{"id":9769,"date":"2026-04-23T11:09:08","date_gmt":"2026-04-23T09:09:08","guid":{"rendered":"https:\/\/unarchivefest.it\/?post_type=portfolio&#038;p=9769"},"modified":"2026-05-12T14:57:03","modified_gmt":"2026-05-12T12:57:03","slug":"cinematheque-quebecoise","status":"publish","type":"portfolio","link":"https:\/\/unarchivefest.it\/en\/eventi\/cinematheque-quebecoise\/","title":{"rendered":"Cin\u00e9math\u00e8que Qu\u00e9b\u00e9coise"},"content":{"rendered":"<div class=\"wpb-content-wrapper\"><p>[vc_row][vc_column width=&#8221;1\/1&#8243;][vc_empty_space empty_h=&#8221;3&#8243;][\/vc_column][\/vc_row][vc_row row_height_percent=&#8221;0&#8243; override_padding=&#8221;yes&#8221; h_padding=&#8221;2&#8243; top_padding=&#8221;0&#8243; bottom_padding=&#8221;2&#8243; overlay_alpha=&#8221;50&#8243; gutter_size=&#8221;3&#8243; column_width_percent=&#8221;100&#8243; shift_y=&#8221;0&#8243; z_index=&#8221;0&#8243; uncode_shortcode_id=&#8221;866162&#8243;][vc_column column_width_percent=&#8221;100&#8243; gutter_size=&#8221;0&#8243; overlay_alpha=&#8221;50&#8243; shift_x=&#8221;0&#8243; shift_y=&#8221;0&#8243; shift_y_down=&#8221;0&#8243; z_index=&#8221;0&#8243; medium_width=&#8221;0&#8243; mobile_width=&#8221;0&#8243; width=&#8221;2\/3&#8243; uncode_shortcode_id=&#8221;162486&#8243;][vc_single_image media=&#8221;9796&#8243; media_width_percent=&#8221;100&#8243; uncode_shortcode_id=&#8221;111012&#8243;][\/vc_column][vc_column column_width_percent=&#8221;100&#8243; gutter_size=&#8221;1&#8243; overlay_alpha=&#8221;50&#8243; shift_x=&#8221;0&#8243; shift_y=&#8221;0&#8243; shift_y_down=&#8221;0&#8243; z_index=&#8221;0&#8243; medium_width=&#8221;0&#8243; mobile_width=&#8221;0&#8243; width=&#8221;1\/3&#8243; uncode_shortcode_id=&#8221;207555&#8243;][vc_custom_heading uncode_shortcode_id=&#8221;189483&#8243;]<\/p>\n<h6><strong>Pitching the Archive<\/strong><\/h6>\n<p>[\/vc_custom_heading][vc_custom_heading auto_text=&#8221;yes&#8221; text_color=&#8221;color-855811&#8243; uncode_shortcode_id=&#8221;142067&#8243; text_color_type=&#8221;uncode-palette&#8221;][\/vc_custom_heading][vc_column_text uncode_shortcode_id=&#8221;206381&#8243;]<span style=\"font-weight: 400;\">Qu\u00e9bec <\/span><\/p>\n<p><span style=\"font-weight: 400;\">Representing by Guillame Lafleur<\/span>[\/vc_column_text][vc_column_text uncode_shortcode_id=&#8221;963534&#8243;]<strong>BOTANICAL GARDEN<br \/>\nAranciera May 28 3 p.m.<br \/>\nENG<\/strong>[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column width=&#8221;1\/1&#8243;][vc_separator sep_color=&#8221;color-855811&#8243; type=&#8221;dotted&#8221; uncode_shortcode_id=&#8221;463472&#8243; sep_color_type=&#8221;uncode-palette&#8221; el_height=&#8221;10&#8243;][vc_column_text uncode_shortcode_id=&#8221;996666&#8243;]<span style=\"font-weight: 400;\">The Cin\u00e9math\u00e8que qu\u00e9b\u00e9coise was founded in 1963 by a passionate group of filmmakers. Today, it is a major institution whose mission is to acquire, document and safeguard Quebec\u2019s cinema, television and audio-visual heritage, as well as that of international animation. It also collects significant works of Canadian and world cinema for screenings focused on culture and education.<\/span>[\/vc_column_text][vc_separator sep_color=&#8221;color-855811&#8243; type=&#8221;dotted&#8221; uncode_shortcode_id=&#8221;134701&#8243; sep_color_type=&#8221;uncode-palette&#8221; el_height=&#8221;10&#8243;][vc_column_text uncode_shortcode_id=&#8221;375991&#8243;]<i><span style=\"font-weight: 400;\">The body of work has thus far largely sparked the interest of filmmakers in the representation of places and, more broadly, of territory and the environment, particularly within a community of Canadian filmmakers of European descent. The industrial and natural representations of the late 20th century also provide an opportunity to comment on territorial transformations that immediately raise ecological questions. Finally, it is worth noting that the representation of movement itself, both physical and mechanical, can lead to formal explorations that trace the origins of experimental cinema back to the explorations of early cinema.