{"id":9517,"date":"2026-04-18T12:20:58","date_gmt":"2026-04-18T10:20:58","guid":{"rendered":"https:\/\/unarchivefest.it\/?post_type=portfolio&#038;p=9517"},"modified":"2026-05-20T11:13:24","modified_gmt":"2026-05-20T09:13:24","slug":"a-history-of-the-world-according-to-getty-images-15","status":"publish","type":"portfolio","link":"https:\/\/unarchivefest.it\/en\/eventi\/a-history-of-the-world-according-to-getty-images-15\/","title":{"rendered":"Shot Reverse Shot"},"content":{"rendered":"<div class=\"wpb-content-wrapper\"><p>[vc_row unlock_row_content=&#8221;yes&#8221; row_height_percent=&#8221;0&#8243; overlay_alpha=&#8221;50&#8243; gutter_size=&#8221;3&#8243; column_width_percent=&#8221;100&#8243; shift_y=&#8221;0&#8243; z_index=&#8221;0&#8243; content_parallax=&#8221;0&#8243; uncode_shortcode_id=&#8221;135292&#8243;][vc_column column_width_percent=&#8221;0&#8243; gutter_size=&#8221;3&#8243; overlay_alpha=&#8221;50&#8243; shift_x=&#8221;0&#8243; shift_y=&#8221;0&#8243; shift_y_down=&#8221;0&#8243; z_index=&#8221;0&#8243; medium_width=&#8221;0&#8243; mobile_width=&#8221;0&#8243; width=&#8221;1\/1&#8243; uncode_shortcode_id=&#8221;322053&#8243;][vc_single_image media=&#8221;9519&#8243; media_width_percent=&#8221;100&#8243; uncode_shortcode_id=&#8221;187931&#8243;][\/vc_column][\/vc_row][vc_row row_height_percent=&#8221;0&#8243; override_padding=&#8221;yes&#8221; h_padding=&#8221;2&#8243; top_padding=&#8221;0&#8243; bottom_padding=&#8221;2&#8243; overlay_alpha=&#8221;50&#8243; gutter_size=&#8221;3&#8243; column_width_percent=&#8221;100&#8243; shift_y=&#8221;0&#8243; z_index=&#8221;0&#8243; uncode_shortcode_id=&#8221;866162&#8243;][vc_column column_width_percent=&#8221;100&#8243; gutter_size=&#8221;0&#8243; overlay_alpha=&#8221;50&#8243; shift_x=&#8221;0&#8243; shift_y=&#8221;0&#8243; shift_y_down=&#8221;0&#8243; z_index=&#8221;0&#8243; medium_width=&#8221;0&#8243; mobile_width=&#8221;0&#8243; width=&#8221;2\/3&#8243; uncode_shortcode_id=&#8221;162486&#8243;][vc_custom_heading uncode_shortcode_id=&#8221;534539&#8243;]<\/p>\n<h6>International Competition<\/h6>\n<p>[\/vc_custom_heading][vc_custom_heading auto_text=&#8221;yes&#8221; text_color=&#8221;accent&#8221; uncode_shortcode_id=&#8221;163448&#8243; text_color_type=&#8221;uncode-palette&#8221;][\/vc_custom_heading][vc_column_text uncode_shortcode_id=&#8221;194674&#8243;]<i><span style=\"font-weight: 400;\">Plan Contraplan <\/span><\/i><span style=\"font-weight: 400;\">\/ <strong>Radu Jude, Adrian Ciofl\u00e2nc\u0101<\/strong> \/ Romania \/ 2026 \/ 22&#8242;<\/span>[\/vc_column_text][vc_empty_space empty_h=&#8221;2&#8243;][vc_separator sep_color=&#8221;color-wvjs&#8221; type=&#8221;dotted&#8221; uncode_shortcode_id=&#8221;202264&#8243; sep_color_type=&#8221;uncode-palette&#8221; el_height=&#8221;10&#8243;][vc_empty_space empty_h=&#8221;1&#8243;][vc_column_text uncode_shortcode_id=&#8221;187360&#8243;]<span style=\"font-weight: 400;\">Between 1985 and 1987, American journalist Edward Serotta visited the Socialist Republic of Romania, where he documented through his photographs the harsh reality of the dictatorship of <\/span><span style=\"font-weight: 400;\">Ceau\u0219escu. During