{"id":9689,"date":"2026-04-22T17:18:08","date_gmt":"2026-04-22T15:18:08","guid":{"rendered":"https:\/\/unarchivefest.it\/?post_type=portfolio&p=9689"},"modified":"2026-04-28T16:06:21","modified_gmt":"2026-04-28T14:06:21","slug":"a-history-of-the-world-according-to-getty-images-24","status":"publish","type":"portfolio","link":"https:\/\/unarchivefest.it\/en\/eventi\/a-history-of-the-world-according-to-getty-images-24\/","title":{"rendered":"Becoming Opaque"},"content":{"rendered":"

[vc_row unlock_row_content=”yes” row_height_percent=”0″ overlay_alpha=”50″ gutter_size=”3″ column_width_percent=”100″ shift_y=”0″ z_index=”0″ content_parallax=”0″ uncode_shortcode_id=”135292″][vc_column column_width_percent=”0″ gutter_size=”3″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”1\/1″ uncode_shortcode_id=”322053″][vc_single_image media=”9692″ media_width_percent=”100″ uncode_shortcode_id=”154526″][\/vc_column][\/vc_row][vc_row row_height_percent=”0″ override_padding=”yes” h_padding=”2″ top_padding=”0″ bottom_padding=”2″ overlay_alpha=”50″ gutter_size=”3″ column_width_percent=”100″ shift_y=”0″ z_index=”0″ uncode_shortcode_id=”866162″][vc_column column_width_percent=”100″ gutter_size=”0″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”2\/3″ uncode_shortcode_id=”162486″][vc_custom_heading uncode_shortcode_id=”214291″]<\/p>\n

Frontiere<\/strong><\/h6>\n

[\/vc_custom_heading][vc_custom_heading auto_text=”yes” text_color=”accent” uncode_shortcode_id=”163448″ text_color_type=”uncode-palette”][\/vc_custom_heading][vc_column_text uncode_shortcode_id=”104351″]Paula Albuquerque<\/strong> \/ Netherlands \/ 2025 \/ 46′<\/span>[\/vc_column_text][vc_empty_space empty_h=”2″][vc_separator sep_color=”color-wvjs” type=”dotted” uncode_shortcode_id=”202264″ sep_color_type=”uncode-palette” el_height=”10″][vc_empty_space empty_h=”1″][vc_column_text uncode_shortcode_id=”102664″]Becoming Opaque<\/span><\/i> questions the common visual language used in the former Dutch and Portuguese colonies (but also in other regions where indigenous peoples were enslaved) to create racial and gender stereotypes. Paula Albuquerque traces a path from the earliest phrenological methods to their current incarnation in the surveillance datasets used to train artificial intelligence. Bringing together propaganda films, ethnographic recordings and amateur footage, her installation defends the right of indigenous peoples to opacity in images captured by settlers, whether political officials or European globetrotters. <\/span>[\/vc_column_text][vc_empty_space empty_h=”2″][\/vc_column][vc_column column_width_percent=”100″ gutter_size=”1″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”1\/3″ uncode_shortcode_id=”207555″][vc_column_text uncode_shortcode_id=”136943″]INTRASTEVERE CINEMA – Room 1, May 31, 11 a.m.<\/strong><\/span>[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/1″][vc_column_text uncode_shortcode_id=”199183″]Paula Albuquerque<\/strong><\/p>\n

Albuquerque is a Portuguese artist and scholar based in Amsterdam who has had solo exhibitions at Zone2Source (2024), Bradwolff Projects (2023, 2018, 2015), Looiersgracht 60 (2023) and Nieuw Dakota (2020) galleries; with films at the IDFA (2024); Ji’hlava IDFF (2024); DocAlliance (2024); DocLisboa (2023); Sheffield DOC|Fest (2020) and Rotterdam IFFR (2016) international festivals; and at the EYE International; Media in Transition at MIT; NECS; and Visible Evidence conferences. She has published the books Enter the Ghost-Haunted Media Ecologies<\/em> (2020) and The Webcam as an Emerging Cinematic Medium<\/em> (2018). She is currently a senior researcher at the Gerrit Rietveld Academie, a research assistant at Universidade Nova de Lisboa, and a member of the supervisory board of the contemporary art platform Framed Framed.[\/vc_column_text][\/vc_column][\/vc_row][vc_row row_height_percent=”0″ override_padding=”yes” h_padding=”2″ top_padding=”1″ bottom_padding=”1″ overlay_alpha=”50″ gutter_size=”3″ column_width_percent=”100″ shift_y=”0″ z_index=”0″ uncode_shortcode_id=”183712″][vc_column width=”1\/1″][uncode_share layout=”multiple” bigger=”yes” separator=”yes” css_animation=”bottom-t-top” title=”share yes”][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

Paula Albuquerque \/ Netherlands \/ 2025 \/ 46′<\/p>\n","protected":false},"author":1,"featured_media":9692,"parent":0,"menu_order":0,"comment_status":"open","ping_status":"open","template":"","meta":{"rs_blank_template":"","rs_page_bg_color":"","slide_template_v7":"","footnotes":""},"portfolio_category":[116],"class_list":["post-9689","portfolio","type-portfolio","status-publish","has-post-thumbnail","hentry","portfolio_category-frontiers-2026"],"_links":{"self":[{"href":"https:\/\/unarchivefest.it\/en\/wp-json\/wp\/v2\/portfolio\/9689","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/unarchivefest.it\/en\/wp-json\/wp\/v2\/portfolio"}],"about":[{"href":"https:\/\/unarchivefest.it\/en\/wp-json\/wp\/v2\/types\/portfolio"}],"author":[{"embeddable":true,"href":"https:\/\/unarchivefest.it\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/unarchivefest.it\/en\/wp-json\/wp\/v2\/comments?post=9689"}],"version-history":[{"count":5,"href":"https:\/\/unarchivefest.it\/en\/wp-json\/wp\/v2\/portfolio\/9689\/revisions"}],"predecessor-version":[{"id":10323,"href":"https:\/\/unarchivefest.it\/en\/wp-json\/wp\/v2\/portfolio\/9689\/revisions\/10323"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/unarchivefest.it\/en\/wp-json\/wp\/v2\/media\/9692"}],"wp:attachment":[{"href":"https:\/\/unarchivefest.it\/en\/wp-json\/wp\/v2\/media?parent=9689"}],"wp:term":[{"taxonomy":"portfolio_category","embeddable":true,"href":"https:\/\/unarchivefest.it\/en\/wp-json\/wp\/v2\/portfolio_category?post=9689"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}