{"id":7043,"date":"2025-05-18T23:59:08","date_gmt":"2025-05-18T21:59:08","guid":{"rendered":"https:\/\/unarchivefest.it\/?post_type=portfolio&p=7043"},"modified":"2025-05-20T15:28:38","modified_gmt":"2025-05-20T13:28:38","slug":"crush","status":"publish","type":"portfolio","link":"https:\/\/unarchivefest.it\/en\/eventi\/crush\/","title":{"rendered":"Crush"},"content":{"rendered":"

[vc_row row_height_percent=”0″ overlay_alpha=”50″ gutter_size=”3″ column_width_percent=”100″ shift_y=”0″ z_index=”0″ uncode_shortcode_id=”115430″][vc_column width=”1\/1″][vc_single_image media=”7045″ media_width_percent=”100″ uncode_shortcode_id=”437397″][\/vc_column][\/vc_row][vc_row row_height_percent=”0″ override_padding=”yes” h_padding=”2″ top_padding=”0″ bottom_padding=”2″ overlay_alpha=”50″ gutter_size=”3″ column_width_percent=”100″ shift_y=”0″ z_index=”0″ uncode_shortcode_id=”160219″][vc_column column_width_percent=”100″ gutter_size=”0″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”2\/3″ uncode_shortcode_id=”142595″][vc_custom_heading uncode_shortcode_id=”852590″]<\/p>\n

Panorami italiani<\/h6>\n

[\/vc_custom_heading][vc_custom_heading auto_text=”yes” text_color=”accent” uncode_shortcode_id=”174660″ text_color_type=”uncode-palette”][\/vc_custom_heading][vc_column_text uncode_shortcode_id=”148729″]<\/p>\n

Simone Marino \/ Italy \/ 8\u2019 \/ 2024<\/p>\n

[\/vc_column_text][vc_empty_space empty_h=”2″][vc_separator sep_color=”color-wvjs” type=”dotted” uncode_shortcode_id=”202264″ sep_color_type=”uncode-palette” el_height=”10″][vc_empty_space empty_h=”1″][vc_column_text uncode_shortcode_id=”139103″]In the Venetian lagoon, in order to mount on boats and boats, one must first move a few steps on a floating platform that is called a “imbarcadero.” In Chioggia, near Venice, among the many docking points, lives a pier similar to the others. But he has a problem. It has been abandoned and for too long no one has walked on it. Not one foot deigns to step on it and, more importantly, all boats ignore it. There would be just one that, at the time, made him wobble. Theirs has not exactly been a love affair. It was something more like chasing, dancing, recognizing and ignoring each other. It wasn’t even really falling in love. In the filthy sea of the placid lagoon, that of this jetty was a banal, overbearing “Crush.”[\/vc_column_text][vc_empty_space empty_h=”2″][vc_column_text uncode_shortcode_id=”106923″]Direction, Screenplay, Narration Voice, Cinematography, Editing Simone Marino
\nArchival Research Alberto Salvagno
\nMusic by Giordano Treglia, Francesco Saverio Orfino
\nMix Simone Costamagna
\nMix Del Trailer Leonardo Raspolli
\nColor Enrico Arrighi[\/vc_column_text][vc_empty_space empty_h=”3″][vc_column_text uncode_shortcode_id=”975315”]Simone Marino<\/strong>
\nSimone Marino was born in Rome in 1996. After graduating with a bachelor’s degree in philosophy from La Sapienza University, she has her first set experience in 2019 as an intern on Paolo Sorrentino’s The New Pope<\/em>, and then as Chiara Polizzi’s casting assistant forEmanuele Crialese’s L’ immensit\u00e0<\/em>. Thanks to his first short film Un figlio<\/em>, he is admitted to the CSC – Centro Sperimentale di Cinematografia’s directing class in 2020. At CSC he directs Il dilemma del porcospino<\/em> in 2021. In 2022 he filmed Houseparty<\/em>, which premiered at the Free Aquila Festival (where it won the audience award) and screened for two weeks in a row at the Cinema Nuovo Aquila in Rome. The following year he was chosen by CSC to direct Il caso \u00e8 chiuso, andate in pace.<\/em> The short film – commissioned by Cam Sugar for the release of “Piombo,” a collection of music from 1970s poliziotteschi – is being presented at the 2022 Turin Film Festival and other international festivals. In 2023 he directed the diploma short Il difetto dell’astice<\/em> blu<\/em>, under the mentorship of Paolo Sorrentino. The short film is screened at RIFF ’23 and other major festivals around the world. Finally, also in 2023, he was chosen by CSC and Campari to direct the branding campaign, a five-episode mini-series entitled Red<\/em> Rail<\/em> (presented at the Venice Film Festival 2023). After finishing the school, he worked as assistant director on the set of Luca Guadagnino’s Queer<\/em>; as casting assistant to Massimo Appolloni for Giuseppe Piccioni’s Zvan\u00ec<\/em>; and as personal assistant to Damien Chazelle and Olivia Hamilton during their stay in Italy in May\/June 2024. In September of the same year he presented at Venice Days his latest short film, Crush<\/em>, made within the Laguna Film Lab artistic residency, coordinated by Andrea Segre. In November he released his first video clip, La<\/em> nausea<\/em>, for singer-tiktoker Reju, and the following month he was the scriptwriter for the AS Roma commercial Never stop believing<\/em>.[\/vc_column_text][vc_empty_space empty_h=”2″][\/vc_column][vc_column column_width_percent=”100″ gutter_size=”1″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”1\/3″ uncode_shortcode_id=”207555″][vc_column_text uncode_shortcode_id=”110330″]<\/p>\n

June 1
\n11:00 am<\/span><\/strong>
\nCinema Intrastevere – <\/span>Sala 1
\n<\/span>Q&A with the author<\/span><\/strong><\/h4>\n

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