{"id":9256,"date":"2026-04-01T14:28:55","date_gmt":"2026-04-01T12:28:55","guid":{"rendered":"https:\/\/unarchivefest.it\/?post_type=portfolio&#038;p=9256"},"modified":"2026-05-05T09:57:49","modified_gmt":"2026-05-05T07:57:49","slug":"all-i-had-was-nothingness","status":"publish","type":"portfolio","link":"https:\/\/unarchivefest.it\/en\/eventi\/all-i-had-was-nothingness\/","title":{"rendered":"All I Had Was Nothingness"},"content":{"rendered":"<div class=\"wpb-content-wrapper\"><p>[vc_row unlock_row_content=&#8221;yes&#8221; row_height_percent=&#8221;0&#8243; overlay_alpha=&#8221;50&#8243; gutter_size=&#8221;3&#8243; column_width_percent=&#8221;100&#8243; shift_y=&#8221;0&#8243; z_index=&#8221;0&#8243; content_parallax=&#8221;0&#8243; uncode_shortcode_id=&#8221;135292&#8243;][vc_column column_width_percent=&#8221;0&#8243; gutter_size=&#8221;3&#8243; overlay_alpha=&#8221;50&#8243; shift_x=&#8221;0&#8243; shift_y=&#8221;0&#8243; shift_y_down=&#8221;0&#8243; z_index=&#8221;0&#8243; medium_width=&#8221;0&#8243; mobile_width=&#8221;0&#8243; width=&#8221;1\/1&#8243; uncode_shortcode_id=&#8221;322053&#8243;][vc_single_image media=&#8221;10368&#8243; media_width_percent=&#8221;100&#8243; uncode_shortcode_id=&#8221;353037&#8243;][\/vc_column][\/vc_row][vc_row row_height_percent=&#8221;0&#8243; override_padding=&#8221;yes&#8221; h_padding=&#8221;2&#8243; top_padding=&#8221;0&#8243; bottom_padding=&#8221;2&#8243; overlay_alpha=&#8221;50&#8243; gutter_size=&#8221;3&#8243; column_width_percent=&#8221;100&#8243; shift_y=&#8221;0&#8243; z_index=&#8221;0&#8243; uncode_shortcode_id=&#8221;866162&#8243;][vc_column column_width_percent=&#8221;100&#8243; gutter_size=&#8221;0&#8243; overlay_alpha=&#8221;50&#8243; shift_x=&#8221;0&#8243; shift_y=&#8221;0&#8243; shift_y_down=&#8221;0&#8243; z_index=&#8221;0&#8243; medium_width=&#8221;0&#8243; mobile_width=&#8221;0&#8243; width=&#8221;2\/3&#8243; uncode_shortcode_id=&#8221;162486&#8243;][vc_custom_heading uncode_shortcode_id=&#8221;534539&#8243;]<\/p>\n<h6>International Competition<\/h6>\n<p>[\/vc_custom_heading][vc_custom_heading auto_text=&#8221;yes&#8221; text_color=&#8221;accent&#8221; uncode_shortcode_id=&#8221;163448&#8243; text_color_type=&#8221;uncode-palette&#8221;][\/vc_custom_heading][vc_column_text uncode_shortcode_id=&#8221;179638&#8243;]<em>Je n&#8217;avais que le n\u00e9ant &#8211; Shoah par Lanzmann<\/em> \/ <strong>Guillaume Ribot<\/strong> \/ France \/ 2025 \/ 94&#8242;[\/vc_column_text][vc_empty_space empty_h=&#8221;2&#8243;][vc_separator sep_color=&#8221;color-wvjs&#8221; type=&#8221;dotted&#8221; uncode_shortcode_id=&#8221;202264&#8243; sep_color_type=&#8221;uncode-palette&#8221; el_height=&#8221;10&#8243;][vc_empty_space empty_h=&#8221;1&#8243;][vc_column_text uncode_shortcode_id=&#8221;945904&#8243;]<span style=\"font-weight: 400;\">Claude Lanzmann took 12 years to make <\/span><i><span style=\"font-weight: 400;\">Shoah<\/span><\/i><span style=\"font-weight: 400;\"> (1985), a groundbreaking film that redefined the representation of the Holocaust. Forty years later, director Guillaume Ribot explores 220 hours of previously unseen footage. Lanzmann&#8217;s quest to capture the reality of the Holocaust leads him to interview victims, witnesses and perpetrators from around the world. Overcoming doubts, obstacles and false leads, he embarked on an unprecedented journey that culminated in a momentous masterpiece, now part of UNESCO&#8217;s World Memory Registry. <\/span>[\/vc_column_text][vc_empty_space empty_h=&#8221;2&#8243;][vc_column_text uncode_shortcode_id=&#8221;647086&#8243;]<span style=\"font-weight: 400;\"><em>Director<\/em> Guillaume Ribot<br \/>\n<\/span><span style=\"font-weight: 400;\"><em>Screenplay<\/em> Guillaume Ribot<br \/>\n<\/span><span style=\"font-weight: 400;\"><em>Editing<\/em> <\/span><span style=\"font-weight: 400;\">Svetlana Vaynblat<br \/>\n<\/span><span style=\"font-weight: 400;\"><em>Mix<\/em> Vincent Arnardi<br \/>\n<em>Production <\/em> Les Films du Poisson, Le Films