{"id":3676,"date":"2024-03-04T16:00:33","date_gmt":"2024-03-04T15:00:33","guid":{"rendered":"https:\/\/unarchivefest.it\/?post_type=portfolio&p=3676"},"modified":"2024-05-22T17:44:57","modified_gmt":"2024-05-22T15:44:57","slug":"we-should-all-be-futurists","status":"publish","type":"portfolio","link":"https:\/\/unarchivefest.it\/en\/eventi\/we-should-all-be-futurists\/","title":{"rendered":"We should all be futurists"},"content":{"rendered":"

[vc_row row_height_percent=”0″ overlay_alpha=”50″ gutter_size=”3″ column_width_percent=”100″ shift_y=”0″ z_index=”0″ uncode_shortcode_id=”115430″][vc_column width=”1\/1″][vc_single_image media=”3743″ media_width_percent=”100″ uncode_shortcode_id=”588098″][\/vc_column][\/vc_row][vc_row row_height_percent=”0″ override_padding=”yes” h_padding=”2″ top_padding=”0″ bottom_padding=”2″ overlay_alpha=”50″ gutter_size=”3″ column_width_percent=”100″ shift_y=”0″ z_index=”0″ uncode_shortcode_id=”160219″][vc_column column_width_percent=”100″ gutter_size=”0″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”2\/3″ uncode_shortcode_id=”722817″][vc_custom_heading uncode_shortcode_id=”137581″]<\/p>\n

International Competition<\/h6>\n

[\/vc_custom_heading][vc_custom_heading auto_text=”yes” text_color=”accent” uncode_shortcode_id=”618235″ text_color_type=”uncode-palette”][\/vc_custom_heading][vc_column_text uncode_shortcode_id=”173906″]Angela Norelli<\/strong> \/ Italy \/ 2023 \/ 11′ \/ Silent \/ English signs | Italian subtitles[\/vc_column_text][vc_empty_space empty_h=”2″][vc_separator sep_color=”color-wvjs” type=”dotted” uncode_shortcode_id=”202264″ sep_color_type=”uncode-palette” el_height=”10″][vc_empty_space empty_h=”1″][vc_column_text uncode_shortcode_id=”628197″]Between the 1910s and 1920s, in an allusive correspondence, Rosa confides a secret to her friend Giorgina: the man-machine that Marinetti talks about is not a near future for men, as the Futurists say. It is a present for women, which Georgina can receive by mail.<\/span>[\/vc_column_text][vc_empty_space empty_h=”2″][vc_column_text uncode_shortcode_id=”769073″]Editing <\/span><\/i>Angela Norelli
\n<\/span>Color correction <\/span><\/i>Vincenzo Marinese<\/span>
\n<\/span>Sound design and mix <\/span><\/i>Alberto Moscone, Aman Falconi<\/span>
\n<\/span>Production <\/span><\/i>Centro Sperimentale di Cinematografia<\/span>
\n<\/span>Graphic design<\/span><\/i> Alec Trenta<\/span>[\/vc_column_text][vc_empty_space empty_h=”3″][vc_column_text uncode_shortcode_id=”450976″]Angela Norelli
\n<\/strong>(Rome, 1996) is a director, screenwriter and editor who graduated from the Centro <\/span>Sperimentale di Cinematografia in Rome and a master’s degree in Philosophy from Sapienza University with <\/span> a thesis on Dziga Vertov. In 2021 she made the foundfootage film Ai bambini piace nascondersi<\/em> (Children Like to Hide), which was in competition at the XXXIX Torino film festival and screened at numerous national and international festivals. In the same year she mounted Lorenzo Tardella’s The Dependent Variables<\/em>, which had its world premiere at the Berlinale 2022 and won the David di Donatello <\/span>as the best short film of 2023. She is a finalist in the XXXVIII edition of the Franco Solinas Award (still ongoing) for the subject of the feature film Rome, Night of the Dead.<\/em> She also worked as an archival researcher for Pietro Marcello and was an assistant to the <\/span>editing for Jacopo Quadri.<\/span>[\/vc_column_text][vc_empty_space empty_h=”2″][\/vc_column][vc_column column_width_percent=”100″ gutter_size=”1″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”1\/3″ uncode_shortcode_id=”207555″][vc_column_text uncode_shortcode_id=”132806″]<\/p>\n

May 31 09:30 pm.<\/span>
\nCinema Intrastevere <\/span>Hall 1
\nMeeting with the author<\/span>
\n<\/span><\/h4>\n
June 1 06:00 pm.<\/span>
\nCinema Intrastevere<\/span> Hall 3<\/span><\/h5>\n

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Angela Norelli \/ Italy \/ 2023 \/ 11′ \/ Silent \/ English signs | Italian subtitles <\/p>\n","protected":false},"author":1,"featured_media":4083,"parent":0,"menu_order":0,"comment_status":"open","ping_status":"open","template":"","meta":{"rs_blank_template":"","rs_page_bg_color":"","slide_template_v7":"","footnotes":""},"portfolio_category":[47],"class_list":["post-3676","portfolio","type-portfolio","status-publish","has-post-thumbnail","hentry","portfolio_category-short-films-2024"],"_links":{"self":[{"href":"https:\/\/unarchivefest.it\/en\/wp-json\/wp\/v2\/portfolio\/3676","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/unarchivefest.it\/en\/wp-json\/wp\/v2\/portfolio"}],"about":[{"href":"https:\/\/unarchivefest.it\/en\/wp-json\/wp\/v2\/types\/portfolio"}],"author":[{"embeddable":true,"href":"https:\/\/unarchivefest.it\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/unarchivefest.it\/en\/wp-json\/wp\/v2\/comments?post=3676"}],"version-history":[{"count":12,"href":"https:\/\/unarchivefest.it\/en\/wp-json\/wp\/v2\/portfolio\/3676\/revisions"}],"predecessor-version":[{"id":5207,"href":"https:\/\/unarchivefest.it\/en\/wp-json\/wp\/v2\/portfolio\/3676\/revisions\/5207"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/unarchivefest.it\/en\/wp-json\/wp\/v2\/media\/4083"}],"wp:attachment":[{"href":"https:\/\/unarchivefest.it\/en\/wp-json\/wp\/v2\/media?parent=3676"}],"wp:term":[{"taxonomy":"portfolio_category","embeddable":true,"href":"https:\/\/unarchivefest.it\/en\/wp-json\/wp\/v2\/portfolio_category?post=3676"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}