{"id":6866,"date":"2025-05-18T23:59:13","date_gmt":"2025-05-18T21:59:13","guid":{"rendered":"https:\/\/unarchivefest.it\/?post_type=portfolio&p=6866"},"modified":"2025-05-19T20:49:03","modified_gmt":"2025-05-19T18:49:03","slug":"subject-filmmaking","status":"publish","type":"portfolio","link":"https:\/\/unarchivefest.it\/en\/eventi\/subject-filmmaking\/","title":{"rendered":"Subject: Filmmaking"},"content":{"rendered":"

[vc_row row_height_percent=”0″ overlay_alpha=”50″ gutter_size=”3″ column_width_percent=”100″ shift_y=”0″ z_index=”0″ uncode_shortcode_id=”115430″][vc_column width=”1\/1″][vc_single_image media=”6868″ media_width_percent=”100″ uncode_shortcode_id=”179602″][\/vc_column][\/vc_row][vc_row row_height_percent=”0″ override_padding=”yes” h_padding=”2″ top_padding=”0″ bottom_padding=”2″ overlay_alpha=”50″ gutter_size=”3″ column_width_percent=”100″ shift_y=”0″ z_index=”0″ uncode_shortcode_id=”160219″][vc_column column_width_percent=”100″ gutter_size=”0″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”2\/3″ uncode_shortcode_id=”142595″][vc_custom_heading uncode_shortcode_id=”888897″]<\/p>\n

Special Screenings<\/h6>\n

[\/vc_custom_heading][vc_custom_heading auto_text=”yes” text_color=”accent” uncode_shortcode_id=”174660″ text_color_type=”uncode-palette”][\/vc_custom_heading][vc_column_text uncode_shortcode_id=”835595″]Filmstunde_23<\/strong> \/ Edgar Reitz, J\u00f6rg Adolph \/ Germany \/ 63\u2019 \/ 2024[\/vc_column_text][vc_empty_space empty_h=”2″][vc_separator sep_color=”color-wvjs” type=”dotted” uncode_shortcode_id=”202264″ sep_color_type=”uncode-palette” el_height=”10″][vc_empty_space empty_h=”1″][vc_column_text uncode_shortcode_id=”190890″]1968: the classroom of a girls’ secondary school in Munich is transformed into a film studio under the direction of young director Edgar Reitz. Subject: the first documented attempt in film history to teach film aesthetics as an individual subject. 2023: Edgar Reitz, a world-renowned filmmaker, is approached by an elderly lady, one of his former students. The two arrange a class reunion. Consisting of a documentary about the project at the time, Super8 footage of the students and the students, and the reunion filmed in 2023, a kind of long-form exposition of the last 55 years of film history.
\nWere the seeds of women’s personalities already in the formative films? And what do women have to say about today’s film culture? Subject <\/em>is a declaration of love for cinema and a call to finally bring film education into schools. A film about lives and the yet untapped possibilities of the art of filmmaking.[\/vc_column_text][vc_empty_space empty_h=”2″][vc_column_text uncode_shortcode_id=”263893″]Directed by Edgar Reitz, J\u00f6rg Adolph
\nCinematography by Thomas Mauch (1968), Dedo Weigert (1968), Daniel Sch\u00f6nauer, Markus Schindler, Mathias Reitz Zausinger
\nEditing by J\u00f6rg Adolph, Anja Pohl
\nPre-editing by Felicitas Sonvilla
\nAssistant Director Bernhard Wohlfahrter, Salome Kammer
\nMusic by Nikos Mamangakis
\nClass photos by Simon Haseneder
\nSound by Jonas Egert, J\u00f6rg Adolph
\nSound designJ\u00f6rg Elsner
\nMix Michael Hinreiner
\nGafiche Matthias Rothe
\nPostproduction Fabian Spang
\nProduction Delegate Ferdinand Freising
\nAssociate Producer Christian Reitz
\nProduced by Ingo Fliess
\nProduction if… Productions
\nIn co-production with Eggar Reitz Filmproduktion and BR
\nWith Anette Liersch, Angelika Spitzenberger, Beate Hannig-Grethlein Elisabeth Dreyssig, Elisabeth Glocker, Elisabeth Penzel, Friederike Weichenhan, Gabriele Fingerle, Gertraud Lochner, Gloria Kraemer, Henriette Pascoe, Ingrid L\u00e4mke-Schmidt, Luise von Kamptz, Luitgard Hegele, Nora Sobol, Ulrike Mari, Dr Magdalena Boettcher and students Beatrix Bachmann, Edeltraud Bauer, Gabriele Scheibe, Gerlinde Hartlmaier, Helene Meier, Hildegard Sedlmaier, Monika Fackler, Monika Miefanger, Ruth K\u00fchnel, Ulrike Weyse, Ursula Hegen[\/vc_column_text][vc_empty_space empty_h=”2″][\/vc_column][vc_column column_width_percent=”100″ gutter_size=”1″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”1\/3″ uncode_shortcode_id=”207555″][vc_column_text uncode_shortcode_id=”347613″]<\/p>\n

June 1
\n7:00 pm.
\nCinema Intrastevere – <\/span>Sala 1
\nClosing film
\nIntroduced by Giovanni Spagnoletti<\/span><\/span><\/strong><\/h4>\n