Aleph, ARTE France, mk2 Films<br \/>\n<\/span><span style=\"font-weight: 400;\"><i>Produced by <\/i>Estelle Fialon, Dominique Lanzmann<br \/>\n<\/span><span style=\"font-weight: 400;\">With Claude Lanzmann, Guillaume Ribot (narrator)<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span>[\/vc_column_text][vc_empty_space empty_h=&#8221;3&#8243;][vc_column_text uncode_shortcode_id=&#8221;173986&#8243;]<span style=\"font-weight: 400;\"><strong>Guillaume Ribot<\/strong> <\/span><\/p>\n<p><span style=\"font-weight: 400;\">Guillaume Ribot is a French filmmaker, screenwriter and photographer. He has worked over 25 years as a photojournalist, documenting issues such as memory and the Holocaust. His work has been published in &#8220;Time Magazine,&#8221; &#8220;Le Monde&#8221; and the &#8220;New York Times,&#8221; and has been exhibited in institutions such as the Jewish Heritage Museum in New York. Since 2014, he has devoted himself to directing and screenwriting, bringing his interest in history and archival images to his film work. <\/span>[\/vc_column_text][vc_empty_space empty_h=&#8221;2&#8243;][\/vc_column][vc_column column_width_percent=&#8221;100&#8243; gutter_size=&#8221;1&#8243; overlay_alpha=&#8221;50&#8243; shift_x=&#8221;0&#8243; shift_y=&#8221;0&#8243; shift_y_down=&#8221;0&#8243; z_index=&#8221;0&#8243; medium_width=&#8221;0&#8243; mobile_width=&#8221;0&#8243; width=&#8221;1\/3&#8243; uncode_shortcode_id=&#8221;207555&#8243;][vc_column_text uncode_shortcode_id=&#8221;914241&#8243;]<span style=\"color: #ff0000;\"><strong>INTRASTEVERE CINEMA &#8211; Room 1, May 30, 7:30 p.m.<\/strong><\/span><\/p>\n<p><span style=\"color: #ff0000;\"><strong>Q&amp;A with Dominque Lanzmann&nbsp;<\/strong><\/span>[\/vc_column_text][\/vc_column][\/vc_row][vc_row row_height_percent=&#8221;0&#8243; override_padding=&#8221;yes&#8221; h_padding=&#8221;2&#8243; top_padding=&#8221;1&#8243; bottom_padding=&#8221;1&#8243; overlay_alpha=&#8221;50&#8243; gutter_size=&#8221;3&#8243; column_width_percent=&#8221;100&#8243; shift_y=&#8221;0&#8243; z_index=&#8221;0&#8243; uncode_shortcode_id=&#8221;183712&#8243;][vc_column width=&#8221;1\/1&#8243;][uncode_share layout=&#8221;multiple&#8221; bigger=&#8221;yes&#8221; separator=&#8221;yes&#8221; css_animation=&#8221;bottom-t-top&#8221; title=&#8221;share yes&#8221;][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>Je n&#8217;avais que le n\u00e9ant &#8211; Shoah par Lanzmann \/ Guillaume Ribot \/ France \/ 2025 \/ 94&#8242;<\/p>\n","protected":false},"author":1,"featured_media":10368,"parent":0,"menu_order":0,"comment_status":"open","ping_status":"open","template":"","meta":{"rs_blank_template":"","rs_page_bg_color":"","slide_template_v7":"","footnotes":""},"portfolio_category":[117],"class_list":["post-9256","portfolio","type-portfolio","status-publish","has-post-thumbnail","hentry","portfolio_category-feature-films-2026"],"_links":{"self":[{"href":"https:\/\/unarchivefest.it\/en\/wp-json\/wp\/v2\/portfolio\/9256","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/unarchivefest.it\/en\/wp-json\/wp\/v2\/portfolio"}],"about":[{"href":"https:\/\/unarchivefest.it\/en\/wp-json\/wp\/v2\/types\/portfolio"}],"author":[{"embeddable":true,"href":"https:\/\/unarchivefest.it\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/unarchivefest.it\/en\/wp-json\/wp\/v2\/comments?post=9256"}],"version-history":[{"count":7,"href":"https:\/\/unarchivefest.it\/en\/wp-json\/wp\/v2\/portfolio\/9256\/revisions"}],"predecessor-version":[{"id":10800,"href":"https:\/\/unarchivefest.it\/en\/wp-json\/wp\/v2\/portfolio\/9256\/revisions\/10800"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/unarchivefest.it\/en\/wp-json\/wp\/v2\/media\/10368"}],"wp:attachment":[{"href":"https:\/\/unarchivefest.it\/en\/wp-json\/wp\/v2\/media?parent=9256"}],"wp:term":[{"taxonomy":"portfolio_category","embeddable":true,"href":"https:\/\/unarchivefest.it\/en\/wp-json\/wp\/v2\/portfolio_category?post=9256"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}