{"id":9578,"date":"2026-04-18T16:32:16","date_gmt":"2026-04-18T14:32:16","guid":{"rendered":"https:\/\/unarchivefest.it\/?post_type=portfolio&#038;p=9578"},"modified":"2026-05-11T10:56:35","modified_gmt":"2026-05-11T08:56:35","slug":"a-history-of-the-world-according-to-getty-images-22","status":"publish","type":"portfolio","link":"https:\/\/unarchivefest.it\/en\/eventi\/a-history-of-the-world-according-to-getty-images-22\/","title":{"rendered":"In cerca del sessantotto &#8211; Tracce e indizi"},"content":{"rendered":"<div class=\"wpb-content-wrapper\"><p>[vc_row unlock_row_content=&#8221;yes&#8221; row_height_percent=&#8221;0&#8243; overlay_alpha=&#8221;50&#8243; gutter_size=&#8221;3&#8243; column_width_percent=&#8221;100&#8243; shift_y=&#8221;0&#8243; z_index=&#8221;0&#8243; content_parallax=&#8221;0&#8243; uncode_shortcode_id=&#8221;135292&#8243;][vc_column column_width_percent=&#8221;0&#8243; gutter_size=&#8221;3&#8243; overlay_alpha=&#8221;50&#8243; shift_x=&#8221;0&#8243; shift_y=&#8221;0&#8243; shift_y_down=&#8221;0&#8243; z_index=&#8221;0&#8243; medium_width=&#8221;0&#8243; mobile_width=&#8221;0&#8243; width=&#8221;1\/1&#8243; uncode_shortcode_id=&#8221;322053&#8243;][vc_single_image media=&#8221;10681&#8243; media_width_percent=&#8221;100&#8243; uncode_shortcode_id=&#8221;169975&#8243;][\/vc_column][\/vc_row][vc_row row_height_percent=&#8221;0&#8243; override_padding=&#8221;yes&#8221; h_padding=&#8221;2&#8243; top_padding=&#8221;0&#8243; bottom_padding=&#8221;2&#8243; overlay_alpha=&#8221;50&#8243; gutter_size=&#8221;3&#8243; column_width_percent=&#8221;100&#8243; shift_y=&#8221;0&#8243; z_index=&#8221;0&#8243; uncode_shortcode_id=&#8221;866162&#8243;][vc_column column_width_percent=&#8221;100&#8243; gutter_size=&#8221;0&#8243; overlay_alpha=&#8221;50&#8243; shift_x=&#8221;0&#8243; shift_y=&#8221;0&#8243; shift_y_down=&#8221;0&#8243; z_index=&#8221;0&#8243; medium_width=&#8221;0&#8243; mobile_width=&#8221;0&#8243; width=&#8221;2\/3&#8243; uncode_shortcode_id=&#8221;162486&#8243;][vc_empty_space empty_h=&#8221;2&#8243;][vc_custom_heading uncode_shortcode_id=&#8221;642007&#8243;]<\/p>\n<h6>Oggetti smarriti: in cerca di Giuseppe Bertolucci<\/h6>\n<p>[\/vc_custom_heading][vc_custom_heading auto_text=&#8221;yes&#8221; text_color=&#8221;accent&#8221; uncode_shortcode_id=&#8221;163448&#8243; text_color_type=&#8221;uncode-palette&#8221;][\/vc_custom_heading][vc_column_text uncode_shortcode_id=&#8221;915729&#8243;]<span style=\"font-weight: 400;\">Italy \/ 1996 \/ 74&#8242;<\/span>[\/vc_column_text][vc_empty_space empty_h=&#8221;2&#8243;][vc_separator sep_color=&#8221;color-wvjs&#8221; type=&#8221;dotted&#8221; uncode_shortcode_id=&#8221;202264&#8243; sep_color_type=&#8221;uncode-palette&#8221; el_height=&#8221;10&#8243;][vc_empty_space empty_h=&#8221;1&#8243;][vc_column_text uncode_shortcode_id=&#8221;456171&#8243;]<span style=\"font-weight: 400;\">The Italian and world &#8220;Sessantotto&#8221; represents an extremely complex and multifaceted event. The director attempts to unravel some of the main threads of an intricate skein of events, characters, processes, and cultures. From the first signs of the new youth engagement in 1966 to 1969, the narrative proceeds non-chronologically moving on the thread of emotion as well as that of historical reconstruction. The film is organized under more than 20 headings, from &#8220;\u201cAlluvione\u201d to \u201cUno di noi\u201d, through\u00a0 \u201cBuoni\u201d, \u201cCattivi\u201d, \u201cConsumismo\u201d, \u201cContestazione\u201d until\u00a0 \u201cFiaba\u201d, \u201cFiat\u201d, \u201cNeri\u201d, \u201cPolizia\u201d and many more. In this sort of dictionary of &#8217;68, some crucial events of that historical period are traced: from the first occupations of the universities to the battle of Valle Giulia, from the French May to the American black uprisings, from the anti-imperialist struggles to the dogmatism of Marxist-Leninist groups &#8211; demonstrating by waving the &#8220;little red book,&#8221; from police repression to the debate among intellectuals. <\/span>[\/vc_column_text][vc_empty_space empty_h=&#8221;2&#8243;][vc_column_text uncode_shortcode_id=&#8221;213291&#8243;]<\/p>\n<h6 class=\"p1\"><span style=\"color: #ff0000;\"><em>Nel Sessantotto io non c\u2019ero perch\u00e9 non ero ancora un cineasta. Ero uno studente. Nel sessantotto ho compiuto ventun anni.