custom_heading][vc_column_text uncode_shortcode_id=”163970″]<\/p>\n

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Potemkinistii<\/em><\/p>\n<\/div>\n<\/div>\n<\/div>\n

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Radu Jude<\/strong> \/ Romania \/ 2022 \/ 18\u2019 \/ Romanian | Italian Subititles<\/p>\n<\/div>\n<\/div>\n<\/div>\n

[\/vc_column_text][vc_empty_space empty_h=”2″][vc_separator sep_color=”color-wvjs” type=”dotted” uncode_shortcode_id=”202264″ sep_color_type=”uncode-palette” el_height=”10″][vc_empty_space empty_h=”1″][vc_column_text uncode_shortcode_id=”105760″]In 1905, the sailors on the battleship Potemkin are given political asylum in Romania – an act of defiance against Russia. In 2021, a sculptor (Alexandru Dabija) wants to create an artwork inspired by the event. A comedy about art, history, memory and cinema, which film critic Andrei Gorzo describes as \u00aba cross between a Caragiale sketch and a Mark Rappaport video essay\u00bb.<\/span>[\/vc_column_text][vc_empty_space empty_h=”2″][vc_column_text uncode_shortcode_id=”106577″]Screenplay <\/span><\/em>Radu Jude <\/span>
\n<\/span>Editing <\/span><\/em>C\u0103t\u0103lin Cristu\u021biu
\n<\/span>Sound design and mix <\/em>Marius Left\u0103rache
\n<\/span>Cast<\/span> Alexandru Dabija, Cristina Dr\u0103ghici
\n<\/span> Production<\/span><\/em> microFilm, Romanian Film Centre
\n<\/span>Producer<\/span><\/em> Ada Solomon<\/span>
\n<\/span>Executive producer <\/span><\/em>Diana Caravia
\n<\/span>Cinematography<\/em> Marius Panduru
\nSuonds <\/em><\/span>Titi Fleancu,<\/span>Gabi Marin
\n<\/span>Costums<\/em> Cire\u0219ica Cuciuc
\nMake up<\/em><\/span> Bianca Boeroiu<\/span>[\/vc_column_text][vc_empty_space empty_h=”3″][vc_column_text uncode_shortcode_id=”160245″]Radu Jude<\/strong><\/p>\n

Radu Jude is a Romanian director and screenwriter. Jude\u2019s feature debut <\/span>The Happiest Girl in the World <\/span><\/i>(2009) was selected in more than 50 international film festivals. Titles such as <\/span>Aferim!, Scarred Hearts <\/span><\/i>and <\/span>Everybody in Our Family<\/span><\/i> followed and won multiple awards. The international premiere of The Dead Nation <\/span>The dead Nation, <\/span><\/i>in Locarno 2017 marked his debut in documentary film. <\/span>I Do Not Care If We Go Down in History as Barbarians<\/span><\/i> (2018) won the Crystal Globe for Best Film in Karlovy Vary in 2018. <\/span>Uppercase Print <\/span><\/i>and <\/span>The Exit of the Trains <\/span><\/i>(co-directed with Adrian Ciofl\u00e2nc\u0103), premiered in Berlinale Forum 2020. His latest feature, <\/span>Bad Luck Banging or Loony Porn, <\/span><\/i>won the Golden Bear in Berlinale 2021. Several shorts followed: <\/span>Semiotic Plastic <\/span><\/i>(Venice Out of Competition 2021), <\/span>Caricaturana<\/span><\/i> (Locarno Corti d\u2019Autore 2021), <\/span>Memories from the Eastern Front <\/span><\/i>(co-diretto con Ciofl\u00e2nc\u0103 \u2013 Berlinale Shorts 2022), <\/span>The Potemkinists <\/span><\/i>(Quinzaine des Realisateurs 2022). <\/span>[\/vc_column_text][vc_empty_space empty_h=”2″][\/vc_column][vc_column column_width_percent=”100″ gutter_size=”1″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”1\/3″ uncode_shortcode_id=”207555″][vc_column_text uncode_shortcode_id=”208738″]<\/p>\n

may 4<\/span>
\n9:00 pm.<\/span>
\nCinema Intrastevere<\/span>
\nmovie theater 1<\/span>
\nMeeting with the author<\/span><\/span><\/h4>\n
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Related events
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Panel, Talk and Masterclass<\/strong> –Radu Jude Masterclass<\/em>
\nmay 5
\n10:30 am.
\nCentro Sperimentale di Cinematografia – National Film School
\nAula Magna<\/p>\n

Panel, Talk and Masterclass<\/strong> – Poetics of the contemporary reuse<\/em>
\n<\/strong>may 6
\n10:00 am.
\nReal Academia de Espa\u00f1a en Roma
\nConference Hall[\/vc_column_text][\/vc_column][\/vc_row][vc_row row_height_percent=”0″ override_padding=”yes” h_padding=”2″ top_padding=”1″ bottom_padding=”1″ overlay_alpha=”50″ gutter_size=”3″ column_width_percent=”100″ shift_y=”0″ z_index=”0″ uncode_shortcode_id=”183712″][vc_column width=”1\/1″][uncode_share layout=”multiple” bigger=”yes” separator=”yes” css_animation=”bottom-t-top” title=”share”][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

Potemkinistii \/ Radu Jude \/ Romania \/ 2022 \/ 18\u2019 \/ Romanian | Sottotitoli in Italiano<\/p>\n","protected":false},"author":1,"featured_media":1528,"parent":0,"menu_order":0,"comment_status":"open","ping_status":"open","template":"","meta":{"rs_blank_template":"","rs_page_bg_color":"","slide_template_v7":"","footnotes":""},"portfolio_category":[32],"class_list":["post-2199","portfolio","type-portfolio","status-publish","has-post-thumbnail","hentry","portfolio_category-frontiers"],"_links":{"self":[{"href":"https:\/\/unarchivefest.it\/en\/wp-json\/wp\/v2\/portfolio\/2199","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/unarchivefest.it\/en\/wp-json\/wp\/v2\/portfolio"}],"about":[{"href":"https:\/\/unarchivefest.it\/en\/wp-json\/wp\/v2\/types\/portfolio"}],"author":[{"embeddable":true,"href":"https:\/\/unarchivefest.it\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/unarchivefest.it\/en\/wp-json\/wp\/v2\/comments?post=2199"}],"version-history":[{"count":7,"href":"https:\/\/unarchivefest.it\/en\/wp-json\/wp\/v2\/portfolio\/2199\/revisions"}],"predecessor-version":[{"id":2261,"href":"https:\/\/unarchivefest.it\/en\/wp-json\/wp\/v2\/portfolio\/2199\/revisions\/2261"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/unarchivefest.it\/en\/wp-json\/wp\/v2\/media\/1528"}],"wp:attachment":[{"href":"https:\/\/unarchivefest.it\/en\/wp-json\/wp\/v2\/media?parent=2199"}],"wp:term":[{"taxonomy":"portfolio_category","embeddable":true,"href":"https:\/\/unarchivefest.it\/en\/wp-json\/wp\/v2\/portfolio_category?post=2199"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}