International Jury
Rä di Martino (Roma, 1975) (Rome, 1975) studied at the Chelsea College of Art and the Slade School of Art in London, then lived in New York, from 2005 to 2010; she now lives and works in Rome. Her work has been exhibited at institutions such as Tate Modern in London, MoMA PS1 in New York, Palazzo Grassi in Venice, GAM and Fondazione Sandretto Rebaudengo in Turin, MACRO and MAXXI in Rome, Museion in Bolzano, MCA in Chicago, Hangar Bicocca and PAC in Milan. She has participated in international film festivals such as Locarno Film Festival, VIPER Basel, Transmediale Berlin, Kasseler Dokfest, Torino Film Festival, and at the Venice Film Festival, winning the 2014 SIAE Award, the Gillo Pontecorvo Award, and a special mention at the Nastri d’Argento with the film The Show MAS Go On (2014). Her first feature film Contrafigura (2017) premiered at the last Venice Film Festival. In 2018/2019 she developed the AFTERALL project, with the support of the Mibac – Italian Council Award, presented at the Mattatoio – Palaexpo in Rome (2019) and in 2020 at the Kunstmuseum St. Gallen (2020). In 2019 she produced a new video L’eccezione commissioned by the Museo Novecento in Florence, which won the first edition of the Lio Capital Award (Milan, 2020). In 2021, she developed the documentary for ARTE’ Il giardino che non c ‘è on Bassani’s book Il giardino dei Finzi Contini and an experimental documentary on the Pontedera Theatre, Fuori dai Teatri. During the summer of 2022 she inaugurated a solo exhibition at the Forte Belvedere in Florence and a solo exhibition dedicated to the archive of Carmelo Bene (Museo Castromediano in Lecce and Torre Matta, Otranto).
Ilaria Fraioli is an eclectic film editor who continually researches new languages, and a film editing professor. In 1990 she graduated from the Centro Sperimentale di Cinematografia and later earned a BA in Art and Performing Arts at the Sapienza University in Rome.
She has edited many of Alina Marazzi’s films, among which the award-winning Un’ora sola ti vorrei (2002).
She was finalist at the Nastro d’argento withRiprendimi di Anna Negri e Vogliamo anche le rose by Alina Marazzi. She was part of the jury of the Premio Solinas “Documentario per il Cinema”.
for many editions. She has worked, among others, with Stefano Savona, Davide Ferrario, Francesca Comencini, Adele Tulli, Marco Bertozzi, Maura Del Pero, Davide Maldi, Costanza Quatriglio, Pif, Ivan Cotroneo, Francesca Mazzoleni.
Laurence McFalls is professor of political science at Université de Montréal, where he co-founded and directed the Centre canadien d’études allemandes et européennes as well as the International Research Training Group “Diversity”. His research and publications have addressed French and German political culture, postcommunist transitions, the social theories and epistemologies of Max Weber and Michel Foucault, and digital humanities. Together with Mariella Pandolfi, he has developed a critique of humanitarian intervention and “therapeutic domination” under neo- and post-liberalism. Together with the documentary film producer Alberto Herskovits, he has created Open Memory Box, an online “anti-archive” of home movies from the disappeared country of East Germany.
PRIZE
UNARCHIVE AWARD € 3000 open to all selected projects.
AWARD FOR BEST FEATURE FILM €1500 chosen among projects lasting more than 60 minutes.
AWARD FOR BEST SHORT FILM €1500 chosen among projects lasting less than 60 minutes.
Students Jury
President
Daniele Vicari is a italian director and writer. Graduated in Story and Critic of Cinema with an essay focused on the S.M. Éjzenštejn’s theory. A long date author for Cinema Nuovo, directed by Guido Aristarco and for Cinema 60 directed by Mino Argentieri. He taught cinema in the school of every order for 15 years, an experience reported in a four-hands volume with Antonio Medici: L’alfabeto dello sguardo. Capire il linguaggio audiovisivo, Carocci, 2004 which won the award “Filmcritica -Umberto Barbaro” for the best essay on cinema.
He won the Ravesi Priza dalla pagina allo schermo and the Megamark prize for his book Emanuele Nella Battaglia, Einaudi, 2019. In 2022 he published Il cinema, l’Immortale, Einaudi and directed the fictional feature-lenght film Orlando. He’s one of the founder of the School of Cinematographic Art Gian Maria Volonté, of wich he’s artistic director.
Jurors
Alice Fernetti, Andrea Sardi, Annalisa Demarco, Antonio Conenna, Aron Cantelmi, Benedetta Lucidi, Cecilia Pallotti, Chiara Andreucci, Chiara Evangelista, Cinzia Giordano, Daniela De Francesco, Daria Marcon, Delio Di Giovanni, Domenico Rocchi, Elena Orsini Baroni, Eleonora Savinetti, Elisa Schiavottiello, Emanuele Pellegrino, Eva Demattè, Gabriele Celona, Gabriele Guerrieri, Giorgia Di Nanni, Giorgia Zurlo, Giulia D’Alessandro, Giulia Giambrone, Giulia Martina Maria Nicoletti, Giuseppe Rossetti, Iris Di Rienzo, Jessica Starnazzi, Leonardo Mammucari, Lorenza Fossati, Lorenzo Mandile, Lorenzo Nuzzo, Luca Pontillo, Lucrezia Lauteri, Maria Laura Treglia, Maria Rosaria Indorato, Marianna Peperna, Martina Grandin, Martina Ventura, Matteo Alocci, Nicola Iazzetta, Noemi Greco, Noemi Miranda, Ricardo Calero, Valeria Turchetta, Vincent Buratti Zanchi.
Thanks to the professors
Fabio Capalbo (Course Advisor Leader, Cinema e Animazione, NABA Roma)
Dario Cecchi (Aestethic professor, Philosophy Department, Literature and Philosophy, La Sapienza Università di Roma)
Roberto De Gaetano (Story and Critic of Cinema professor, Story, Anthropology, Religions, Arts and Entertaiment Department, Literature and Philosophy, La Sapienza Università di Roma)
Bruno Di Marino (Mass Media Theory and Method professor, Roma Arts Academy)
Antonio Falduto, (History of Cinema professor, Master Coordinator TEA UNINT)
Daniele Guastini, (Aestethic professor, Philosophy Department, Literature and Philosophy, La Sapienza Università di Roma)
Luca Mazzei (History of Cinema professor, History Department, Cultural Heritage, Formation and Society, Università di Roma “Tor Vergata”)
Andrea Minuz, (History of Cinema and Screenwriting professor, Anthropology, Religions, Arts and Entertaiment Department, Literature and Philosophy, La Sapienza Università di Roma)
Claudio Libero Pisano (Contemporary Museology professor, Rome Arts Academy)
Giacomo Ravesi (Avant-garde Cinema professor, Philosophy, Communication, Entertaiment Department, Università degli Studi Roma Tre)
Erika Tasini (Cinema professor, John Cabot University)
AWARDS
UNARCHIVE AWARD open to all selected projects.
BEST FEATURE FILM chosen among projects lasting more than 60 minutes.
BEST SHORT FILM chosen among projects lasting less than 60 minutes.