{"id":6733,"date":"2025-05-18T23:59:44","date_gmt":"2025-05-18T21:59:44","guid":{"rendered":"https:\/\/unarchivefest.it\/?post_type=portfolio&p=6733"},"modified":"2025-05-19T20:12:47","modified_gmt":"2025-05-19T18:12:47","slug":"a-fidai-film","status":"publish","type":"portfolio","link":"https:\/\/unarchivefest.it\/en\/eventi\/a-fidai-film\/","title":{"rendered":"A Fidai Film"},"content":{"rendered":"

[vc_row row_height_percent=”0″ overlay_alpha=”50″ gutter_size=”3″ column_width_percent=”100″ shift_y=”0″ z_index=”0″ uncode_shortcode_id=”115430″][vc_column width=”1\/1″][vc_single_image media=”6735″ media_width_percent=”100″ uncode_shortcode_id=”176095″][\/vc_column][\/vc_row][vc_row row_height_percent=”0″ override_padding=”yes” h_padding=”2″ top_padding=”0″ bottom_padding=”2″ overlay_alpha=”50″ gutter_size=”3″ column_width_percent=”100″ shift_y=”0″ z_index=”0″ uncode_shortcode_id=”160219″][vc_column column_width_percent=”100″ gutter_size=”0″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”2\/3″ uncode_shortcode_id=”142595″][vc_custom_heading uncode_shortcode_id=”521821″]<\/p>\n

International competition<\/h6>\n

[\/vc_custom_heading][vc_custom_heading auto_text=”yes” text_color=”accent” uncode_shortcode_id=”174660″ text_color_type=”uncode-palette”][\/vc_custom_heading][vc_column_text uncode_shortcode_id=”403969″]Kamal Aljafari \/ Palestine, Germany, Qatar, Brasil, France \/ 78\u2019 \/ 2024[\/vc_column_text][vc_empty_space empty_h=”2″][vc_separator sep_color=”color-wvjs” type=”dotted” uncode_shortcode_id=”202264″ sep_color_type=”uncode-palette” el_height=”10″][vc_empty_space empty_h=”1″][vc_column_text uncode_shortcode_id=”121017″]In the summer of 1982, the Israeli army invaded Beirut. During this time, it raided the Palestinian Research Center and looted its entire archive. The archive contained historical documents of Palestine, including a collection of still and moving images. Taking this as a premise, A Fidai Film<\/em> aims to create a counter-narrative to this loss, presenting a form of cinematic sabotage that seeks to reclaim and restore the looted memories of Palestinian history. It\u2019s a poignant exploration of identity, memory, and resistance, told through a unique blend of documentary and experimental filmmaking techniques.[\/vc_column_text][vc_empty_space empty_h=”2″][vc_column_text uncode_shortcode_id=”888367″]Conceived and directed by Kamal Aljafari
\nEdited by Kamal Aljafari, Yannig Willmann
\nSound Attila Faravelli
\nLine Producer and Editing assistant Flavia Mazzarino
\nOriginal score by Simon Fisher Turner
\nSound mix di Jochen Jezussek
\nwith the voice of Darin Dibsy, Kamal Aljafari[\/vc_column_text][vc_empty_space empty_h=”3″][vc_column_text uncode_shortcode_id=”792448″]Kamal Aljafari
\n<\/b>Kamal Aljafari is a Palestinian filmmaker and artist. His films have screened at major festivals and museums, including Locarno, London, Viennale, and the 35th Bienal de S\u00e3o Paulo. He has received prestigious awards from FIDMarseille, Pesaro, and Visions du R\u00e9el. In 2024, IndieLisboa hosted a full retrospective of his work. Aljafari has taught at The New School and DFFB in Berlin and was a Film Study Center fellow at Harvard. Currently a fellow at Columbia University’s Institute for Ideas and Imagination, he is developing Beirut 1931<\/em>, a fiction film to be shot in Jaffa.[\/vc_column_text][vc_empty_space empty_h=”2″][\/vc_column][vc_column column_width_percent=”100″ gutter_size=”1″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”1\/3″ uncode_shortcode_id=”207555″][vc_column_text uncode_shortcode_id=”290223″]<\/p>\n

May 31
\n10:30 am.<\/span>
\nCinema Intrastevere – <\/span>Sala 1
\nQ&A with the author in remote<\/strong><\/span>
\nJune 1
\n9:00 pm.<\/span>
\nCinema Intrastevere – Sala 3<\/span><\/span><\/span><\/h4>\n

[\/vc_column_text][vc_empty_space empty_h=”2″][\/vc_column][\/vc_row][vc_row row_height_percent=”0″ override_padding=”yes” h_padding=”2″ top_padding=”1″ bottom_padding=”1″ overlay_alpha=”50″ gutter_size=”3″ column_width_percent=”100″ shift_y=”0″ z_index=”0″ uncode_shortcode_id=”183712″][vc_column width=”1\/1″][uncode_share layout=”multiple” bigger=”yes” separator=”yes” css_animation=”bottom-t-top” title=”share”][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

Kamal Aljafari \/ Palestine, Germany, Qatar, Brasil, France \/ 78\u2019 \/ 2024<\/p>\n","protected":false},"author":1,"featured_media":6736,"parent":0,"menu_order":0,"comment_status":"open","ping_status":"open","template":"","meta":{"rs_blank_template":"","rs_page_bg_color":"","slide_template_v7":"","footnotes":""},"portfolio_category":[80],"class_list":["post-6733","portfolio","type-portfolio","status-publish","has-post-thumbnail","hentry","portfolio_category-feature-lenght-2025"],"_links":{"self":[{"href":"https:\/\/unarchivefest.it\/en\/wp-json\/wp\/v2\/portfolio\/6733","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/unarchivefest.it\/en\/wp-json\/wp\/v2\/portfolio"}],"about":[{"href":"https:\/\/unarchivefest.it\/en\/wp-json\/wp\/v2\/types\/portfolio"}],"author":[{"embeddable":true,"href":"https:\/\/unarchivefest.it\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/unarchivefest.it\/en\/wp-json\/wp\/v2\/comments?post=6733"}],"version-history":[{"count":4,"href":"https:\/\/unarchivefest.it\/en\/wp-json\/wp\/v2\/portfolio\/6733\/revisions"}],"predecessor-version":[{"id":7171,"href":"https:\/\/unarchivefest.it\/en\/wp-json\/wp\/v2\/portfolio\/6733\/revisions\/7171"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/unarchivefest.it\/en\/wp-json\/wp\/v2\/media\/6736"}],"wp:attachment":[{"href":"https:\/\/unarchivefest.it\/en\/wp-json\/wp\/v2\/media?parent=6733"}],"wp:term":[{"taxonomy":"portfolio_category","embeddable":true,"href":"https:\/\/unarchivefest.it\/en\/wp-json\/wp\/v2\/portfolio_category?post=6733"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}