his stay, the Securitate, the Romanian secret police, secretly stalks and photographs him. Forty years later, Jude and Ciofl\u00e2nc\u0101 compare the two sets of images: a field-counterpoint that tells the most comic aspect of History. <\/span>[\/vc_column_text][vc_empty_space empty_h=&#8221;2&#8243;][vc_column_text uncode_shortcode_id=&#8221;134599&#8243;]<em>Direction<\/em> Radu Jude, Adrian Ciofl\u00e2nc\u0101<br \/>\n<em>Editing<\/em> C\u0101t\u0101lin Cristutiu<br \/>\n<em>Mix<\/em> Sebastian Zsemlye<br \/>\n<em>Production<\/em> Alex Tedorescu<br \/>\n<em>Produced<\/em> by Saga Film<br \/>\n<em>Archives<\/em> Edward Serotta<br \/>\nWith Edward Serotta, Diana M\u0101rg\u0101rit (narrated voices)[\/vc_column_text][vc_empty_space empty_h=&#8221;3&#8243;][\/vc_column][vc_column column_width_percent=&#8221;100&#8243; gutter_size=&#8221;1&#8243; overlay_alpha=&#8221;50&#8243; shift_x=&#8221;0&#8243; shift_y=&#8221;0&#8243; shift_y_down=&#8221;0&#8243; z_index=&#8221;0&#8243; medium_width=&#8221;0&#8243; mobile_width=&#8221;0&#8243; width=&#8221;1\/3&#8243; uncode_shortcode_id=&#8221;207555&#8243;][vc_column_text uncode_shortcode_id=&#8221;325150&#8243;]<span style=\"color: #ff0000;\"><strong>INTRASTEVERE CINEMA &#8211; Room 1, May 27, 6:30 p.m.<\/strong><\/span><\/p>\n<p><strong>Q&amp;A with the authors in remote<\/strong>[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column width=&#8221;1\/2&#8243;][vc_column_text uncode_shortcode_id=&#8221;176325&#8243;]<strong>Radu Jude <\/strong><\/p>\n<p><span style=\"font-weight: 400;\">Radu Jude is a Romanian director and screenwriter, known for his irreverent and unconventional exploration of themes such as history, memory and identity. Among his films: <\/span><i><span style=\"font-weight: 400;\">The Happiest Girl in the World<\/span><\/i><span style=\"font-weight: 400;\"> (2009),<\/span><i><span style=\"font-weight: 400;\"> Everybody in Our Family<\/span><\/i><span style=\"font-weight: 400;\"> (2012), <\/span><i><span style=\"font-weight: 400;\">Aferim!<\/span><\/i><span style=\"font-weight: 400;\"> (2015), <\/span><i><span style=\"font-weight: 400;\">Scarred Hearts<\/span><\/i><span style=\"font-weight: 400;\"> (2016), <\/span><i><span style=\"font-weight: 400;\">I Do Not Care If We Go Down in History as Barbarians<\/span><\/i><span style=\"font-weight: 400;\"> (2018), <\/span><i><span style=\"font-weight: 400;\">Uppercase Print <\/span><\/i><span style=\"font-weight: 400;\">(2020), <\/span><i><span style=\"font-weight: 400;\">Bad Luck Banging or Loony Porn<\/span><\/i><span style=\"font-weight: 400;\"> (2021, Golden Bear in Berlin), <\/span><i><span style=\"font-weight: 400;\">Do Not Expect Too Much from the End of the World<\/span><\/i><span style=\"font-weight: 400;\"> (2023),<\/span><i><span style=\"font-weight: 400;\"> Kontinental &#8217;25 <\/span><\/i><span style=\"font-weight: 400;\">(2025) e <\/span><i><span style=\"font-weight: 400;\">Dracula<\/span><\/i><span style=\"font-weight: 400;\"> (2025).