<\/em><\/span><br \/>\n<span style=\"color: #ff0000;\"><em>\u00c8 stato uno dei momenti pi\u00f9 felici e pi\u00f9 strazianti della mia vita. Per questo mi sono avvicinato ai materiali che raccontano quegli anni con emozione e inquietudine. Per questo dovendo trovare un qualche filo logico tra quelle immagini e quei suoni, ho subito pensato di ricorrere all\u2019ordine alfabetico, il metodo di classificazione pi\u00f9 elementare e. almeno apparentemente \u2013 il pi\u00f9 neutro. Per difendermi, per non recriminare, per non rimpiangere, Forse anche per non riflettere. Ecco qualcosa che un militante del sessantotto non mi avrebbe mai perdonato.<\/em><\/span><\/h6>\n<h6><span style=\"color: #ff0000;\"><em>Giuseppe Bertolucci<\/em><\/span><\/h6>\n<p>[\/vc_column_text][vc_empty_space empty_h=&#8221;2&#8243;][\/vc_column][vc_column column_width_percent=&#8221;100&#8243; gutter_size=&#8221;1&#8243; overlay_alpha=&#8221;50&#8243; shift_x=&#8221;0&#8243; shift_y=&#8221;0&#8243; shift_y_down=&#8221;0&#8243; z_index=&#8221;0&#8243; medium_width=&#8221;0&#8243; mobile_width=&#8221;0&#8243; width=&#8221;1\/3&#8243; uncode_shortcode_id=&#8221;207555&#8243;][vc_empty_space empty_h=&#8221;2&#8243;][vc_column_text uncode_shortcode_id=&#8221;118604&#8243;]<span style=\"color: #000000;\"><strong>INTRASTEVERE CINEMA &#8211; Room 2, May 26, 6 p.m.<\/strong><\/span><\/p>\n<p><span style=\"color: #000000;\"><strong>Presented by Mimmo Rafale and Lidia Ravera <\/strong><\/span>[\/vc_column_text][\/vc_column][\/vc_row][vc_row row_height_percent=&#8221;0&#8243; override_padding=&#8221;yes&#8221; h_padding=&#8221;2&#8243; top_padding=&#8221;1&#8243; bottom_padding=&#8221;1&#8243; overlay_alpha=&#8221;50&#8243; gutter_size=&#8221;3&#8243; column_width_percent=&#8221;100&#8243; shift_y=&#8221;0&#8243; z_index=&#8221;0&#8243; uncode_shortcode_id=&#8221;183712&#8243;][vc_column width=&#8221;1\/1&#8243;][uncode_share layout=&#8221;multiple&#8221; bigger=&#8221;yes&#8221; separator=&#8221;yes&#8221; css_animation=&#8221;bottom-t-top&#8221; title=&#8221;share yes&#8221;][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>Italy \/ 1996 \/ 74&#8242;<\/p>\n","protected":false},"author":1,"featured_media":10681,"parent":0,"menu_order":0,"comment_status":"open","ping_status":"open","template":"","meta":{"rs_blank_template":"","rs_page_bg_color":"","slide_template_v7":"","footnotes":""},"portfolio_category":[115],"class_list":["post-9578","portfolio","type-portfolio","status-publish","has-post-thumbnail","hentry","portfolio_category-bertolucci-2026"],"_links":{"self":[{"href":"https:\/\/unarchivefest.it\/en\/wp-json\/wp\/v2\/portfolio\/9578","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/unarchivefest.it\/en\/wp-json\/wp\/v2\/portfolio"}],"about":[{"href":"https:\/\/unarchivefest.it\/en\/wp-json\/wp\/v2\/types\/portfolio"}],"author":[{"embeddable":true,"href":"https:\/\/unarchivefest.it\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/unarchivefest.it\/en\/wp-json\/wp\/v2\/comments?post=9578"}],"version-history":[{"count":8,"href":"https:\/\/unarchivefest.it\/en\/wp-json\/wp\/v2\/portfolio\/9578\/revisions"}],"predecessor-version":[{"id":11118,"href":"https:\/\/unarchivefest.it\/en\/wp-json\/wp\/v2\/portfolio\/9578\/revisions\/11118"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/unarchivefest.it\/en\/wp-json\/wp\/v2\/media\/10681"}],"wp:attachment":[{"href":"https:\/\/unarchivefest.it\/en\/wp-json\/wp\/v2\/media?parent=9578"}],"wp:term":[{"taxonomy":"portfolio_category","embeddable":true,"href":"https:\/\/unarchivefest.it\/en\/wp-json\/wp\/v2\/portfolio_category?post=9578"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}