{"id":4185,"date":"2024-04-09T16:17:19","date_gmt":"2024-04-09T14:17:19","guid":{"rendered":"https:\/\/unarchivefest.it\/?post_type=portfolio&p=4185"},"modified":"2024-05-23T23:32:48","modified_gmt":"2024-05-23T21:32:48","slug":"the-kiev-trial","status":"publish","type":"portfolio","link":"https:\/\/unarchivefest.it\/en\/eventi\/the-kiev-trial\/","title":{"rendered":"The Kiev Trial"},"content":{"rendered":"

[vc_row row_height_percent=”0″ overlay_alpha=”50″ gutter_size=”3″ column_width_percent=”100″ shift_y=”0″ z_index=”0″ uncode_shortcode_id=”115430″][vc_column width=”1\/1″][vc_single_image media=”4189″ media_width_percent=”100″ uncode_shortcode_id=”567463″][\/vc_column][\/vc_row][vc_row row_height_percent=”0″ override_padding=”yes” h_padding=”2″ top_padding=”0″ bottom_padding=”0″ overlay_alpha=”50″ gutter_size=”3″ column_width_percent=”0″ shift_y=”0″ z_index=”0″ uncode_shortcode_id=”151203″][vc_column column_width_percent=”100″ gutter_size=”0″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”2\/3″ uncode_shortcode_id=”360965″][vc_custom_heading uncode_shortcode_id=”190559″]<\/p>\n

Archival Trials<\/h6>\n

[\/vc_custom_heading][vc_custom_heading auto_text=”yes” text_color=”accent” uncode_shortcode_id=”711540″ text_color_type=”uncode-palette”][\/vc_custom_heading][vc_column_text uncode_shortcode_id=”198795″]Sergei Loznitsa<\/strong> \/<\/span> Netherlands, Ukraine \/ 2022 \/ 106′ \/ Russian, Ukrainian, German | Italian subtitles<\/span>[\/vc_column_text][vc_empty_space empty_h=”2″][vc_separator sep_color=”color-wvjs” type=”dotted” uncode_shortcode_id=”202264″ sep_color_type=”uncode-palette” el_height=”10″][vc_empty_space empty_h=”1″][vc_column_text uncode_shortcode_id=”380041″]The Kiev Trial, also known as the “Kiev Nuremberg,” took place in January 1946 in the Soviet Union and was one of the first postwar trials to convict German Nazis and their collaborators. Fifteen criminals, guilty of atrocities that were later identified by the Nuremberg trials as crimes against humanity, faced justice in the case n. 1679 On the atrocities committed by fascist invaders on the territory of the RSS Ukraine<\/em>.
\n<\/span>Using unique and previously unseen archival material, Sergei Loznitsa reconstructs key moments of the trial, including speeches by the defendants and testimony from witnesses, including Auschwitz survivors and Babi Yar. The film lays bare the “banality of evil” and is extremely relevant today as the Ukrainian people are again subjected to the violence of barbarian invaders.<\/span>[\/vc_column_text][vc_empty_space empty_h=”2″][vc_column_text uncode_shortcode_id=”739290″]Screenplay<\/span><\/i> Sergei Loznitsa
\n<\/span>Editing <\/span><\/i>Sergei Loznitsa, Tomasz Wolski, Danielius Kokanauskis
\n<\/span>Sound design <\/span><\/i>Vladimir Golovnitski
\n<\/span>Producers <\/span><\/i>Sergei Loznitsa, Maria Choustova
\n<\/span>Production <\/span><\/i>ATOMS & VOID <\/span>[\/vc_column_text][vc_empty_space empty_h=”3″][vc_column_text uncode_shortcode_id=”167987″]Sergei Loznitsa
\n<\/strong>Sergei Loznitsa was born on September 5, 1964. He grew up in Kiev, Ukraine, and graduated from Kiev Polytechnic University in 1987 with a degree in Applied Mathematics. From 1987 to 1991, Sergei worked as a scientist at the Kiev Institute of Cybernetics, specializing in artificial intelligence research. In 1997 he graduated from the Russian State Institute of Cinematography (VGIK) in Moscow, where he studied film directing. Sergei Loznitsa has been making films since 1996 and to date has directed 25 award-winning documentaries and 4 fiction films.
\n<\/span>Loznitsa’s film debut, My<\/em> joy<\/em> (2010), premiered in the main competition at the Cannes Film Festival and was followed by the film In the fog<\/em> (2012), which received the FIPRESCI award at the 65th Cannes Film Festival. In 2017, he presented his third film A gentle<\/em> creature<\/em> in competition at the Cannes Film Festival. In 2018, Loznitsa received the Best Director award in the Un Certain Regard section at the Cannes Film Festival for his fourth feature film, Donbass<\/em>. In 2013, he founded a film production company, Atoms & void.
\n<\/span>The documentary Maidan<\/em> (2014), a chronicle of the Ukrainian revolution, had its world premiere in a Special S\u00e9ance at the Cannes Film Festival. His subsequent feature-length documentaries, The event<\/em> (2015), Austerlitz<\/em> (2016), The trial<\/em> (2018) and State<\/em> funeral<\/em> (2019) were presented at special screenings at the Venice Film Festival. In 2021 Sergei received a Special Jury Prize of the L’Oeil D’Or Award in Cannes for his film Babi Yar. Context<\/em>. Sergei Loznitsa continues to work on documentary and fiction projects.<\/span>[\/vc_column_text][vc_empty_space empty_h=”3″][\/vc_column][vc_column column_width_percent=”100″ gutter_size=”1″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”1\/3″ uncode_shortcode_id=”207555″][vc_column_text uncode_shortcode_id=”979581″]<\/p>\n