<\/span>[\/vc_column_text][\/vc_column][vc_column width=&#8221;1\/2&#8243;][vc_column_text uncode_shortcode_id=&#8221;117738&#8243;]<span style=\"font-weight: 400;\"><strong>Adrian Ciofl\u00e2nc\u0101<\/strong> <\/span><\/p>\n<p><span style=\"font-weight: 400;\">Adrian Ciofl\u00e2nc\u0101 is a Romanian historian whose work focuses on the study of the Holocaust, communism and political violence. He is director of the Wilhelm Filderman Center for the Study of Jewish History in Romania and a member of the Collegium of the National Council for the Study of the Securitate Archives. A former consultant on several films and plays for Romanian public TV, he has co-directed three films with Radu Jude: <\/span><i><span style=\"font-weight: 400;\">The Exit of the Trains<\/span><\/i><span style=\"font-weight: 400;\"> (2020), <\/span><i><span style=\"font-weight: 400;\">Memories from the Eastern Front<\/span><\/i><span style=\"font-weight: 400;\"> (2022) and <\/span><i><span style=\"font-weight: 400;\">Reverse Shot<\/span><\/i><span style=\"font-weight: 400;\"> (2026).<\/span>[\/vc_column_text][\/vc_column][\/vc_row][vc_row row_height_percent=&#8221;0&#8243; override_padding=&#8221;yes&#8221; h_padding=&#8221;2&#8243; top_padding=&#8221;1&#8243; bottom_padding=&#8221;1&#8243; overlay_alpha=&#8221;50&#8243; gutter_size=&#8221;3&#8243; column_width_percent=&#8221;100&#8243; shift_y=&#8221;0&#8243; z_index=&#8221;0&#8243; uncode_shortcode_id=&#8221;183712&#8243;][vc_column width=&#8221;1\/1&#8243;][uncode_share layout=&#8221;multiple&#8221; bigger=&#8221;yes&#8221; separator=&#8221;yes&#8221; css_animation=&#8221;bottom-t-top&#8221; title=&#8221;share yes&#8221;][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>Plan Contraplan \/ Radu Jude, Adrian Ciofl\u00e2nc\u0101 \/ Romania \/ 2026 \/ 22&#8242;<\/p>\n","protected":false},"author":1,"featured_media":9521,"parent":0,"menu_order":0,"comment_status":"open","ping_status":"open","template":"","meta":{"rs_blank_template":"","rs_page_bg_color":"","slide_template_v7":"","footnotes":""},"portfolio_category":[119],"class_list":["post-9517","portfolio","type-portfolio","status-publish","has-post-thumbnail","hentry","portfolio_category-short-films-2026"],"_links":{"self":[{"href":"https:\/\/unarchivefest.it\/en\/wp-json\/wp\/v2\/portfolio\/9517","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/unarchivefest.it\/en\/wp-json\/wp\/v2\/portfolio"}],"about":[{"href":"https:\/\/unarchivefest.it\/en\/wp-json\/wp\/v2\/types\/portfolio"}],"author":[{"embeddable":true,"href":"https:\/\/unarchivefest.it\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/unarchivefest.it\/en\/wp-json\/wp\/v2\/comments?post=9517"}],"version-history":[{"count":6,"href":"https:\/\/unarchivefest.it\/en\/wp-json\/wp\/v2\/portfolio\/9517\/revisions"}],"predecessor-version":[{"id":11680,"href":"https:\/\/unarchivefest.it\/en\/wp-json\/wp\/v2\/portfolio\/9517\/revisions\/11680"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/unarchivefest.it\/en\/wp-json\/wp\/v2\/media\/9521"}],"wp:attachment":[{"href":"https:\/\/unarchivefest.it\/en\/wp-json\/wp\/v2\/media?parent=9517"}],"wp:term":[{"taxonomy":"portfolio_category","embeddable":true,"href":"https:\/\/unarchivefest.it\/en\/wp-json\/wp\/v2\/portfolio_category?post=9517"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}