{"id":9998,"date":"2026-04-27T12:19:29","date_gmt":"2026-04-27T10:19:29","guid":{"rendered":"https:\/\/unarchivefest.it\/?post_type=portfolio&p=9998"},"modified":"2026-05-06T10:54:59","modified_gmt":"2026-05-06T08:54:59","slug":"a-history-of-the-world-according-to-getty-images-36","status":"publish","type":"portfolio","link":"https:\/\/unarchivefest.it\/en\/eventi\/a-history-of-the-world-according-to-getty-images-36\/","title":{"rendered":"Murmur"},"content":{"rendered":"

[vc_row unlock_row_content=”yes” row_height_percent=”0″ overlay_alpha=”50″ gutter_size=”3″ column_width_percent=”100″ shift_y=”0″ z_index=”0″ content_parallax=”0″ uncode_shortcode_id=”135292″][vc_column column_width_percent=”0″ gutter_size=”3″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”1\/1″ uncode_shortcode_id=”322053″][vc_single_image media=”10001″ media_width_percent=”100″ uncode_shortcode_id=”123571″][\/vc_column][\/vc_row][vc_row row_height_percent=”0″ override_padding=”yes” h_padding=”2″ top_padding=”0″ bottom_padding=”2″ overlay_alpha=”50″ gutter_size=”3″ column_width_percent=”100″ shift_y=”0″ z_index=”0″ uncode_shortcode_id=”866162″][vc_column column_width_percent=”100″ gutter_size=”0″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”2\/3″ uncode_shortcode_id=”162486″][vc_custom_heading uncode_shortcode_id=”211776″]<\/p>\n

Panorami italiani<\/strong><\/h6>\n

[\/vc_custom_heading][vc_custom_heading auto_text=”yes” text_color=”accent” uncode_shortcode_id=”163448″ text_color_type=”uncode-palette”][\/vc_custom_heading][vc_column_text uncode_shortcode_id=”635207″]<\/p>\n

Irene Dionisio<\/strong> \/ Italy \/ 2025 \/ 6′<\/p>\n

[\/vc_column_text][vc_empty_space empty_h=”2″][vc_separator sep_color=”color-wvjs” type=”dotted” uncode_shortcode_id=”202264″ sep_color_type=”uncode-palette” el_height=”10″][vc_empty_space empty_h=”1″][vc_column_text uncode_shortcode_id=”160587″]Murmur<\/em> follows the real and metaphorical flight of a seagull, through the gaze of a female figure-suspended in an indefinite time-who investigates its physical and divine mechanics. Taking its cue from Nina’s famous monologue from Anton Chekhov’s The Seagull<\/em>, Murmur engages in dialogue-through imaginative language-with the meaning of a truly free art.[\/vc_column_text][vc_empty_space empty_h=”2″][vc_column_text uncode_shortcode_id=”889565″]Director<\/em> Irene Dionisio
\nScreenplay<\/em> Irene Dionisio
\nMusic<\/em> Matteo Marini
\nProduced<\/em> by<\/em> Fondazione Home Movies Foundation with I Cammelli
\nArchives<\/em> Home Movies Archivio Nazionale del film di famiglia di Bologna, 8 e Mezzo, Home Movies Sardinia
\nwith Isabella Ragonese (voice)[\/vc_column_text][vc_empty_space empty_h=”2″][\/vc_column][vc_column column_width_percent=”100″ gutter_size=”1″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”1\/3″ uncode_shortcode_id=”207555″][vc_column_text uncode_shortcode_id=”582855″]INTRASTEVERE CINEMA – Room 2, May 27, 7:30 p.m.<\/strong><\/span><\/p>\n

Q&A with the author<\/strong><\/span>[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/1″][vc_column_text uncode_shortcode_id=”111260″]Irene Dionisio <\/strong><\/p>\n

Irene Dionisio is a filmmaker and artist from Turin. Since her first documentary La fabbrica \u00e8 piena – Tragicomedy in eight acts<\/em>, she has distinguished herself by winning numerous successes and awards: her second documentary Sponde<\/em> won the Premio Solinas, the Premio Scam – Brouillon d’un r\u00eave and the Jury Prize for Cinema Verit\u00e0 in Iran, among others. His first feature film The Last Things<\/em> was nominated at the David di Donatello Awards, for the Golden Globe for Best Debut and won a Silver Ribbon for Best Screenplay. He has also produced artistic works, exhibited in numerous national and international art galleries.[\/vc_column_text][\/vc_column][\/vc_row][vc_row row_height_percent=”0″ override_padding=”yes” h_padding=”2″ top_padding=”1″ bottom_padding=”1″ overlay_alpha=”50″ gutter_size=”3″ column_width_percent=”100″ shift_y=”0″ z_index=”0″ uncode_shortcode_id=”183712″][vc_column width=”1\/1″][uncode_share layout=”multiple” bigger=”yes” separator=”yes” css_animation=”bottom-t-top” title=”share yes”][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

Irene Dionisio \/ Italy \/ 2025 \/ 6′<\/p>\n","protected":false},"author":1,"featured_media":10001,"parent":0,"menu_order":0,"comment_status":"open","ping_status":"open","template":"","meta":{"rs_blank_template":"","rs_page_bg_color":"","slide_template_v7":"","footnotes":""},"portfolio_category":[113],"class_list":["post-9998","portfolio","type-portfolio","status-publish","has-post-thumbnail","hentry","portfolio_category-panorama-shorts-2026"],"_links":{"self":[{"href":"https:\/\/unarchivefest.it\/en\/wp-json\/wp\/v2\/portfolio\/9998","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/unarchivefest.it\/en\/wp-json\/wp\/v2\/portfolio"}],"about":[{"href":"https:\/\/unarchivefest.it\/en\/wp-json\/wp\/v2\/types\/portfolio"}],"author":[{"embeddable":true,"href":"https:\/\/unarchivefest.it\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/unarchivefest.it\/en\/wp-json\/wp\/v2\/comments?post=9998"}],"version-history":[{"count":8,"href":"https:\/\/unarchivefest.it\/en\/wp-json\/wp\/v2\/portfolio\/9998\/revisions"}],"predecessor-version":[{"id":10880,"href":"https:\/\/unarchivefest.it\/en\/wp-json\/wp\/v2\/portfolio\/9998\/revisions\/10880"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/unarchivefest.it\/en\/wp-json\/wp\/v2\/media\/10001"}],"wp:attachment":[{"href":"https:\/\/unarchivefest.it\/en\/wp-json\/wp\/v2\/media?parent=9998"}],"wp:term":[{"taxonomy":"portfolio_category","embeddable":true,"href":"https:\/\/unarchivefest.it\/en\/wp-json\/wp\/v2\/portfolio_category?post=9998"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}