May 28 <\/span>7:00 pm.<\/span>
\nCinema Intrastevere <\/span>Hall 1<\/span>
\nMeeting with the author<\/span><\/span><\/h4>\n

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Sergei Loznitsa \/ Netherlands, Ukraine \/ 2022 \/ 106′ \/ Russian, Ukrainian, German | Italian subtitles<\/p>\n","protected":false},"author":1,"featured_media":4251,"parent":0,"menu_order":0,"comment_status":"open","ping_status":"open","template":"","meta":{"rs_blank_template":"","rs_page_bg_color":"","slide_template_v7":"","footnotes":""},"portfolio_category":[46],"class_list":["post-4185","portfolio","type-portfolio","status-publish","has-post-thumbnail","hentry","portfolio_category-archival-processes-2024"],"_links":{"self":[{"href":"https:\/\/unarchivefest.it\/en\/wp-json\/wp\/v2\/portfolio\/4185","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/unarchivefest.it\/en\/wp-json\/wp\/v2\/portfolio"}],"about":[{"href":"https:\/\/unarchivefest.it\/en\/wp-json\/wp\/v2\/types\/portfolio"}],"author":[{"embeddable":true,"href":"https:\/\/unarchivefest.it\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/unarchivefest.it\/en\/wp-json\/wp\/v2\/comments?post=4185"}],"version-history":[{"count":14,"href":"https:\/\/unarchivefest.it\/en\/wp-json\/wp\/v2\/portfolio\/4185\/revisions"}],"predecessor-version":[{"id":5308,"href":"https:\/\/unarchivefest.it\/en\/wp-json\/wp\/v2\/portfolio\/4185\/revisions\/5308"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/unarchivefest.it\/en\/wp-json\/wp\/v2\/media\/4251"}],"wp:attachment":[{"href":"https:\/\/unarchivefest.it\/en\/wp-json\/wp\/v2\/media?parent=4185"}],"wp:term":[{"taxonomy":"portfolio_category","embeddable":true,"href":"https:\/\/unarchivefest.it\/en\/wp-json\/wp\/v2\/portfolio_category?post=4185"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}