{"id":3529,"date":"2024-02-26T12:28:12","date_gmt":"2024-02-26T11:28:12","guid":{"rendered":"https:\/\/unarchivefest.it\/?post_type=portfolio&p=3529"},"modified":"2024-05-23T23:03:18","modified_gmt":"2024-05-23T21:03:18","slug":"the-trial","status":"publish","type":"portfolio","link":"https:\/\/unarchivefest.it\/en\/eventi\/the-trial\/","title":{"rendered":"The Trial"},"content":{"rendered":"

[vc_row row_height_percent=”0″ overlay_alpha=”50″ gutter_size=”3″ column_width_percent=”100″ shift_y=”0″ z_index=”0″ uncode_shortcode_id=”115430″][vc_column width=”1\/1″][vc_single_image media=”5061″ media_width_percent=”100″ uncode_shortcode_id=”807093″][\/vc_column][\/vc_row][vc_row row_height_percent=”0″ override_padding=”yes” h_padding=”2″ top_padding=”0″ bottom_padding=”2″ overlay_alpha=”50″ gutter_size=”3″ column_width_percent=”100″ shift_y=”0″ z_index=”0″ uncode_shortcode_id=”160219″][vc_column column_width_percent=”100″ gutter_size=”0″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”2\/3″ uncode_shortcode_id=”190929″][vc_custom_heading uncode_shortcode_id=”973544″]<\/p>\n

Archival Trials
\nIDFA ReFrame Award @UnArchive<\/h6>\n

[\/vc_custom_heading][vc_custom_heading uncode_shortcode_id=”104313″]<\/p>\n

UnArchive Found Footage Fest hosts the Beeld & Geluid IDFA ReFrame Award<\/span> from the Amsterdam International Documentary Film Festival.<\/span><\/strong><\/h4>\n

[\/vc_custom_heading][vc_empty_space empty_h=”2″][vc_custom_heading auto_text=”yes” text_color=”accent” uncode_shortcode_id=”996219″ text_color_type=”uncode-palette”][\/vc_custom_heading][vc_column_text uncode_shortcode_id=”173369″]<\/p>\n

El juicio<\/h3>\n

[\/vc_column_text][vc_column_text uncode_shortcode_id=”146989″]Ulises De la Orden <\/strong>\/ Argentina, France, Italy, Norway \/ 2023 \/ 177\u2019 \/<\/span> Spanish, English, French | Italian subtitles<\/span>[\/vc_column_text][vc_empty_space empty_h=”2″][vc_separator sep_color=”color-wvjs” type=”dotted” uncode_shortcode_id=”202264″ sep_color_type=”uncode-palette” el_height=”10″][vc_empty_space empty_h=”1″][vc_column_text uncode_shortcode_id=”188691″]1985. Two years after the end of the military dictatorship in Argentina, prominent members of the junta are tried in court. Ulises de la Orden creates 18 chapter edited from 530 hours of footage, bearing witness to state terror.[\/vc_column_text][vc_empty_space empty_h=”2″][vc_column_text uncode_shortcode_id=”878938″]Screenplay<\/em>\u00a0Ulises de la Orden
\nEditing<\/em>\u00a0Alberto Ponce
\nPhotography<\/em>\u00a0Pablo Parra
\nProducer<\/em>\u00a0Ulises de la Orden
\nProduction<\/em>\u00a0La Sarraz Pictures Srl, Les Films d\u2019Ici, Dag Hoel, Polo Sur Cine (AR)
\nCoproducer<\/em>\u00a0Alessandro Borrelli, Richard Copans, Dag Hoel
\nExecutive producer<\/em>\u00a0Ulises de la Orden[\/vc_column_text][vc_empty_space empty_h=”3″][vc_column_text uncode_shortcode_id=”131611″]Ulises de la Orden<\/strong><\/p>\n

Ulises de la Orden\u00a0started his career in film in 1991, as an occasional actor in short films made by friends, and running cables for slightly larger productions, music videos and ads. His first big gig was shining 5 000 pairs of boots for\u00a0Evita<\/em>, by Alan Parker, with later led him to work in Budapest and London, to later return to Argentina and work on Seven Years in Tibet. Since 1998, with his production company, Polo Sur Cine, he has been doing his own projects, which have taken him to places as diverse as Hungary, France, England, India, Hong Kong, China, Canada, the United States, Paraguay, Chile and all of Argentina. Always seeking to tell the stories that touch his heart, in connection with the environment, indigenous peoples and the most pressing social and political issues.[\/vc_column_text][vc_empty_space empty_h=”2″][\/vc_column][vc_column column_width_percent=”100″ gutter_size=”1″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”1\/3″ uncode_shortcode_id=”207555″][vc_column_text uncode_shortcode_id=”429561″]<\/p>\n

June 2 10:30 pm.<\/span>
\nCinema Intrastevere Hall 1<\/span>
\nMeeting with the author and <\/span><\/span>Joost Daamen, IDFA Senior Programmer, in connection<\/span><\/h4>\n

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El juicio \/ Ulises De la Orden \/ Argentina, France, Italy, Norway \/ 2023 \/ 177\u2019 \/ Spanish, English, French | Italian subtitles<\/p>\n","protected":false},"author":1,"featured_media":4374,"parent":0,"menu_order":0,"comment_status":"open","ping_status":"open","template":"","meta":{"rs_blank_template":"","rs_page_bg_color":"","slide_template_v7":"","footnotes":""},"portfolio_category":[46],"class_list":["post-3529","portfolio","type-portfolio","status-publish","has-post-thumbnail","hentry","portfolio_category-archival-processes-2024"],"_links":{"self":[{"href":"https:\/\/unarchivefest.it\/en\/wp-json\/wp\/v2\/portfolio\/3529","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/unarchivefest.it\/en\/wp-json\/wp\/v2\/portfolio"}],"about":[{"href":"https:\/\/unarchivefest.it\/en\/wp-json\/wp\/v2\/types\/portfolio"}],"author":[{"embeddable":true,"href":"https:\/\/unarchivefest.it\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/unarchivefest.it\/en\/wp-json\/wp\/v2\/comments?post=3529"}],"version-history":[{"count":15,"href":"https:\/\/unarchivefest.it\/en\/wp-json\/wp\/v2\/portfolio\/3529\/revisions"}],"predecessor-version":[{"id":5224,"href":"https:\/\/unarchivefest.it\/en\/wp-json\/wp\/v2\/portfolio\/3529\/revisions\/5224"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/unarchivefest.it\/en\/wp-json\/wp\/v2\/media\/4374"}],"wp:attachment":[{"href":"https:\/\/unarchivefest.it\/en\/wp-json\/wp\/v2\/media?parent=3529"}],"wp:term":[{"taxonomy":"portfolio_category","embeddable":true,"href":"https:\/\/unarchivefest.it\/en\/wp-json\/wp\/v2\/portfolio_category?post=3529"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}