[\/vc_column_text][vc_empty_space empty_h=”2″][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/2″][vc_column_text uncode_shortcode_id=”606667″] Edgar Reitz<\/strong>
\nGerman director, producer and author. Born in 1932 in Morbach\/Hunsr\u00fcck. Studied German literature, journalism and dramaturgy in Munich. In the mid-1950s worked in the literary field, was involved with the musical, literary, artistic and film avant-garde. He published poetry, was editor of a literary magazine and founded a studio theater at the University of Munich. Since 1957 he has worked as a cameraman and director of industrial and documentary films. Member of the “Oberhausener Gruppe,” which gave birth to the German art film in 1962. He founded the “Institute For Film Design” at the Ulm School of Design. There, at the first film school in the Federal Republic of Germany, Reitz taught directing and camera for eight years. His first feature film, Mahlzeiten<\/em> (screenplay, direction, production), which won an award at the 1967 Venice Film Festival, belongs to those debut films that later carried the label
\n“Junger Deutscher Film.” His most important films include Cardillac, Die reise nach Wien, Der schneider von ulm, Stunde Null <\/em>. His world-famous Heimat<\/em> trilogy, which consists of thirty-one individual films linked into a hundred-year epic and, at over fifty-six hours in length, is one of the most extensive narrative works in film history. After three years of pre-production and research, in 2012 Edgar Reitz began principal photography on his “successor” to Heimat,<\/em> the German-French co-production Home From Home<\/em>, in which he tells the story of a 19th-century family during during the period of mass emigration from Germany to Brazil.
\nEdgar Reitz is a member of several academies such as the German Academy of Arts in Berlin, the European Film Academy, the German Academy of Performing Arts, and the Bavarian Academy of Fine Arts, where he heads the Department of Film and Media Art. Reitz has received numerous international awards and honors, including the Golden Lion of Venice, the Luchino Visconti Prize, the Federico Fellini Prize, in 2006 he was awarded the Grand Cross of Merit of the Federal Republic of Germany and “Officier de L’Ordre des Arts et des Lettres” de la Republique Francaise.
\nEdgar Reitz lives in Munich with his wife, singer and actress Salome Kammer.
\n<\/span>[\/vc_column_text][\/vc_column][vc_column width=”1\/2″][vc_column_text uncode_shortcode_id=”197044″]J\u00f6rg Adolph<\/strong>
\nGerman director and author. Born August 1, 1967, in Herford, grew up in Korbach. 1988-1994 studied modern German literature and media studies, art history and ethnology in Marburg. Studied filmmaking at the University of Television and Film in Munich. Scientific-artistic assistant at HFF Munich, teaching assignments and supervision of student films. Married to editor Anja Pohl, he lives in Ebenhausen near Munich and works as a documentary filmmaker. His films have received numerous awards, including the German Television Award and the German Documentary Film Award.
\n<\/span>[\/vc_column_text][\/vc_column][\/vc_row][vc_row row_height_percent=”0″ override_padding=”yes” h_padding=”2″ top_padding=”1″ bottom_padding=”1″ overlay_alpha=”50″ gutter_size=”3″ column_width_percent=”100″ shift_y=”0″ z_index=”0″ uncode_shortcode_id=”183712″][vc_column width=”1\/1″][uncode_share layout=”multiple” bigger=”yes” separator=”yes” css_animation=”bottom-t-top” title=”share”][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

Filmstunde_23 \/ Edgar Reitz, J\u00f6rg Adolph \/ Germany \/ 63\u2019 \/ 2024<\/p>\n","protected":false},"author":1,"featured_media":6869,"parent":0,"menu_order":0,"comment_status":"open","ping_status":"open","template":"","meta":{"rs_blank_template":"","rs_page_bg_color":"","slide_template_v7":"","footnotes":""},"portfolio_category":[86],"class_list":["post-6866","portfolio","type-portfolio","status-publish","has-post-thumbnail","hentry","portfolio_category-proiezioni-speciali-2025-en"],"_links":{"self":[{"href":"https:\/\/unarchivefest.it\/en\/wp-json\/wp\/v2\/portfolio\/6866","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/unarchivefest.it\/en\/wp-json\/wp\/v2\/portfolio"}],"about":[{"href":"https:\/\/unarchivefest.it\/en\/wp-json\/wp\/v2\/types\/portfolio"}],"author":[{"embeddable":true,"href":"https:\/\/unarchivefest.it\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/unarchivefest.it\/en\/wp-json\/wp\/v2\/comments?post=6866"}],"version-history":[{"count":7,"href":"https:\/\/unarchivefest.it\/en\/wp-json\/wp\/v2\/portfolio\/6866\/revisions"}],"predecessor-version":[{"id":7462,"href":"https:\/\/unarchivefest.it\/en\/wp-json\/wp\/v2\/portfolio\/6866\/revisions\/7462"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/unarchivefest.it\/en\/wp-json\/wp\/v2\/media\/6869"}],"wp:attachment":[{"href":"https:\/\/unarchivefest.it\/en\/wp-json\/wp\/v2\/media?parent=6866"}],"wp:term":[{"taxonomy":"portfolio_category","embeddable":true,"href":"https:\/\/unarchivefest.it\/en\/wp-json\/wp\/v2\/portfolio_category?post=6866"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}