{"id":6997,"date":"2025-05-18T23:59:55","date_gmt":"2025-05-18T21:59:55","guid":{"rendered":"https:\/\/unarchivefest.it\/?post_type=portfolio&p=6997"},"modified":"2025-05-21T12:36:10","modified_gmt":"2025-05-21T10:36:10","slug":"images-on-the-front-line","status":"publish","type":"portfolio","link":"https:\/\/unarchivefest.it\/en\/eventi\/images-on-the-front-line\/","title":{"rendered":"Images on the Front Line"},"content":{"rendered":"

[vc_row row_height_percent=”0″ overlay_alpha=”50″ gutter_size=”3″ column_width_percent=”100″ shift_y=”0″ z_index=”0″ uncode_shortcode_id=”115430″][vc_column width=”1\/1″][vc_single_image media=”7000″ media_width_percent=”100″ uncode_shortcode_id=”136692″][\/vc_column][\/vc_row][vc_row row_height_percent=”0″ override_padding=”yes” h_padding=”2″ top_padding=”0″ bottom_padding=”2″ overlay_alpha=”50″ gutter_size=”3″ column_width_percent=”100″ shift_y=”0″ z_index=”0″ uncode_shortcode_id=”160219″][vc_column column_width_percent=”100″ gutter_size=”0″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”2\/3″ uncode_shortcode_id=”142595″][vc_custom_heading uncode_shortcode_id=”139282″]<\/p>\n

Best of Fest – MUTA: Festival Internacional de Apropiaci\u00f3n Audiovisual de Lima<\/h6>\n

[\/vc_custom_heading][vc_custom_heading auto_text=”yes” text_color=”accent” uncode_shortcode_id=”174660″ text_color_type=”uncode-palette”][\/vc_custom_heading][vc_empty_space empty_h=”2″][\/vc_column][vc_column column_width_percent=”100″ gutter_size=”1″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”1\/3″ uncode_shortcode_id=”207555″][vc_column_text uncode_shortcode_id=”108846″]<\/p>\n

May 30
\n5:00 pm.<\/span><\/strong>
\nCinema Intrastevere – <\/span><\/strong>Sala 2
\n<\/strong><\/span>Introducing by Milagros Tavara, MUTA <\/span><\/strong>programmer <\/span><\/strong><\/h4>\n

[\/vc_column_text][vc_empty_space empty_h=”2″][\/vc_column][\/vc_row][vc_row row_height_percent=”0″ override_padding=”yes” h_padding=”2″ top_padding=”1″ bottom_padding=”1″ overlay_alpha=”50″ gutter_size=”3″ column_width_percent=”100″ shift_y=”0″ z_index=”0″ uncode_shortcode_id=”183712″][vc_column width=”1\/1″][vc_separator sep_color=”color-wvjs” type=”dotted” uncode_shortcode_id=”202264″ sep_color_type=”uncode-palette” el_height=”10″][vc_column_text uncode_shortcode_id=”107023″]The short films that make up the program <\/span>Images on the Front Line<\/b> aim to challenge dominant visual representations, questioning the power structures that influence how we perceive reality. Surrounded by clich\u00e9-images, as Deleuze explains, we are forced to see what we “must” see, rather than what we “could” see. This program seeks to free images from the imposed stereotypes and reconfigure our perception of the world.
\n<\/span>Far from being mere passive representations, the images in this program are presented as spaces of resistance. Each short adopts a critical stance against dominant narratives, using editing and visual dissonance to subvert hegemonic discourses on colonialism, identity, violence, and historical memory. Through these pieces and experiences, in which images are presented in their materiality, placing the viewer in a position to perceive their scars, the creators seek to give voice to those who have been silenced, transforming the images into acts of resistance that not only represent but also fight, question, and reconfigure the established order.<\/span><\/p>\n

Milagros Tavara
\nMUTA Programmer<\/em>[\/vc_column_text][vc_column_text uncode_shortcode_id=”914234″]<\/p>\n

Consider<\/span><\/strong>
\n\u0416 \/ Brazil, Jordan \/ 3\u2019 \/ 2024
\nBrussels<\/span><\/strong>
\nColectivo Los Ingr\u00e1vidos \/ Mexico \/ 3\u2019 \/ 2024<\/p>\n

C\u00f3mo suspender una bandera<\/span><\/strong>
\nAdolfo Vincenzo
\n\/ Per\u00f9 \/ 9\u2019 \/ 2024<\/p>\n

Avalancha<\/span><\/strong>
\nGerm\u00e1n Garc\u00eda
\n\/ Colombia \/25\u2019 \/ 2024<\/p>\n

El indio de piedra<\/span><\/strong>
\nPablo Romo \u00c1lvarez
\n\/ Mexico \/ 4\u2019 \/ 2024<\/p>\n

A desalambrar<\/span><\/strong>
\nMart\u00edn Baus
\n\/ Chile \/ 14\u2019 \/ 2024<\/p>\n

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