<\/span><\/i>[\/vc_column_text][vc_separator sep_color=&#8221;color-855811&#8243; type=&#8221;dotted&#8221; uncode_shortcode_id=&#8221;201131&#8243; sep_color_type=&#8221;uncode-palette&#8221; el_height=&#8221;10&#8243;][\/vc_column][\/vc_row][vc_row][vc_column width=&#8221;1\/2&#8243;][vc_single_image media=&#8221;9371&#8243; media_width_percent=&#8221;100&#8243; uncode_shortcode_id=&#8221;111012&#8243;][\/vc_column][vc_column width=&#8221;1\/2&#8243;][vc_column_text uncode_shortcode_id=&#8221;207017&#8243;]<strong>Guillaume Lafleur<\/strong><\/p>\n<p>Guillaume Lafleur is the director of programming, distribution and publications at the Cin\u00e9math\u00e8que qu\u00e9b\u00e9coise since 2017. He has supervised several reuse film works. Since 1999, he has published about a hundred articles and essays on contemporary cinema, Qu\u00e9bec film history, experimental cinema, and film aesthetics. In 2015 he published, for Varia, <em>Pratiques minoritaires, fragments d\u2019une histoire m\u00e9connue du cin\u00e9ma qu\u00e9b\u00e9cois<\/em>\u00a0(1937-1973), and then co-curated, together with Ralph Elawani, in 2020, the oper<em>a XPQ, travers\u00e9e du cin\u00e9ma exp\u00e9rimental qu\u00e9b\u00e9cois.<\/em>\u00a0(Somme toute\/Cin\u00e9math\u00e8que qu\u00e9b\u00e9coise). His most recent book is.\u00a0<em>Va voir ailleurs, essays on new century cinemas<\/em>\u00a0(Somme toute, 2024). He has been a programmer in North American and European festivals and institutions (New York, Winnipeg, Vienna, Toulouse, Barcelona, Rome, Bologna, London).[\/vc_column_text][\/vc_column][\/vc_row][vc_row row_height_percent=&#8221;0&#8243; override_padding=&#8221;yes&#8221; h_padding=&#8221;2&#8243; top_padding=&#8221;1&#8243; bottom_padding=&#8221;1&#8243; overlay_alpha=&#8221;50&#8243; gutter_size=&#8221;3&#8243; column_width_percent=&#8221;100&#8243; shift_y=&#8221;0&#8243; z_index=&#8221;0&#8243; uncode_shortcode_id=&#8221;183712&#8243;][vc_column width=&#8221;1\/1&#8243;][uncode_share layout=&#8221;multiple&#8221; bigger=&#8221;yes&#8221; separator=&#8221;yes&#8221; css_animation=&#8221;bottom-t-top&#8221; title=&#8221;share&#8221;][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>Qu\u00e9bec \/ Representing by Guillame Lafleur<\/p>\n","protected":false},"author":1,"featured_media":9796,"parent":0,"menu_order":0,"comment_status":"open","ping_status":"open","template":"","meta":{"rs_blank_template":"","rs_page_bg_color":"","slide_template_v7":"","footnotes":""},"portfolio_category":[101],"class_list":["post-9769","portfolio","type-portfolio","status-publish","has-post-thumbnail","hentry","portfolio_category-pitching-archive"],"_links":{"self":[{"href":"https:\/\/unarchivefest.it\/en\/wp-json\/wp\/v2\/portfolio\/9769","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/unarchivefest.it\/en\/wp-json\/wp\/v2\/portfolio"}],"about":[{"href":"https:\/\/unarchivefest.it\/en\/wp-json\/wp\/v2\/types\/portfolio"}],"author":[{"embeddable":true,"href":"https:\/\/unarchivefest.it\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/unarchivefest.it\/en\/wp-json\/wp\/v2\/comments?post=9769"}],"version-history":[{"count":7,"href":"https:\/\/unarchivefest.it\/en\/wp-json\/wp\/v2\/portfolio\/9769\/revisions"}],"predecessor-version":[{"id":11342,"href":"https:\/\/unarchivefest.it\/en\/wp-json\/wp\/v2\/portfolio\/9769\/revisions\/11342"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/unarchivefest.it\/en\/wp-json\/wp\/v2\/media\/9796"}],"wp:attachment":[{"href":"https:\/\/unarchivefest.it\/en\/wp-json\/wp\/v2\/media?parent=9769"}],"wp:term":[{"taxonomy":"portfolio_category","embeddable":true,"href":"https:\/\/unarchivefest.it\/en\/wp-json\/wp\/v2\/portfolio_category?post=9769"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}